SACD / DSD – HDMusic.me

This was one of the legendary tenor saxophonist’s final recording sessions before his death on November 5, 1996. Recorded in 1994 with a marvelous quartet, Freedom Jazz Dance is a portrait of a musical titan with his creative muse in full bloom. Eddie Harris and his tenor sax join together with Jacky Terrasson, piano; George Mraz, bass, and Billy Hart, drums, to compile an eight-track SACD full of jazz’s favorite staples as well as originals by quartet members. His immediately recognizable sound is beautifully showcased on this disc.

Eddie Harris’ final “authorized” studio date, like most in the last decade-and-a-half of his life, is a conservative acoustic blowing session, trying one last time to capture the minds and hearts of bop-minded purists. Frankly, he never sounded better on tenor than he does here, his tone luminous, the freak high notes perfectly integrated into his uniquely swinging style, his ballad phrasing infused with an even more poignant singing quality. He had a crack backup piano trio in tow, anchored by his old cohort Billy Hart on drums (who sounds freer than ever), with the emerging Jacky Terrasson on piano and George Mraz on bass. Yet the CD’s mainstream idiom is cautious in the extreme – “Joshua Fit the Battle of Jericho” à la Trane is about as adventurous as this quartet gets (and Harris was into that style when it was current) – and the only Harris original is the title tune, albeit superbly done. As a document of Eddie Harris in full bloom as a hard bopper, Freedom Jazz Dance is marvelous, but reveals only one side of this bewilderingly multi-faceted, innovative musician – and as such, it is an incomplete memorial

Tracklist:
01. Freedom Jazz Dance
02. Stars Fell On Alabama
03. Little Sunflower
04. Georgia On My Mind
05. Lisa Marie
06. All The Things You Are
07. For All We Know
08. Joshua Fit The Battle Of Jericho

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Mike Krowiak.
Recorded on June 18, 2004 at Clinton Studio “A” in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-199.

Personnel
Eddie Harris – tenor sax
Jacky Terrasson – piano
George Mraz – bass
Billy Hart – drums

ISO

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FLAC

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One of the most beautiful Eddie Henderson albums we’ve heard in years – a richly modal session with lots of classic influences, recorded beautifully, and with a feel that will make it a real standout! The set list includes some killer jazz standards – like Wayne Shorter’s “Prince Of Darkness” and “Footprints”, Miles Davis’ “So What” and “All Blues”, and Monk’s “Well You Needn’t” and “Round Midnight” – not to mention great versions of “Green Dolphin Street”, and “Old Folks”. And even though the tunes are classics, they’re played with the fresh modernism of the mid 60s Miles Davis quintet – a style that’s got angular edges, but also some deeply soulful moments – played with elegance by a group that includes Bob Berg on tenor, Dave Kikoshi on piano, Ed Howard on bass, and Billy Hart and Victor Lewis on drums.

Eddie Henderson’s Columbia debut places him in the context of a classic series of modern compositions, from Wayne Shorter’s modal masterpiece “Prince Of Darkness,” and “Footprints,” to his read of his mentor Miles Davis’ “So What,” and “All Blues,” and, a pair of Monk numbers, as well “Round Midnight,” and “Well, You Needn’t.” The band assembled for this date is more than up to the challenge. Drummers Billy Hart and Victor Lewis, pianist Dave Kikoski, bassist Ed Howard, and the inimitable Bob Berg on tenor, accompany Henderson’s trumpet and flugelhorn with requisite heat and polish. Henderson’s arrangements work better on the more adventurous tunes: on the Shorter and Miles cuts, Henderson’s more aggressive and looser, allowing his band to stretch those tunes to the margins. His ultra-modernization of “On Green Dolphin Street,” sounds like he’s trying to update Miles’ particular read of the composition, rather than just take a new look at it for its own merit. He does likewise with “Someday My Prince Will Come,” and D.L. Hill’s “Old Folks.” He turns in stellar versions of the Monk tunes, with interesting and angular rhythmic turns in them along the changes. This is a solid date for Henderson, who doesn’t record nearly often enough.

Tracklist:
01. Prince of Darkness
02. On Green Dolphin Street
03. Footprints
04. Well, You Needn’t
05. So What
06. Old Folks
07. Someday My Prince Will Come
08. All Blues
09. ‘Round Midnight

Produced by Yasohachi “88” Itoh. Engineered by David Baker.
DSD Recording. Recorded on March 13-14, 2002 at Avatar Studio, New York.
Mastered By Koji “C-chan” Suzuki at Sony Music Studios, Tokyo, Japan.

Personnel
Eddie Henderson – trumpet, flugelhorn
Bob Berg – tenor saxophone
Dave Kikoshi – piano
Ed Howard – bass
Billy Hart – drums on “1,5,8,9”
Victor Lewis – drums on “2,3,4,6,7”

ISO

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FLAC

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Spectacular playing by Higgins accompanied and backed by Jay Leonhart on bass and Mark Taylor on drums. I will confess that my favorite drummer who was frequently a member of Higgins’ trios was Joe Ascione, but Taylor is perfect on this album. If you are a Higgins fan, then you are probably familiar with Leonhart who is almost telepathically connected to Higgins.

