Stan Getz – Spring Is Here (1992) [Reissue 2004]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 52:27 minutes | Scans included | 2,11 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,12 GB

Recorded in 1981 and produced by Concord founder Carl Jefferson, this is another jewel of an album from the Concord Jazz catalog. A classic live recording from the Keystone Korner jazz club in San Francisco and with great sound, this is vintage late Getz and includes some of his best performances of standards like “Easy Living,” “Sweet Lorraine,” “Old Devil Moon,” “I’m Old Fashioned” and the title track. Now out of print on regualar CD, this SACD reissue will only enhance what is already an excellent Getz title.

This album was recorded at the same sessions that resulted in The Dolphin but were not released until after Stan Getz’s death. Actually the music (which features pianist Lou Levy, bassist Monty Budwig and drummer Victor Lewis in addition to the leader’s tenor) is the equal of the original set, with “How About You,” “Easy Living,” and “Old Devil Moon” showing off Getz’s tone and strong improvising skills at its best.

Tracklist:

01. How About You
02. You’re Blaze
03. Easy Living
04. Sweet Lorraine
05. Old Devil Moon
06. I’m Old Fashioned
07. Spring Is Here

Personnel
Stan Getz – tenor saxophone
Lou Levy – piano
Monty Budwig – bass
Victor Lewis – drums

Recorded in May 1981 at Keystone Korner, San Francisco, CA.
SACD Reissue mastered by Bernie Grundman.

ISO

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FLAC

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Sunao Wada Quartet/Sextet – Coco’s Blues (1972) [Japan 2006]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 43:08 minutes | Front/Rear Covers | 1,74 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear Covers | 0,99 GB

Self-taught musician, Sunao Wada began playing the guitar at the age of 11, and at an early stage of his career decided to become the “No. 1 blues guitarist in Japan”. Recorded in 1972, Coco’s Blues, named after the jazz club Wada manages in addition to his concert tours, fulfills the desire of producer “Tee” Fujii, to create an all-blues album, “a quality piece of music that truly expresses artists’ emotions”.

Coco’s Blues is Wada’s first leader album, and an all-blues album at that, recorded in 1972. Three numbers were composed by Wada himself, one by the pianist of the session who is also known for his blues chops, and one by Charlie Parker (“Billie’s Bounce”). Alto sax player Kenji Mori and flugel horn player Kunji Shigi join the quartet and stretch out on two numbers. If you have a slightest doubt as to whether a Japanese guitarist can really play the blues – here’s the only one answer: Listen!

Tracklist:

01. One’s Blue
02. Billie’s Bounce
03. Guitar’s Time
04. Sick Thomas
05. Coco’s Blues

Personnel
Sunao Wada – guitar
Kenji Mori – alto sax
Kunji Shigi – flugelhorn
Takehiro Honda – piano
Mitsuaki Furuno – bass
Arihide Kurata – drums

Produced by Takeshi Fujii. Engineered by Yoshihiko Kannnari.
Recorded on October 23, 1972 at KRC Studio, Tokio, Japan.
Three Blind Mice / Sony Music Direct, Japan # MHCP 10025

ISO

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FLAC

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Susan Wong (黃翠珊) – A Night At The Movies (2006)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 42:32 minutes | 1,72 GB
Genre: Jazz, Pop, Vocal | Label: Rock In Music

“A Night At The Movies” is Susan Wong is newest album that the selection of songs and her performance are all nicely arranged, including songs like ‘Sometimes When We Touch’, ‘Smile’, ‘As Time Goes By’, and ‘Memory’ etc. This album is great for all her fans.

Tracklist:

01. Sometimes When We Touch
02. First of May
03. Smile
04. You Don’t know Me
05. When I Fall In Love
06. A Thousand Dreams of You
07. Guitar Interlude
08. As Time Goes By
09. More
10. Sway
11. Memory
12. In The Wee small Hours of The Morning
13. Fallen

ISO

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Susan Wong (黃翠珊) – Best Selection 16 (2011/2012)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 58:56 minutes | 1,02 GB
Genre: Jazz, Pop, Vocal | Label: Rock In Music

Susan Wong was born in Hong Kong and immigrated to Sydney, Australia with her family at the age of seven. Musically inclined from a young age, she learned to play the piano at age five and later she also learned the violin. At Kambala in Sydney, she sang alto in the choir and appeared in the school dramas (Gilbert & Sullivan & the like) and entered a number of piano competitions. She received an associate diploma (ATCL) in piano from Trinity College London.
Her first break in the music world was at the age of sixteen when her parents entered her for a singing contest in Sydney. It was organized by TVB with the winner to be offered a recording contract with one of the big music companies in Hong Kong. She won the competition and went to Hong Kong, where she met with the TVB producers who wanted her to sign with one of the music labels. After much deliberation she decided that a music career wasn’t right for her at that time and instead returned to Australia to study at University.

After graduating from university, she returned to Hong Kong in 1997 to help run her family’s accounting business; at this time, she gained her CPA certification. One of her students, who she was teaching piano, was working for a Hong Kong independent label, and Wong asked the boss if they wanted a singer. Wong started recording her favourite English songs and made the album Close To You (2002).

In early 2007, Susan Wong signed a new recording agreement with Hong Kong-based Evolution Music Group and released her first album under evosound in August 2007.