Track List
01. I Could Write A Book (4:32)
02. Guess I’ll Hang My Tears Out To Dry (6:00)
03. April In Paris (4:22)
04. Polka Dots And Moonbeams (5:41)
05. A Lovely Way To Spend An Evening (4:12)
06. Gentle Rain (4:45)
07. I Get A Kick Out Of You (5:34)
08. Serenade In Blue (5:05)
09. Why Was I Born (3:36)
10. Come Rain Or Come Shine (3:59)
11. The Way You Look Tonight (5:00)
12. Moonlight Serenade (5:09)
13. It Might As Well Be Spring (3:39)

Musicians
Eddie Higgins – piano
Jay Leonhart – bass
Mark Taylor – drums

Produced by Tetsuo Hara

ISO

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FLAC

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One of a handful of the very best piano jazz interpreters in the world, Eddie Higgins takes his place along side Beegie Adair, Dick Hyman, Oscar Peterson, John Proulx, Hank Jones, and maybe five or six other masters. This CD, like all his albums is stunning in its simplicity and in its complexity. A master of interpretation, melodic invention and smooth, easy jazz at his peak.

Track List
01. Again (Newman) – 3:21
02. How Insensitive (Jobim) – 5:02
03. Gion Kouta (Kyoto Blues) (Sassa-Higgins) – 7:54
04. My Foolish Heart (Young) – 6:35
05. Yellow Days (Carrillo) – 4:08
06. My Romance (Rodgers) – 6:04
07. I’ll Never Be the Same (Mlaneck-Signorelli) – 3:58
08. Walk Alone (Ozone) – 6:51
09. Now Please Don’t You Cry, Beautiful Edith (Kirk) – 2:50
10. Polka Dots and Moonbeams (Van Heusen) – 7:58
11. Will You Still Be Mine (Dennis) – 6:37
12. Hurry Song (Higgins) – 5:06

Musicians
Eddie Higgins – piano
Ray Drummond – bass
Ben Riley – drums

Produced by Tetsuo Hara

ISO

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FLAC

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Enrico Rava is a jazz trumpeter and arguably one of the best known Italian jazz musicians. In the 1970s and 1980s he worked with Pat Metheny, Michel Petrucciani, John Abercrombie, Joe Henderson, Richard Galliano, Miroslav Vitouš, Andrea Centazzo, Joe Lovano, Gil Evans and Cecil Taylor. He has also worked with Carla Bley, Lee Konitz, Jeanne Lee, Paul Motian, and Roswell Rudd. Chiefly an exponent of bebop jazz, Rava has also played in avant-garde jazz settings.

Enrico Rava is an Italian jazz trumpeter. He started on trombone, then changed to the trumpet after hearing Miles Davis. With trumpeter Paolo Fresu, Rava recorded four albums on the influence of Bix Beiderbecke, Louis Armstrong, Chet Baker, and Miles Davis. Also of note are his albums Rava, L’Opera Va’ and Carmen, which are his interpretations of operatic arias and overtures. In 2001, he founded a quintet with pianist Stefano Bollani and toured with Gato Barbieri and Aldo Romano. In the trio Europeans, he worked with Eberhard Weber and Swiss percussionist Reto Weber. In June 2005, he was awarded an Honorary Doctorate of Music from Berklee College of Music at the twentieth anniversary of jazz education at the Umbria Jazz Festival, in Perugia, Italy.

Tracklist:
01. It Ain’t Necessarily So
02. Dear Old Stockholm
03. Good Bye
04. My Funny Valentine
05. Vision
06. Fran Dance
07. Nature Boy
08. Gnid
09. There’s No You

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Simone Cianmarughi.
Recorded on February 12 & 13, 2002 at House Recording Studio in Rome, Italy.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-142.

Personnel
Enrico Rava – trumpet, flugelhorn
Stefano Bollani – piano
Rosario Bonaccorso – bass
Roberto Gatto – drums

ISO

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FLAC

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The fifth installment of tenor saxophonist Eric Alexander’s “Gentle Ballads” series doesn’t disappoint. His unwavering, strong tone and unsentimental approach, combined with a certain peacefulness and strong spirituality of his playing, produce stunning results. For the first time in this series, master pianist George Cables joins the band and makes valuable contributions.

Track List
01. The Thrill Is Gone 5:04
02. Tenderly 6:17
03. Mo One And Only Love 7:28
04. From This Moment On 5:12
05. The Shadow Of Your Smile 6:51
06. Nature Boy 5:23
07. Body And Soul 6:03
08. Violets For Your Furs 6:22
09. Dear Old Stockholm 5:44
10. The Summer Knows 6:16

Musicians
Eric Alexander – tenor saxophone
George Cables – piano
Nat Reeves – bass
Joe Farnsworth – drums

Produced by Tetsuo Hara

ISO

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FLAC

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https://subyshare.com/e114329gvpwd/EricAlexanderQuartetGentleBalladsV2011FLAC2488.part2.rar.html

Eric Alexander has had many opportunities to record as a leader for several different labels, though producer Tetsuo Hara, owner of the Japanese label Venus, has become a huge fan, recording him almost any time he travels to New York City. This is another superb outing by Eric Alexander on a freewheeling trio to compile a nine-track full of jazz’s favorite staples from John Coltrane, Cole Porter and many more! There’s a new sort of edge in Eric’s horn, sided with the sublime work of Dezron Douglas on bass and Neal Smith on drums, which he displays throughout the set with a new great sense of spirituality. Well recommended!