The first release under this agreement, Someone Like You, was recorded in Nashville, USA and won critical and commercial success throughout South East Asia.

Wong recorded her second album, 511, for the evosound label in Geneva Switzerland with producer Adrien Zerbini.] It contained bossa nova influenced versions of songs such as Michael Jackson’s Billie Jean and Everytime You Go Away by Hall & Oates. Billie Jean received extensive airplay throughout South East Asia and a version on YouTube received over 450,000 views.

Returning to Geneva in 2010, Wong started work again with producer Adrien Zerbini along with guitarist Ignacio Lamas. The recordings mostly concentrated on sparse acoustic new interpretations of classic pop songs from the late 1960s and early 1970s including California Dreamin’, The Sound of Silence and Have You Ever Seen the Rain?. The ‘studio master’ download of the album peaked at No. 1 on the Linn Records ‘studio master’ download chart and spent over six months in the Top 10.

Tracklist:

01. Stay Awhile (2008 Version)
02. Superstar
03. Cavatina
04. Killing Me Softly
05. Rainy Days And Mondays
06. Emotion
07. I’m Easy
08. Sway
09. Close to You
10. You Needed Me
11. Do That To Me One More Time
12. My Cherie Amour
13. Sometimes When We Touch
14. We’re All Alone (2008 Version)
15. Kiss Me Goodbye (2008 Version)
16. I Only Want to Be With You

ISO

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Susan Wong (黃翠珊) – Someone Like You (2007)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 45:31 minutes | 1,86 GB
Genre: Jazz, Pop, Vocal | Label: Evosound

Hybrid SACD pressing. Reissue. 2007 release from the jazz/pop vocalist. The album features songs from the 1940’s standard “Over The Rainbow” to 1990’s hit love song “When You Say Nothing At All” and also includes covers of songs from Van Morrison, Buddy Holly and Burt Bacharach. Susan says “When choosing the repertoire for this album I have stepped away from my usual choice of songs as I wanted to try a more daring selection, covering a wider spectrum of the music that I enjoy.”

Tracklist:

01. You’ve Got A Friend
02. True Love Ways
03. Over The Rainbow
04. What A Difference A Day Made
05. When You Say Nothing At All
06. The Otherside Of The Sun
07. Come To Me Softly
08. Make It With You
09. This Girl’s In Love With You
10. How Deep Is Your Love
11. Someone Like You
12. You Send Me
13. Goodnight

ISO

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Susan Wong (黃翠珊) – Step Into My Dreams (2010)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 43:59 minutes | 1,76 GB
Genre: Jazz, Pop, Vocal | Label: Evosound

Hybrid SACD pressing. Reissue. 2010 release from the jazz/pop vocalist. Following the success of her previous album, 511, Susan returned to the studio in Geneva, Switzerland with producer Adrien Zerbini and Spanish guitar maestro/arranger Ignacio Lamas to record her third album with evosound. Delving into golden age of pop/folk music from the late 1960’s and early 1970’s Susan has reinterpreted classics such as the Beatles’ ‘Something’, the Turtles’ ‘Happy Together’, Creedence Clearwater Revivals’ ‘Have You Ever Seen The Rain’ and The Mama’s & the Papa’s ‘California Dreaming’ in her own laid-back intimate acoustic pop, folk and bossa nova style.

Tracklist:

01. California Dreaming
02. Something
03. Halo
04. Groovin’
05. Let’s Stay Together
06. So Far Away
07. Sound of Silence
08. Have You Ever Seen the Rain
09. Happy Together
10. Big Yellow Taxi
11. The Letter
12. I Wanna Hold Your Hand
13. For Once In My Life
14. Where Did Our Love Go

ISO

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Susannah McCorkle – From Bessie To Brazil (1993) [Reissue 2003]
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 59:44 minutes | Scans included | 3,51 GB
or FLAC 2.0 Stereo(converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,27 GB
Features Stereo and Multichannel Surround Sound | Concord Records # SACD-1017-6 | Genre: Jazz

The selections on this album span 70 years of popular song, because the more Susannah felt she knows about singers and songs, the more she adores the women who started it all: the great Empress of the Blues, Bessie Smith, and the mother of all modern popular singing, Ethel Waters. She also feels a great affinity for Brazilian songs, the sound of the language and the sadness and seriousness of the lyrics, and they too are included here.

For this Concord release, singer Susannah McCorkle alternates vintage standards and obscurities with some more recent songs such as “The Waters Of March,” and Dave Frishberg’s “Quality Time,” and Paul Simon’s “Still Crazy After All These Years.” The bread and butter is still the older tunes and among the highlights are “The Lady Is A Tramp,” “My Sweetie Went Away,” “Hit The Road To Dreamland” and a remake of “The People That You Never Get To Love.” McCorkle is joined by four horns (including trumpeter Randy Sandke and Ken Peplowski on tenor and clarinet) plus a rhythm section led by her pianist Allen Farnham who also serves as her musical director. A fine all-round showcase for the talented singer.