Tracklist:
01. You’d Be So Nice To Come Home To
02. Just One Of Those Things
03. Wise One
04. Beautiful Love
05. You Say You Care
06. We’ve Only Just Begun
07. Stardust
08. Russian Lullaby
09. Bessie’s Blues

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Chris Sulit.
Recorded on September 27, 2016 at Trading 8’s Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-188.

Personnel
Eric Alexander – tenor sax
Dezron Douglas – bass
Neal Smith – drums

ISO

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FLAC

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Here we have a team; Shorty with his prodigious talents was the perfect centerpiece, Otis Grand with his guitar playing and production and band leading skills is simply beyond ‘world class’. Add a superb band and a really good studio and you’re in business. The album won a Handy Award. Further JSP collaborations with Otis Grand followed, resulting in stone classic albums with Phillip Walker, Joe Louis Walker and Joe Houston.

Until he joined forces with British guitarist Otis Grand’s band and waxed this very credible comeback set, David “Guitar Shorty” Kearney’s legacy was largely limited to a solitary single for Cobra and a handful of great but legendarily obscure followups for Los Angeles-based Pull Records during the late ’50s. The acrobatic guitarist informed everyone he was alive and lively with this one, exhibiting his Guitar Slim roots on “Down Thru the Years” and slashing with a vengeance on “No Educated Woman” and the title cut (but shouldn’t it have read “or the highway?”).

Tracklist:
01. No Educated Woman
02. You Gave Me The Blues
03. Shorty Jumps In
04. Down Thru’ The Years
05. Red Hot Mamma
06. Hot And Saucy
07. It’s Too Late
08. Kick Out
09. My Way Or The Highway

Horns arranged by Otis Grand except horn arrragement on No Educated Woman by Peter Beck.
Produced by Otis Grand. Engineered by Andy Kay.
Recorded at Falconer Studio London, U.K.
Surround Sound and New Stereo Mix by Martin Atkinson at M.A.R.S. England.

Personnel
David ‘Guitar Shorty’ Kearney – vocals, guitar
Otis Grand – guitar
Dan Quinton – Fender bass
Daniel Strittmatter – drums
Tony Ashton – Hammond B3 organ
Mike Hobart – baritone sax
Peter Beck – tenor & alto sax
Lorenzo Parry – trumpet
Buzz Brown – harmonica on “8”

ISO

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FLAC

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Henry “Hank” Jones Jr. was an American jazz pianist, bandleader, arranger, and composer. Critics and musicians described Jones as eloquent, lyrical, and impeccable. This album has been released for Japanese market as Hybrid SACD.

Tracklist:
01. On Green Dolphin Street
02. Summertime
03. Fly Me To The Moon
04. My Funny Valentine
05. Black Orpheus (Manha De Carnaval)
06. Spring Is Here
07. You Took Advantage Of Me
08. Georgia On My Mind
09. You’re Blase
10. Blue Monk
11. Alone Together
12. Au Privave
13. The Very Thought Of You

DSD Recording. Recorded on February 4 & 5, 2004 (except “11” on August 1, 2003) at Sony Music Nogizaka Studios, Tokyo.
Produced by Yasohachi “88” Itoh. Engineered by Yoshihiro Suzuki. Mastered By Koji “C-chan” Suzuki.

Personnel
Hank Jones – piano

ISO

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FLAC

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Tracklist:
01. My Romance
02. Someone To Watch Over Me
03. Someday My Prince Will Come
04. It’s The Talk Of The Town
05. Willow Weep for Me
06. All The Things You Are
07. ‘Round Midnight
08. The Days Of Wine And Roses
09. Speak Low
10. It’s A Sin To Tell A Lie
11. Tea For Two
12. For You
13. In A Sentimental Mood

DSD Recording. Recorded on February 4 & 5, 2004 at Sony Music Nogizaka Studios, Tokyo, Japan.
Produced by Yasohachi “88” Itoh. Engineered by Yoshihiro Suzuki. Mastered By Koji “C-chan” Suzuki.

Personnel
Hank Jones – piano

ISO

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FLAC

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Harold Mabern is a hard bop, post-bop and soul jazz pianist and composer. He is described in The Penguin Guide to Jazz Recordings as “one of the great post-bop pianists”. This album has been released on the Japanese VENUS label.

Harold Mabern is one of many American jazz artists who have found a lucrative market for their recordings in Japan. This solo piano date is one of his very best efforts, opening with a hard-driving take of Bobby Timmons’ hard bop masterpiece “Dat Dere,” then following it with a thoughtful rendition George Shearing’s unjustly obscure ballad “She.” The pianist’s breezy hard bop treatment of “You Don’t Know What Love Is” makes one forget that it began life as a bittersweet ballad. Mabern’s upbeat performance of Quincy Jones’ “Wail Bait” provokes memories of Bud Powell when he was healthy. Erroll Garner’s “Misty” has long been one of the most requested tunes in night club settings, though Mabern’s percussive setting is quite different from the usual low-key approach. Mabern also includes a pair of originals, including his brisk “Mabern’s Boogie, which would have been right at home during the genre’s heyday, along with his dazzling, hard-charging “Wayne’s Blues.”

Tracklist:
01. Dat Dere
02. She
03. Smoke Gets In Your Eyes
04. Mabern’s Boogie
05. The Way We Were
06. Unforgettable
07. You Don’t Know What Love Is
08. A Child Is Born
09. Wail Bait
10. Stolen Moments
11. Wayne’s Blues
12. Misty

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Katherine Miller.
Recorded on December 20, 2006 at The Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-222.

Personnel
Harold Mabern – piano

ISO

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FLAC

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Harold Mabern and his piano join together with George Mraz, bass, and Joe Farnsworth, drums, to compile a 10-track SACD full of jazz’s favorite staples from Harold Arlen, Michael Leonard and many more. A great piano trio album full of driving swing feel, groove and dynamism.

Tracklist:
01. For Every Man, There’s A Woman
02. Falling In Love With Love
03. Get Back Jack, Do It Again
04. Why Did I Choose You?
05. Kelly Colors
06. Someday My Prince Will Come
07. You Say You Care
08. The Chess Players
09. Only One
10. Summertime

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Katherine Miller.
Recorded on October 1, 2001 at Avatar Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-198.

Personnel
Harold Mabern – piano
George Mraz – bass
Joe Farnsworth – drums

ISO

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FLAC

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Though he passed from cancer in 2008 at the young age of 52, jazz and rock guitarist Hiram Bullock lives on in the music he left behind. A music lover from the start, he played saxophone and bass guitar before claiming his place as a guitarist at the age of 16. He went on to appear on several albums with saxophonist David Sanborn, as well as other artists’ session for record producer Phil Ramone. Mr. Bullock later started the 24th Street Band and the group made three albums. The 24th Street Band made several appearances on “Late Night With David Letterman” whenever Letterman’s keyboardist Paul Shaffer needed a band. Shaffer dubbed them The World’s Most Dangerous Band while Mr. Bullock, himself, earned the nickname “The Barefoot Guitarist”. Those joining Mr. Bullock for the Late Night Talk album include organist Dr. Lonnie Smith, Joe Locke on electric and acoustic vibs, acoustic bassist Ed Howard and Idris Muhammad on drums.

Hiram Bullock claimed that he had never done a “jazz” album before this – which is a debatable proposition depending upon how limiting your definition of jazz is. What counts is that he has come up with a beautiful album, drenched in soul-jazz yet touching upon popular music genres as well. Bullock didn’t have to change much, utilizing his subdued and rock-tinged guitar styles at will, occasionally bursting out in full rock regalia and making tasty use of electronic additives. Bullock has also written some fairly interesting songs – music and lyrics – singing them in a somewhat lusterless voice. There is a nice, literal, mellow cover of Stevie Wonder’s “Creepin’,” which is finally emerging as one of Stevie’s most striking masterpieces of the ’70s, as well as a jaunty cover of Stanley Turrentine’s “Sugar.” His somewhat depoliticized take on David Crosby’s “Long Time Gone” is quite moving, with its reharmonized vamp and atmospheric organ washes. Two-thirds of the rhythm section comes from the heart of ’60s soul-jazz, Dr. Lonnie Smith on Hammond B-3 organ and Idris Muhammad on drums, and Joe Locke contributes a good deal of the jazz flavor on vibes (Ed Howard is on bass). Though made for the Japanese market, this Venus album can be found in good import bins in large U.S. cities.

Tracklist:
01. I Got A Rite
02. Long Time Gone
03. All Fall Down
04. Creepin’
05. Sugar
06. Late Night Talk With You
07. Morning
08. Gotta Get Your Jollys
09. Now It’s Time (To Sing The Blues)
10. Here’s That Rainy Day

Produced & Mastered by Tetsuo Hara. Co-Produced by Hiram Bullock.
Engineered & Mixed by Mike Krowiak. Recorded & Mixed at RPM Studio on December 9-13, 1996, in NY.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-163.

Personnel
Hiram Bullock – guitars, keyboards, vocals
Dr. Lonnie Smith – Hammopnd B-3 organ
Joe Locke – electric vibs, acoustic vibs
Ed Howard – acoustic bass
Idris Muhammad – drums

ISO

https://subyshare.com/as9t97ji96gh/HiramBull0ckLateNightTalk1997Japan2016SACDIS0.part1.rar.html
https://subyshare.com/m5neuwf4z6f9/HiramBull0ckLateNightTalk1997Japan2016SACDIS0.part2.rar.html
https://subyshare.com/zl5mainraroo/HiramBull0ckLateNightTalk1997Japan2016SACDIS0.part3.rar.html

FLAC

https://subyshare.com/h7qkrzqn0m8o/HiramBull0ckLateNightTalk1997Japan2016FLAC2488.2.part1.rar.html
https://subyshare.com/h58s79mpjvjb/HiramBull0ckLateNightTalk1997Japan2016FLAC2488.2.part2.rar.html

People, Hell & Angels is a new album of twelve never before released Jimi Hendrix studio recordings. This special album showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock’s largest grossing concert act and simultaneously placed two of his albums together in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.