Tracklist:

01. Love
02. The People That You Never Get To Love
03. Thief in the Night
04. The Waters of March
05. Ac-cent-tchu-ate the Positive
06. How Deep is the Ocean?
07. The Lady is a Tramp
08. Quality Time
09. My Sweetie Went Away
10. Still Crazy After All These Years
11. Adeus America
12. That Ole Devil Called Love
13. Hit the Road to Dreamland
14. You Go To My Head

Personnel
Susannah McCorkle – vocals
Dick Oatts – alto saxophone, flute
Ken Peplowski – tenor saxophone, clarinet
Randy Sandke – trumpet, flugelhorn
Robin Trowers – trombone
Allen Farnham – piano
Howard Alden – guitar
Kiyoshi Kitagawa – bass
Chuck Redd – drums

Produced by Carl E. Jefferson. Engineered by Paul Wickliffe.
Recorded on February 1-3, 1993 at Skyline Studios in New York City.
SACD 5.1 Mix Engineer: Phil Edwards.

ISO

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FLAC

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Suzanne Vega – Suzanne Vega (1985) [Japan 2018]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 36:00 minutes | Scans included | 1,53 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 879 MB

Suzanne Vega is the self-titled debut album by Suzanne Vega. It was well-received by music journalists in the U.S. and reached platinum status in the United Kingdom. Produced by Lenny Kaye and Steve Addabbo, the songs feature Vega’s acoustic guitar in straightforward arrangements. In 1989, Rolling Stone magazine listed Suzanne Vega at number 80 on its “100 Best Albums of the Eighties”. It is also mentioned in the book 1001 Albums You Must Hear Before You Die.

Though early comparisons were made to Joni Mitchell, Suzanne Vega’s true antecedents were Janis Ian and Leonard Cohen. Like Ian, she sings with a precise, frequently half-spoken phrasing that gives her lyrics an intensity that seems to suggest an unsteady control consciously held over emotional chaos. Like Cohen, Vega observes the world in poetic metaphor, her cold urban landscapes reflecting a troubled sense of love and loss. The key track is “Small Blue Thing,” in which the singer pictures herself as an object “Like a marble/or an eye,” “made of china/made of glass,” “lost inside your pocket,” and “turning in your hand.” The sharply picked acoustic guitar and other isolated musical elements echo the closely observed scenes – everything seems to be in tight close-up and sharp focus. Often, the singer seems to be using the songs to measure an emotional distance; sometimes, as in “Marlene on the Wall,” she observes her own actions from a remove. In “Freeze Tag,” she tells a companion, “I will be Dietrich/and you can be Dean”; in “Marlene,” a poster of the aloof movie star “watches from the wall,” observing the singer’s succession of lovers, and she tries to emulate her heroine’s persona, telling the current one, “Even if I am in love with you/all this to say, what’s it to you?” The ten songs on Suzanne Vega constitute the self-analysis of a young woman who desires possession without offering commitment; no wonder that, upon its release, it was taken to heart by young women across the country and in Europe.

Tracklist:

01. Cracking
02. Freeze Tag
03. Marlene On The Wall
04. Small Blue Thing
05. Straight Lines
06. Undertow
07. Some Journey
08. The Queen And The Soldier
09. Knight Moves
10. Neighborhood Girls

Remastered in July 2018 by Robert Vosgien at Capitol Studios, Los Angeles.
A&M Records / Universal LLC / Stereo Sound Japan # SSVS-009

ISO

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FLAC

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Sviatoslav Richter – Deutsche Grammophon Concerto Recordings (2019) [3x SACD]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 219:09 min | Scans incl. | 8,88 GB
Features 1958, 1959 & 1962 Recordings | Deutsche Grammophon / Tower Records, Japan # PROC 2196~8

From the heyday of Svyatoslav Richter, all the concertos recorded by DG from 1958 to 62 were assembled into 3 pieces (except Disc 3, these are 1st time on SACD). Features the works by Robert Schumann, W.A. Mozart, Sergey Prokofiev, Ludwig Van Beethoven, Sergei Rachmaninov & P.I. Tchaikovsky. This is a Sviatoslav Richter’s special collaboration with Wittold Lovitki, Kurt Sanderling, Herbert von Karajan, Warsaw National Philharmonic Orchestra, Vienna Symphony Orchestra, etc. Features the new mastering from the original analogue master tapes.

From the age of 43 to 46, Richter has gathered all three concertos recorded on the DG label during the middle of the season. Except DISC3 Tchaikovsky and Rachmaninov, it is the world’s first SA-CD. Neither of these two songs has been on the market for a while on SA-CD, and they have not been marketed by Universal.
Richter, who was known as a phantom pianist and rarely performed in the West, recorded a picture of an exhibition in Sofia, Bulgaria in February 1958, which was released on the West as a record. The real name will be earned worldwide. In 1958, the 1st Tchaikovsky Competition was held and Richter participated as a judge. The influence was growing more and more, such as acclaiming Cliburn. DG, who had already recorded Schumann’s solo work in November 1956, finally started recording a concerto in October 1958 with the DG staff getting into Warsaw. The first recording was Schumann, the first song of DISC1. In April of the following year, four songs were recorded together, including Mozart, Prokofiev, and Rachmaninoff, and the evaluation of Richel was fixed. Among them, Richel (piano sonata No. 7 premiere), who had a close relationship with Prokofiev, was especially loved by No. 5 (recorded in the former EMI with Masere in 1970), and it is also evaluated that there is still no performance beyond this The second record of Rachmaninov, an absolute masterpiece, became a recording that will remain in history.