People, Hell and Angels is a collection of quality studio tracks recorded (mostly) in 1968-1969 as the Experience was coming to an end and Jimi was renewing his friendships with Billy Cox and Buddy Miles, who appear here as sidemen on most of these tracks. The surprising thing about this set is not the sound quality (which is exceptional) or that these all sound like finished tracks, but the fact that even avid Hendrix bootleg collectors are unlikely to have heard most of this material.
A great version of “Earth Blues” kicks things off with just Jimi, Billy, and Buddy (whose drums were replaced by Mitch Mitchell on the Rainbow Bridge/First Rays version). It’s a more forceful take than the other version and also has some different lyrics. “Somewhere” is also a different take than the one used for Crash Landing and, of course, contains the original rhythm section and not the egregious overdubs of Crash Landing. “Hear My Train A Comin'” and “Bleeding Heart” are both taken from Jimi’s first session with Billy and Buddy from May of 1969. In the film Jimi Hendrix, “Hear My Train” is played slow on a 12-string acoustic and sung so sadly that you can actually see a tear on Jimi’s face as he sings. This version is not only electric and taken at a faster pace than normal, but it’s an angry song, this time with a killer solo. “Bleeding Heart” is nice and raw and has a VERY different arrangement than he ever performed live. “Let Me Move You” was recorded with saxman Lonnie Youngblood, who released a couple singles with a pre-Experience Jimi Hendrix on guitar. It’s nothing more than an old-school soul jam except the guitar is way more out front. It’s a decent track, but doesn’t really fit in with the sound of the rest of the album. “Izabella” and “Easy Blues” are rare studio recordings by the Woodstock band (Jimi, Billy, and Mitch Mitchell with Larry Lee on second guitar and Jerry Velez and Juma Sultan on percussion). This version of “Izabella” is now the earliest known recording of the song, while “Easy Blues” is actually a nice jazzy instrumental (previously released in edited form on Nine to the Universe).
This version of “Crash Landing” has Jimi and Billy with what is essentially a pickup band. It sounds more like a work in progress than anything else on the set and contains many elements of what would become “Dolly Dagger.” “Inside Out” may have been heard by hardcore collectors, but not in this quality. It was originally cut with just Jimi on guitar and Mitch Mitchell on drums, then Jimi added bass and a guitar overdub through a Leslie. It’s a great tune and it’s always exciting to hear Jimi’s bass playing as well. “Hey Gypsy Boy” is very closely related to “Hey Baby,” and may have been an early version. On this cut, Jimi’s whammy bar work is quite interesting and not his standard dive-bomb approach. “Mojo Man” was actually a Ghetto Fighters tune, recorded at Muscle Shoals. Jimi laid down a couple guitar tracks on top of the existing mix for this track. Kudos to Eddie Kramer for grafting guitar parts on to a fully mixed tune and making it sound great (he really did a spectacular job on this entire set). It’s a hot tune with nice syncopated horns, improved by Jimi’s addition. The album closes with a brief studio take on “Villanova Junction Blues.” People, Hell and Angels certainly isn’t the place to start your Hendrix collection, but collectors will surely want to hear this and it provides an interesting perspective on where Jimi’s music was headed post-Experience.

Tracklist:
01. Earth Blues
02. Somewhere
03. Hear My Train a Comin’
04. Bleeding Heart
05. Let Me Move You
06. Izabella
07. Easy Blues
08. Crash Landing
09. Inside Out
10. Hey Gypsy Boy
11. Mojo Man
12. Villanova Junction Blues

ISO

https://subyshare.com/5d4hacfqknw9/JimiHendrixPe0pleHellAndAngels2013AP0Remaster2016SACDIS0.part1.rar.html
https://subyshare.com/l4mvvum007wl/JimiHendrixPe0pleHellAndAngels2013AP0Remaster2016SACDIS0.part2.rar.html
https://subyshare.com/cq5l3hoamqvb/JimiHendrixPe0pleHellAndAngels2013AP0Remaster2016SACDIS0.part3.rar.html

FLAC 24-88.2

https://subyshare.com/qbhjxgp8ss3a/JimiHendrixPe0pleHellAndAngels2013AP0Remaster2016FLAC2488.2.part1.rar.html
https://subyshare.com/i2tg7889jmic/JimiHendrixPe0pleHellAndAngels2013AP0Remaster2016FLAC2488.2.part2.rar.html

HDTracks 24-96

http://hdmusic.pw/jimi-hendrix-people-hell-and-angels-2013-official-digital-download-24bit192khz/

Jimmy Scott, was an American jazz vocalist famous for his high countertenor voice and his sensitivity on ballads and love songs. Lionel Hampton gave him the nickname “Little Jimmy Scott” because he looked young and was short and of slight build. His phrasing made him a favorite of artists including Billie Holiday, Ray Charles, Frankie Valli, Dinah Washington, and Nancy Wilson.

Track List
01. Opening
02. All Of Me
03. You Don’t Know What Love Is
04. I’ll Close My Eyes
05. Pennies From Heaven
06. Time After Time
07. Sometime I Feel Like A Motherless Child
08. I Cried For You
09. Encore #1
10. Why Was I Born?
11. Encore #2
12. Everybody’s Somebody’s Fool

Musicians
Jimmy Scott – vocals
T.K. Blue – alto saxophone, flute
Jon Regen – piano
Hilliard “Hill” Greene – bass
Dwayne “Cook” Broadnax – drums

Produced by Tetsuo Hara

ISO

https://subyshare.com/hnvbvq6gh7cu/JimmySc0ttAndTheJazzExpressi0nsAll0fMe2003DSD64.part1.rar.html
https://subyshare.com/rh9okrgaxuhf/JimmySc0ttAndTheJazzExpressi0nsAll0fMe2003DSD64.part2.rar.html
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FLAC

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https://subyshare.com/8kl2ncn2eemt/JimmySc0ttAndTheJazzExpressi0nsAll0fMe2003FLAC2488.part2.rar.html

Joe Beck began his career as a highly sought-after studio guitarist in the early 70s. His clean jazz playing on electric guitar was his hallmark. His discography is well-worthy searching for. He was well-respected and played with artists such as John Abercrombie, Jimmy Bruno, Gill Evans, Don Sebesky, Bobby TImmons, and Paul Simon. This recording was made for Japanese Venus label. Relaxed samba/bossa nova is the emphasis here, with selections from Antonio Carlos Jobim, primarily.

Joe Beck has had a long career, though he remains an artist deserving of wider recognition. These 2005 sessions are a relaxing affair that will delight fans of Brazilian jazz. Joined by bassist Ira Coleman and drummer Thierry Arpino (who is known for his work with violinist Jean-Luc Ponty), Beck’s fluid electric guitar (while sometimes overdubbing an acoustic rhythm line) makes the most of each selection, playing a heavy dose of popular tunes by Antonio Carlos Jobim and his own tasty originals. Highlights among the Jobim compositions include the bittersweet “O Grande Amor” and the easygoing “Felicidade.” Harmonica player Gregoire Maret is added for the leader’s gentle bossa nova “And Here’s to You” and Jobim’s bittersweet “Falando De Amor.” Beck also offers an inventive samba arrangement of John Coltrane’s “Giant Steps” that adds a few twists while played at a slower-than-typical tempo, so it sneaks up on the listener. Highly recommended!

Tracklist:
01. Vivo Sonhando
02. Manha De Carnaval
03. Aquarius
04. O Grande Amor
05. Felicidade
06. And Here’s To You
07. Brazil
08. Ela E Carioca
09. Falando De Amor
10. Zanzibar
11. Giant Steps
12. What Would I Do Without You?

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Katherine Miller.
Recorded on September 27 & 30, 2005 at The Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-25.

Personnel
Joe Beck – guitar
Ira Coleman – bass
Thierry Arpino – drums
Gregoire Maret harmonica on “6 & 9”

ISO

https://subyshare.com/3gli7djez925/J0eBeckTri0BrazilianDreamin2006Japan2016SACDIS0.part1.rar.html
https://subyshare.com/t79hr7mlvp1g/J0eBeckTri0BrazilianDreamin2006Japan2016SACDIS0.part2.rar.html
https://subyshare.com/z8y4ftndmm61/J0eBeckTri0BrazilianDreamin2006Japan2016SACDIS0.part3.rar.html

FLAC

https://subyshare.com/nlveag0z9c6g/J0eBeckTri0BrazilianDreamin2006Japan2016FLAC2488.2.part1.rar.html
https://subyshare.com/lj5cltgwnwls/J0eBeckTri0BrazilianDreamin2006Japan2016FLAC2488.2.part2.rar.html

Joe Beck was an American jazz guitarist who played in a variety of jazz styles, including jazz fusion, post bop, mainstream jazz and soul jazz. On this album Joe Beck joined with Joey DeFrancesco and Idris Muhammad. As result the trio plays subtle, tastefully rendered versions of jazz standards. Beck’s guitar takes inspiration from the Jim Hall and Pat Metheny, featuring gentle bent notes, muted strumming, wandering melodic lines, and a smooth, rounded tone.

Tracklist:
01. Gingi
02. Emily
03. Girl Talk
04. Have You Met Miss Jones?
05. Laura
06. Little Girl Blue
07. Nica’s Dream
08. Ruby
09. Sophisticated Lady
10. Stella By Starlight

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Katherine Miller.
Recorded on June 19, 2002 at Avatar Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-213.