Tracklist

DISC 1:
01. Schumann: Piano Concerto In A Minor, Op.54 – 1. Allegro affettuoso
02. Schumann: Piano Concerto In A Minor, Op.54 – 2. Intermezzo (Andantino grazioso)
03. Schumann: Piano Concerto In A Minor, Op.54 – 3. Allegro vivace*
04. Schumann: Piano Concerto In A Minor, Op.54 – Introduction & Allegro Appassionato For Piano & Orchestra, Op.92
05. Mozart: Piano Concerto No.20 In D Minor, K.466 – 1. Allegro
06. Mozart: Piano Concerto No.20 In D Minor, K.466 – 2. Romance
07. Mozart: Piano Concerto No.20 In D Minor, K.466 – 3. Rondo (Allegro assai)

DISC 2:
01. Prokofiev: Piano Concerto No.5 In G Major, Op.55 – 1. Allegro con brio
02. Prokofiev: Piano Concerto No.5 In G Major, Op.55 – 2. Moderato ben accentuato
03. Prokofiev: Piano Concerto No.5 In G Major, Op.55 – 3. Toccata
04. Prokofiev: Piano Concerto No.5 In G Major, Op.55 – 4. Larghetto
05. Prokofiev: Piano Concerto No.5 In G Major, Op.55 – 5. Vivo
06. Beethoven: Piano Concerto No.3 In C Minor, Op.37 – 1. Allegro con brio
07. Beethoven: Piano Concerto No.3 In C Minor, Op.37 – 2. Largo
08. Beethoven: Piano Concerto No.3 In C Minor, Op.37 – 3. Rondo (Allegro)
09. Beethoven: Piano Concerto No.3 In C Minor, Op.37 – Fragment, erganzt von Carl Czerny Rondo In B Flat For Piano & Orchestra, WoO6

DISC 3:
01. Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18 – 1. Moderato
02. Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18 – 2. Adagio sostenuto
03. Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18 – 3. Allegro scherzando
04. Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 – 1. Allegro non troppo e molto maestoso – Allegro con spirito
05. Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 – 2. Andantino semplice – Prestissimo – Tempo I
06. Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 – 3. Allegro con fuoco

Sviatoslav Richter – piano
Schumann: Piano Concerto In A Minor – Recorded in Warsaw, October 1958 (Warsaw National Philharmonic Orchestra, Conducted by Wittold Lovitki)
Schumann: Prelude and Allegro A passionate in G major – Recorded in Warsaw, April 1959 (Warsaw National Philharmonic Orchestra, Conducted by Stanislav Wistrock)
Mozart: Piano Concerto No. 20 – Recorded in Warsaw, April 1959 (Warsaw National Philharmonic Orchestra, Conducted by Stanislav Wistrock)
Prokofiev: Piano Concerto No. 5 – Recorded in Warsaw, April 1959 (Warsaw National Philharmonic Orchestra, Conducted by Wittold Lovitki)
Beethoven: Piano Concerto No. 3 – Recorded in Vienna, September 1962 (Vienna Symphony Orchestra, Conducted by Kurt Sanderling)
Beethoven: Rondo for Piano and Orchestra in B flat major – Recorded in Vienna, September 1962 (Vienna Symphony Orchestra, Conducted by Kurt Sanderling)
Rachmaninov: Piano Concerto No. 2 – Recorded in Warsaw, April 1959 (Warsaw National Philharmonic Orchestra, Conducted by Wittold Lovitki)
Tchaikovsky: Piano Concerto No. 1 – Recorded in Vienna, September 1962 (Vienna Symphony Orchestra, Conducted by Herbert von Karajan)

DSD Remastered in February 2019 by Emil Berliner Studios.

3xSACD ISO

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T. Rex – Electric Warrior (1971/2003)
PS3 Rip | SACD ISO | DST64 2.0, 5.1 > 1-bit/2.8224 MHz | Run Time: (2.0 / 5.1): 39:16 / 39:46 | 2,33 GB
Scans incl. | US – AM Records

Electric Warrior is the sixth album by British rock group T. Rex, and is widely considered to be one of the quintessential glam rock releases.

Electric Warrior reached number thirty-two in the US; it went to number one for several weeks in the UK, becoming the biggest album of 1971. In 2003 it was ranked number 160 in Rolling Stone magazine’s list of the 500 Greatest Albums of All Time. The album contains two of T. Rex’s most popular songs, “Get It On” and “Jeepster.” In the United States, “Get It On”‘s title was modified to “Bang a Gong (Get It On)” to distinguish it from Chase’s song “Get It On,” which was also released in late 1971. (The printing of the song title “Bang a Gong (Get It On)” on the back cover of original Reprise Records U.S. copies of Electric Warrior is obviously in a different typefont from the surrounding text, with the song’s original title retained when printing the lyrics.) “Get It On” was T. Rex’s biggest single and their only U.S. hit (#10).

Bolan, in a 1971 interview contained on the Rhino Records reissue, said of the album “I think Electric Warrior, for me, is the first album which is a statement of 1971 for us in England. I mean that’s… If anyone ever wanted to know why we were big in the other part of the world, that album says it, for me.”