Personnel
Joe Beck – guitar
Joey DeFrancesco – organ
Idris Muhammad – drums

ISO

https://subyshare.com/0i60wr4kb62b/J0eBeckTri0GirlTalk2003Japan2017SACDIS0.part1.rar.html
https://subyshare.com/sep250blhdhj/J0eBeckTri0GirlTalk2003Japan2017SACDIS0.part2.rar.html
https://subyshare.com/bt8brksm51ye/J0eBeckTri0GirlTalk2003Japan2017SACDIS0.part3.rar.html

FLAC

https://subyshare.com/qk18vjeajokg/J0eBeckTri0GirlTalk2003Japan2017FLAC2488.2.part1.rar.html
https://subyshare.com/ohi05oapkhl3/J0eBeckTri0GirlTalk2003Japan2017FLAC2488.2.part2.rar.html

Joel Frahm is New York-based saxophonist and recording artist. This album features “Smoke Gets In Your Eyes”, “Early Autumn” and other love songs by Antonio Carlos Jobim and Bossa Nova’s famous songs romantically and sentimentally tells jazz’s attractive tenor saxophone.

Wisconsin-born Joel Frahm practiced piano and bassoon in his youth, but in grade 8, chose tenor saxophone as his principal horn. He went on to play in the high school jazz band, later publically performing with quartet formed by one of those bandmates. He formally studied music in New York.

Pianist Cyrus Chestnut began playing at his church at age 6 and by age 9 was studying classical music at the Peabody Institute. Since age 30, he has spawned several albums and has performed alongside the likes of Vanessa Williams and Brian McKnight.

Bassist Dezron Douglas, born in Connecticut, didn’t start out as a jazz fan, relishing in the lyrics and tunes of R&B stars, including Stevie Wonder and Diana Ross. It was in college that he decided to harness his loyalty to rhythm and blues and combine it with the smooth moves of jazz to create a style all his own. He is now a music teacher.

Rio de Janeiro-born Drummer Duduka Da Fonseca has been playing drums since he was 12, and by age 15 was performing with some of the most experienced musicians in Brazil. In 1975, Mr. Da Fonseca moved to New York where his career flourished playing in various ensembles and conducting workshops in Japan and Europe. He is also the author of the instructional book and tape set Brazilian Rhythms for Drumset.

Tracklist:
01. Bons Amigos
02. Caminhos Cruzados
03. Carinhoso
04. Delilah
05. Early Autumn
06. O Cantador
07. Flowers On The Terrace
08. Sunshower
09. Smoke Gets In Your Eyes
10. Flying Over Rio
11. Tereza My Love
12. Waiting For Angela

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Katherine Miller.
Recorded on May 6 & 7, 2009 at The Avatar Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-156.

Personnel
Joel Frahm – tenor sax
Cyrus Chestnut – piano
Dezron Douglas – bass
Duduka Da Fonseca – drums

ISO

https://subyshare.com/acpzq0jibtjy/J0elFrahmQuartetCaminh0sCruzad0s2010Japan2016SACDIS0.part1.rar.html
https://subyshare.com/fbgydf797i81/J0elFrahmQuartetCaminh0sCruzad0s2010Japan2016SACDIS0.part2.rar.html
https://subyshare.com/85hngmu26m2g/J0elFrahmQuartetCaminh0sCruzad0s2010Japan2016SACDIS0.part3.rar.html

FLAC

https://subyshare.com/vfh3e9t11nga/J0elFrahmQuartetCaminh0sCruzad0s2010Japan2016FLAC2488.2.part1.rar.html
https://subyshare.com/ziu9vg6dmzdq/J0elFrahmQuartetCaminh0sCruzad0s2010Japan2016FLAC2488.2.part2.rar.html

John Di Martino, composer, arranger, pianist, has recorded many CD’s for Venus Records with his “Romantic Jazz Trio”. Noted for his versatility, John has performed and recorded with such notables as Kenny Burrell, James Moody, Joe Lovano, David “Fat Head” Newman, Pat Martino, Paquito D’Rivera and Houston Person.

Of the 70 published Monk compositions, two dozen or so are performed more often than the rest. With that thought in mind, it is more difficult for a pianist to break new ground on a record date, though Di Martino has a few twists in store. Monk’s “Epistrophy” alternates between an intense staccato attack and a straight-ahead bop groove. “‘Round Midnight” is easily Monk’s best-known work; Di Martino doesn’t overly attempt to stretch the boundaries of its theme, but improvises thoughtfully while maintaining the essence of its haunting melody. The fun romp through “Well, You Needn’t” contrasts with the relaxed setting of “Eronel.” Di Martino’s lyrical title track is a tribute to Monk and (presumably) Japanese novelist Haruki Murakami, an enjoyable piece that doesn’t attempt to mimic Monk’s writing style.

Tracklist:
01. Epistrophy
02. Criss Cross
03. Bemsha Swing
04. Ask Me Now
05. Rhythm -A- Ning
06. Round Midnight
07. Well You Needn’t
08. Pannonica
09. Eronel
10. Ugly Beauty
11. Magical Mystery ~for Monk and Murakami
12. Blue Monk
13. In Walked Bud

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Katherine Miller.
Recorded on June 1 & 2, 2007 at The Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-214.