The sleeve was designed by British art design group Hipgnosis. In the November 2001 issue of Vanity Fair American musician Beck chose it as one of his 50 favorite album sleeves. Its iconic design would later influence the cover of †, the 2007 debut album by French electronic music duo Justice

Tracklist:

1. Mambo Sun – 3:39 / 3:37
2. Cosmic Dancer – 4:28 / 4:26
3. Jeepster – 4:10 / 4:09
4. Monolith – 3:47 / 3:49
5. Lean Woman Blues – 2:59 / 3:05
6. Get It On – 4:26 / 5:01
7. Planet Queen – 3:12 / 3:10
8. Girl – 2:31 / 2:29
9. The Motivator – 3:59 / 3:55
10. Life’s A Gas – 2:24 / 2:26
11. Rip Off – 3:40 / 3:39

Musicians

Marc Bolan – vocals, guitar
Mickey Finn – congas, bongos, vocals
Steve Currie – bass guitar
Bill Legend – drums, tambourine

Additional musicians

Howard Kaylan – backing vocals
Mark Volman – backing vocals
Rick Wakeman – keyboards on “Get It On”
Ian McDonald – saxophone
Burt Collins – flugelhorn

ISO

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T. Rex – Electric Warrior (1971) [Japanese Limited SHM-SACD 2011 # UIGY-9502]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 39:32 minutes | Scans included | 1,59 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 785 MB

Although it features the beautiful recorder of Leslie Penny and the Chieftains’ Paddy Maloney playing the uilean pipe, Ommadawn didn’t gain Mike Oldfield the success he was looking for – The album was released in the same year as the David Bedford-arranged Orchestral Tubular Bells and nine months after Oldfield picked up a Grammy award for the original Tubular Bells album – The most pleasing attribute of Ommadawn is its incorporation of both African and Irish music in its symphonic rock & roll mainframe – Boosted by a hearty amount of different horns, piano, cello, trumpet, and synthesizer, the album has its moments of rising action, but the whole of Ommadawn fails to keep its lovely segments around long enough, and there are some rather lengthy instances that include bland runs of unvaried music – Another plus is Oldfield’s use of a choir, giving the album a soft, humanistic feel when contrasted against the keyboards or synthesizer – While it does include flashes of Mike Oldfield’s brilliance, the entire album may seem a little anticlimactic when compared to some of his other releases.

Tracklist:
01 – Mambo Sun
02 – Cosmic Dancer
03 – Jeepster
04 – Monolith
05 – Lean Woman Blues
06 – Get It On
07 – Planet Queen
08 – Girl
09 – The Motivator
10 – Life’s A Gas
11 – Rip Off

Mastered by Rob LoVerde at Mobile Fidelity Studio Lab, Sebastopol, CA.

ISO

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FLAC

https://subyshare.com/1rxt6ldbj383/T.RexElectricWarri0r1971Japan2011FLAC2488.2.rar.html

T. Rex – Electric Warrior (1971) [MFSL 2020]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:17 minutes | Scans included | 1,69 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 0,98 GB
Mobile Fidelity Sound Lab # UDSACD 2209

Electric Warrior is a 1971 album by Marc Bolan’s band T. Rex, their sixth since their debut as Tyrannosaurus Rex in 1968, and their second under the name T. Rex. The album marked a turning point in the band’s sound, dispensing with the folk-oriented music of the group’s previous albums and pioneering a flamboyant, pop-friendly take on electric rock and roll known as glam rock. The album reached number 1 on the UK charts and became the best selling album of 1971. Electric Warrior has since received acclaim as a pivotal release of the glam rock movement.

Although it features the beautiful recorder of Leslie Penny and the Chieftains’ Paddy Maloney playing the uilean pipe, Ommadawn didn’t gain Mike Oldfield the success he was looking for – The album was released in the same year as the David Bedford-arranged Orchestral Tubular Bells and nine months after Oldfield picked up a Grammy award for the original Tubular Bells album – The most pleasing attribute of Ommadawn is its incorporation of both African and Irish music in its symphonic rock & roll mainframe – Boosted by a hearty amount of different horns, piano, cello, trumpet, and synthesizer, the album has its moments of rising action, but the whole of Ommadawn fails to keep its lovely segments around long enough, and there are some rather lengthy instances that include bland runs of unvaried music – Another plus is Oldfield’s use of a choir, giving the album a soft, humanistic feel when contrasted against the keyboards or synthesizer – While it does include flashes of Mike Oldfield’s brilliance, the entire album may seem a little anticlimactic when compared to some of his other releases.

Tracklist:

01. Mambo Sun
02. Cosmic Dancer
03. Jeepster
04. Monolith
05. Lean Woman Blues
06. Bang A Gong (Get It On)
07. Planet Queen
08. Girl
09. The Motivator
10. Life’s A Gas
11. Rip Off

Mastered by Shawn R. Britton, Assisted by Krieg Wunderlich at Mobile Fidelity Sound Lab, Sebastopol, CA.

ISO

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FLAC

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Talk Talk – The Colour Of Spring (1986) [SACD 2003]
PS3 Rip | ISO | SACD DST64 2.0 > 1-bit/2.8224 MHz | 45:38 minutes | Scans included | 893 MB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 964 MB
New Wave / Synthpop / Post Rock

With It’s My Life, Talk Talk proved that they could pull off an entire album of strong material. With The Colour of Spring, they took it one step further, moving to a near-concept song cycle, following the emotional ups and downs of relationships and pondering life in general. Musically, they built on the experimental direction of the previous album with interesting rhythms, sweeping orchestration, complex arrangements, and even a children’s chorus to create an evocative, hypnotic groove. Though the songs were catchier on the earlier efforts and the ambient experimentation was more fully achieved later on, The Colour of Spring succeeded in marrying the two ideas into one unique sound for their most thoroughly satisfying album.

Tracklist:
01 – Happiness Is Easy
02 – I Don’t Believe in You
03 – Life’s What You Make It
04 – April 5th
05 – Living in Another World
06 – Give It Up
07 – Chameleon Day
08 – Time It’s Time

DSD Digital Remaster 2003.

ISO

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FLAC

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Talk Talk – Spirit Of Eden (1988) [SACD 2003]
PS3 Rip | ISO | SACD DST64 2.0 > 1-bit/2.8224 MHz | 40:54 minutes | Scans included | 683 MB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 760 MB
New Wave / Synthpop / Post Rock

Compare Spirit of Eden with any other previous release in the Talk Talk catalog, and it’s almost impossible to believe it’s the work of the same band — exchanging electronics for live, organic sounds and rejecting structure in favor of mood and atmosphere, the album is an unprecedented breakthrough, a musical and emotional catharsis of immense power. Mark Hollis’ songs exist far outside of the pop idiom, drawing instead on ambient textures, jazz-like arrangements, and avant-garde accents; for all of their intricacy and delicate beauty, compositions like “Inheritance” and “I Believe in You” also possess an elemental strength — Hollis’ oblique lyrics speak to themes of loss and redemption with understated grace, and his hauntingly poignant vocals evoke wrenching spiritual turmoil tempered with unflagging hope. A singular musical experience.

Tracklist:
01 – The Rainbow
02 – Eden
03 – Desire
04 – Inheritance
05 – I Believe in You
06 – Wealth

DSD Digital Remaster 2003.

ISO

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FLAC

https://subyshare.com/5a3ofvybo4jw/TalkTalkSpirit0fEden1988Reissue2003FLAC2496.rar.html

Terumasa Hino Quintet – Live! (1973) [Japan 2007]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 48:51 minutes | Front/Rear Covers | 1,96 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear Covers | 1,07 GB

Born in 1942, trumpeter Terumasa Hino has been the leader of Japanese jazz for many decades, and one of the most internationally recognized among Japanese jazz musicians. His technique is amazing and his lyrical and emotional performance is something to behold. Recorded live in concert at Tokyo Yubin Chokin Hall on June 2, 1973, Hino and his quintet clearly showed that they were steeped in the “free” mode of operation, but their performance is engaging and does not leave the audience behind. Wild and unpredictable improvisations coexist with lyrical and rhythmic playing. A brilliant performance with many instances of amazing interplay.

One of the boldest and most powerful 70s albums we’ve heard from trumpeter Terumasa Hino – a live date that rivals the sharp edges and strong lines of his similar album for Enja at the time! The tracks here are all quite long, and mostly show a freely exploratory Hino – one who’s far more experimental than the smoother artist that emerged later in his electric years – and a player with a tremendous range of sounds on the trumpet! Other players include Mikio Masuda on piano and Motohiko Hino on drums – and the album features 2 long tracks that go quite outside, “Stella By Starlight” and “Be & Know” – plus a more lyrical version of “Sweet Lullaby”.

Tracklist:

01. Stella By Starlight
02. Sweet Lullaby
03. Be And Know

Personnel
Terumasa Hino – trumpet
Mikio Masuda – piano
Yoshio Ikeda – bass
Motohiko Hino – drums
Yuji Imamura – percussion

Produced by Terumasa Hino & Takeshi Fujii.
Recorded live in the recictal on June 2, 1973 at Tokyo Yubin Chokin Hall, Japan.
Engineered by Yoshihiko Kannnari. Mixed by Yoshihiko Kannari at Aio Studio.
Three Blind Mice / Sony Music Direct, Japan # MHCP 10039

ISO

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FLAC

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The Alan Parsons Project – I Robot (1977) [MFSL 2016]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 41:16 minutes | Scans included | 1,69 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 950 MB
Mobile Fidelity Sound Lab # UDSACD 2174

I Robot is the second studio album by English progressive rock band The Alan Parsons Project. The album draws conceptually on author Isaac Asimov’s science fiction Robot trilogy, exploring philosophical themes regarding artificial intelligence.

Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov’s classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence – will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth – with enough knotty intelligence to make it a seminal text of late-’70s geeks, and while it is also true that appreciating I Robot does require a love of either sci-fi or art rock, it is also true that sci-fi art rock never came any better than this. Compare it to Jeff Wayne’s War of the Worlds, released just a year after this and demonstrating some clear influence from Parsons: that flirts voraciously with camp, but this, for all of its pomp and circumstance, for all of its overblown arrangements, this is music that’s played deadly serious. Even when the vocal choirs pile up at the end of “Breakdown” or when the Project delves into some tight, glossy white funk on “The Voice,” complete with punctuations from robotic voices and whining slide guitars, there isn’t much sense of fun, but there is a sense of mystery and a sense of drama that can be very absorbing if you’re prepared to give yourself over to it. The most fascinating thing about the album is that the music is restless, shifting from mood to mood within the course of a song, but unlike some art pop there is attention paid to hooks – most notably, of course, on the hit “I Wouldn’t Want to Be Like You,” a tense, paranoid neo-disco rocker that was the APP’s breakthrough. It’s also the closest thing to a concise pop song here – other tunes have plenty of hooks, but they change their tempo and feel quickly, which is what makes this an art rock album instead of a pop album. And while that may not snare in listeners who love the hit (they should turn to Eye in the Sky instead, the Project’s one true pop album), that sense of melody when married to the artistic restlessness and geeky sensibility makes for a unique, compelling album and the one record that truly captures mind and spirit of the Alan Parsons Project.

Tracklist:

01. I Robot
02. I Wouldn’t Want To Be Like You
03. Some Other Time
04. Breakdown
05. Don’t Let It Show
06. The Voice
07. Nucleus
08. Day After Day (The Show Must Go On)
09. Total Eclipse
10. Genesis Ch.1. V.32

Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.

ISO

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FLAC

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The Berlin Gala – Silvesterkonzert 1997: A Salut to Carmen (1998/2014)
PS3 Rip | SACD ISO | DST64 2.0 > 1-bit/2.8224 MHz | Run Time: 01:18:29 | 3,15 GB
Genre: Classical | Label: Deutsche Grammophon / Esoteric

The reissue of classical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. This series marks the first hybrid SACD release of historical recording selections that have been mainstays of the catalog since their initial release. These new audio versions feature ESOTERIC’s proprietary re-mastering process to achieve the highest level of sound quality.

Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the “soul” hidden within the notes, but never before found in previously released recordings in any format.

Tracklist:

Gerge Bizet – Carmen (Excerpts)
01. Prelude [Carmen]
02. L’amour est un oiseau rebelle (Habanera) [Carmen]
03. Votre toast, je peux vous le rendre (Torйador Song) [Carmen]
04. Les tringles des sistres tintaient (Gypsy Song) [Carmen]
05. La fleur que tu m’avais jetee (Flower Song) [Carmen]
06. Les voici, voici la quadrille [Carmen]

Maurice Ravel – Rapsodie espagnole
07. 1. Prelude а la nuit [Rapsodie espagnole]
08. 2. Malagueсa [Rapsodie espagnole]
09. 3. Habanera [Rapsodie espagnole]
10. 4. Feria [Rapsodie espagnole]
11. Pablo de Sarasate – “Carmen” Fantasy, Op.25
12. Sergei Rachmaninov – Rhapsody on a Theme of Paganini, Op.43
13. Johannes Brahms – Hungarian Dance No.5 In G minor

Musicians

Anne Sofie von Otter, Mezzo-Soprano
Véronique Gens, Soprano
Stella Doufexis, Mezzo-Soprano
Bryn Terfel, Baritone
Robert Alagna, Tenor
Gil Shaham, Violin
Mikhail Pletnev, Piano
Donostiaco Orfeoia (Orfeón Donostiarra), San Sebastian
Südtilroler KInderchor
Berliner Philharmoniker
Conducted by Claudio Abbado

ISO

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The Byrds – The Byrds’ Greatest Hits (1967) [Reissue 1999]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 43:03 minutes | Scans included | 1,61 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 912 MB

Without question, the Byrds were one of the great bands of the ’60s and one of the few American bands of their time to continually turn out inventive, compelling albums. As they were recording a series of fine records, they turned out a number of classic singles that unquestionably defined their era. The Byrds’ Greatest Hits does an excellent job of chronicling the peak years of their popularity before they went country-rock on 1968’s Sweetheart of the Rodeo. Apart from the minor hits “It Won’t Be Wrong,” “Set You Free This Time,” and “Have You Seen Her Face,” all of the group’s hit singles – from 1965’s “Mr. Tambourine Man” to 1967’s “My Back Pages” – are included: “All I Really Want to Do,” “Turn! Turn! Turn! (To Everything There Is a Season),” “Eight Miles High,” “5D (Fifth Dimension),” “Mr. Spaceman,” and “So You Want to Be a Rock N’ Roll Star.” Yes, some great songs were left behind on the albums, but important cuts like “I’ll Feel a Whole Lot Better,” “The Bells of Rhymney,” and “Chimes of Freedom” are added, making this pretty close to a definitive single-disc summary of the Byrds’ prime.

Tracklist:

01 – Mr. Tambourine Man
02 – I’ll Feel a Whole Lot Better
03 – The Bells of Rhymney
04 – Turn! Turn! Turn! (To Everything There Is a Season)
05 – All I Really Want to Do
06 – Chimes of Freedom
07 – Eight Miles High
08 – Mr. Spaceman
09 – 5D (Fifth Dimension)
10 – So You Want to Be a Rock & Roll Star
11 – My Back Pages
12 – It Won’t Be Wrong [Bonus Track]
13 – Set You Free This Time [Bonus Track]
14 – Have You Seen Her Face [Bonus Track]

Personnel
Jim McGuinn – guitar, vocals
Gene Clark – tambourine, vocals
David Crosby – guitar, vocals
Chris Hillman – electric bass, vocals
Michael Clarke – drums

Original Recordings Produced by Terry Melcher, Allen Stanton & Gary Usher.
Engineered for SACD Reissue by Vic Anesini at Sony Music Studios, New York.