Personnel
John Di Martino – piano
Essiet Okon Essiet – bass
Victor Jones – drums

ISO

https://subyshare.com/3v0i0koqavck/J0hnDiMartin0R0manticJazzTri0MagicalMystery2008Japan2017SACDIS0.part1.rar.html
https://subyshare.com/sxxo15iqv4s3/J0hnDiMartin0R0manticJazzTri0MagicalMystery2008Japan2017SACDIS0.part2.rar.html
https://subyshare.com/uc4dednpwdyg/J0hnDiMartin0R0manticJazzTri0MagicalMystery2008Japan2017SACDIS0.part3.rar.html
https://subyshare.com/e9v7nb71o6p6/J0hnDiMartin0R0manticJazzTri0MagicalMystery2008Japan2017SACDIS0.part4.rar.html

FLAC

https://subyshare.com/iwwthlisa68l/J0hnDiMartin0R0manticJazzTri0MagicalMystery2008Japan2017FLAC2488.2.part1.rar.html
https://subyshare.com/um6zxl2sp571/J0hnDiMartin0R0manticJazzTri0MagicalMystery2008Japan2017FLAC2488.2.part2.rar.html

Multiple Grammy nominee John Di Martino — composer, arranger, pianist — has recorded many albums for Venus Records with his Romantic Jazz Trio. Noted for his versatility, John has performed and recorded with such notables as Kenny Burrell, James Moody, Joe Lovano, David “Fat Head” Newman, Pat Martino, Paquito D’Rivera and Houston Person. On this album John Di Martino and his Romantic Jazz Trio turns Beatles’ pop songs into jazz tunes. Featured songs include “Penny Lane”, “Yesterday”, “Let It Be” and many more.

Tracklist:
01. The Fool On The Hill
02. Let It Be
03. Because
04. Fixing A Hole
05. In My Life
06. Norwegian Wood
07. Come Together
08. Penny Lane
09. Blackbird
10. Eleanor Rigby
11. Yesterday
12. Got To Get You Into My Life
13. Here, There And Everywhere

Produced, Mixed & Mastered by Tetsuo Hara. Engineered by Anthony Ruotolo.
Recorded on October 5 & 6, 2009 at Avatar Studio in New York.
Venus Hyper Magnum Sound Direct Mix. VENUS Japan # VHGD-196.

Personnel
John Di Martino – piano
Boris Kozlov – bass
Tim Horner – drums

ISO

https://subyshare.com/53icsdnusgj8/J0hnDiMartin0sR0manticJazzTri0TheBeatlesInJazz2010Japan2017SACDIS0.part1.rar.html
https://subyshare.com/x4c59a0htd1m/J0hnDiMartin0sR0manticJazzTri0TheBeatlesInJazz2010Japan2017SACDIS0.part2.rar.html
https://subyshare.com/dq3gfjxkswd9/J0hnDiMartin0sR0manticJazzTri0TheBeatlesInJazz2010Japan2017SACDIS0.part3.rar.html

FLAC

https://subyshare.com/yzsit743e5rr/J0hnDiMartin0sR0manticJazzTri0TheBeatlesInJazz2010Japan2017FLAC2488.2.part1.rar.html
https://subyshare.com/9pehgmz745w6/J0hnDiMartin0sR0manticJazzTri0TheBeatlesInJazz2010Japan2017FLAC2488.2.part2.rar.html

Eddie Harris Quartet – Freedom Jazz Dance (1997) [Japan 2017] {SACD ISO + FLAC}

Eddie Henderson – So What (2002) [Japan] {SACD ISO + FLAC}

Eddie Higgins Trio – A Lovely Way To Spend An Evening (2007) {SACD ISO + FLAC}

Eddie Higgins Trio – Again (2000) {SACD ISO + FLAC}

Enrico Rava – Renaissance (2002) [Japan 2016] {SACD ISO + FLAC}

Eric Alexander Quartet – Gentle Ballads V (2011) {SACD ISO + FLAC}

Eric Alexander Trio – Just One Of Those Things (2016) [Japan] {SACD ISO + FLAC}

Guitar Shorty – My Way Or The Highway (1991) [Reissue 2004] {PS3 ISO + FLAC}

Hank Jones – My Funny Valentine (2005) [Japan] {SACD ISO + FLAC}

Hank Jones –‘Round Midnight (2006) [Japan] {SACD ISO + FLAC}

Harold Mabern – Misty (2007) [Japan 2017] {SACD ISO + FLAC}

Harold Mabern Trio – Falling In Love With Love (2003) [Japan 2017] {SACD ISO + FLAC}

Hiram Bullock – Late Night Talk (1997) [Japan 2016] {SACD ISO + FLAC}

Jimi Hendrix – People, Hell & Angels (2013/2016) {SACD ISO + FLAC}

Jimmy Scott And The Jazz Expressions – All Of Me (2004) {SACD ISO + FLAC}

Joe Beck Trio – Brazilian Dreamin’ (2006) [Japan 2016] {SACD ISO + FLAC}

Joe Beck Trio – Girl Talk (2003) [Japan 2017] {SACD ISO + FLAC}

Joel Frahm Quartet – Caminhos Cruzados (2010) [Japan 2016] {SACD ISO + FLAC}

John Di Martino Romantic Jazz Trio – Magical Mystery (2008) [Japan 2017] {SACD ISO + FLAC}

John Di Martino’s Romantic Jazz Trio – The Beatles In Jazz (2010) [Japan 2017] {SACD ISO + FLAC}