ISO

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FLAC

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The Royal Philharmonic Orchestra – Great Western Themes (2005)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 38:22 minutes | Scans included | 2,12 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/48 kHz | Full Scans included | 419 MB
Features Stereo and Multichannel Surround Sound

The world’s largest-ever classical recording contract with one of the most outstanding orchestras, was begun in September 1993 and has been build into a collection of over 150 albums of the world’s best classical music. Our aim is to present the ultimate in quality at an unbeatable price, making ‘The Royal Philharmonic Collection’ the only collection you will ever need.

As a film style, westerns have largely disappeared into the sunset. Modern technology has enabled writers and directors to let their imaginations run away with them, and when you can create the illusion that everybody moves around at the speed of light, directors and special effects have drifted away from a mode of transport which is restricted to a single horsepower!

This is something of a shame, for westerns ruled the roost not too long ago. Okay, so the plot lines were somewhat thin, half the characters had no name and Hollywood’s assessment of America’s heritage showed considerable artistic licence (for example, although everyone in western films bar the funeral director carried a gun, in reality they were extremely expensive and not everyone could afford them). Thankfully, if the budget set aside for the plot was often minimal, the money spent on the music was not. A host of composers have made their name and reputations with some truly memorable songs and tunes, most of which are as instantly recognizable today as they were when first released.

The tracks on this particular album are not only memorable, they are also part of folklore. It is difficult to listen to the opening bars of any of the twelve tracks and not instantly think of Yul Brunner, Charles Bronson, Robert Vaughan, Steve McQueen, Clint Eastwood, Lome Greene, Henry Fonda et al, all of whom seemed to have played an integral part in cleaning up the West. The themes to films such as The Magnificent Seven, Raw Hide and A Fistful Of Dollars were originally written with full orchestras in mind, and the superb interpretations offered here by the Royal Philharmonic Orchestra only add to the ambience.

Much of the credit for this goes to Mike Townend and Carl Davis. Mike, who has arranged the scores to keep faith with the originals and allow the RPO the opportunity to show their virtuosity in equal measure, has already displayed an exceptional ability with some adventurous arrangements, most notably on the Nursery Rhymes album. Carl Davis meanwhile has already done an excellent job in putting the RPO through their paces on three other film-based albums; The World At War, Pride And Prejudice and other Great Themes, Cinema Classics and James Bond Themes. The triumvariate of Mike, Carl and the RPO is an impressive one, as is this album.

Tracklist:

01. The Big Country
02. High Noon
03. Bonanza
04. The Good, the Bad and the Ugly
05. The Magnificent Seven
06. Once Upon a Time in the West
07. Blazing Saddles
08. For a Few Dollars More
09. A Fistful of Dollars
10. Rawhide
11. The Green Leaves of Summer
12. Gunfight at the OK Corral

Performed by The Royal Philharmonic Orchester. Conducted by Carl Davis.

ISO

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FLAC

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The Royal Philharmonic Orchestra – James Bond Themes (2005)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 39:20 minutes | Scans included | 2,27 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/48 kHz | Full Scans included | 465 MB
Features Stereo and Multichannel Surround Sound

The world’s largest-ever classical recording contract with one of the most outstanding orchestras, was begun in September 1993 and has been build into a collection of over 150 albums of the world’s best classical music. Our aim is to present the ultimate in quality at an unbeatable price, making ‘The Royal Philharmonic Collection’ the only collection you will ever need.

The Royal Philharmonic Orchestra treads where many others have gone before by recording an album of themes from the James Bond movies. In the hands of conductor Carl Davis and arranger Nic Raine, the 12 themes are, for the most part, given subtler, more romantic interpretations than usual. This is not true of the leadoff track, Monty Norman’s “The James Bond Theme,” which actually is taken at a slightly faster tempo than is typical. But “Goldfinger” is slower and more majestic than the well-known hit recording by Shirley Bassey. Although an electric guitar takes the melody line for much of “Live and Let Die,” the Paul McCartney-composed theme is robbed of much of its power by Davis and Raine’s approach, but, for example, Bill Conti’s “For Your Eyes Only,” with its slow, solemn melody, is perfectly suited to it. The conductor and arranger might have been better advised to try different styles appropriate to different themes, but they have created a consistent musical package of music originally written by a large number of composers. Still, there are better albums of these themes.

Tracklist:

01. The James Bond Theme
02. From Russia with Love
03. Goldfinger
04. Thunderball
05. You Only Live Twice
06. Diamonds are Forever
07. Live and Let Die
08. The Man with the Golden Gun
09. Nobody Does It Better
10. For Your Eyes Only
11. Living Daylights
12. Golden Eye

Performed by The Royal Philharmonic Orchester. Conducted by Carl Davis.

ISO

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https://subyshare.com/0keq3u2lp3ht/sacd.xyz_TheR0yalPhilharm0nic0rchestraJamesB0ndThemes2005SACDIS0.part3.rar.html

FLAC

https://subyshare.com/j40h5ao6a7i8/sacd.xyz_TheR0yalPhilharm0nic0rchestraJamesB0ndThemes2005FLACStere02448.rar.html