SACD / DSD – HDMusic.me

Through minutiae explorations into the very microlevels of sound anatomy, through vocal investigations into, as well as the activation of, spatial premises and through the discovery of timbral qualities of objects, Song Circus masters an unusual audial vocabulary that expands the idea of what music can be. The Stavanger-based chamber ensemble Song Circus consists of five professional Norwegian singers, led by Liv Runesdatter, who specialise in contemporary music and improvisation. Song Circus has enduring relationships with several composers and creating artists. The ensemble has given life to an unusual and fascinating vocabulary of sound combined with rare musical precision.

For more than four years, Song Circus has collaborated with Ruben Sverre Gjertsen on his Landscape with Figures. The human voice is a central part of the instrumental palette of this project and much of the music is the result of the joint efforts of the ensemble and the composer. Landscapes with Figures is partially open in its form; the music is tremendously detailed and intricately notated and requires considerable musical and vocal technique and virtuosity. The composition stretches the limits of tonal flexibility and microtonal precision. Landscape with Figures IIa is composed for performance with eight or sixteen sound channels. As part of the process, Gjertsen studied the academic work of Wishart and Ferneyhoug, and their systems of notation and compositions.

Ole-Henrik Moe’s Persefone is an acoustic piece written for five female voices and wine glasses. It is a textural study of vocal sound, dynamics and microtonality. Moe took inspiration from Morton Feldman when he wrote Persefone and, in the first part, he stretches silence and slowness so far that any sense of a horizontal timeline dissolves into a music of state.

Immersive Sound is a completely new conception of the musical experience. Recorded music is no longer a matter of a fixed one-dimensional setting, but rather of a three-dimensional enveloping situation. Stereo can be described as a flat canvas and Surround Sound as a field, but Immersive Sound is a sculpture that you can literally move around and relate to spatially; surrounded by music you can move about in the aural space and choose angles, vantage points and positions.

Tracklist:
01. Landscape with Figures, scene 1
02. Landscape with Figures, scene 2
03. Landscape with Figures, scene 3
04. Landscape with Figures, scene 4
05. Landscape with Figures, scene 5
06. Landscape with Figures, scene 6
07. Landscape with Figures, scene 7
08. Landscape with Figures, scene 8
09. Landscape with Figures, scene 9
10. Landscape with Figures, scene 10
11. Landscape with Figures, scene 11
12. Landscape with Figures, scene 12
13. Persefone

Recorded in DXD 24-bit/352 kHz, in April 2015 at Uranienborg Church, Norway.

ISO

https://subyshare.com/wayccxvxryyv/S0ngCircusAnat0my0fS0und2015SACDIS0.part1.rar.html
https://subyshare.com/8wdx9g8slxkl/S0ngCircusAnat0my0fS0und2015SACDIS0.part2.rar.html
https://subyshare.com/wct2nzbj0p52/S0ngCircusAnat0my0fS0und2015SACDIS0.part3.rar.html

FLAC

https://subyshare.com/k4yifev1qawu/S0ngCircusAnat0my0fS0und2015FLACStere02488.2.part1.rar.html
https://subyshare.com/imkrfebrruf2/S0ngCircusAnat0my0fS0und2015FLACStere02488.2.part2.rar.html

Chicago native and classically trained pianist Patricia Barber’s sixth album is a collection of downtempo standards, perfect for a rainy day. Taking on classics like “Autumn Leaves,” “I Fall in Love Too Easily,” “Bye Bye Blackbird,” or even “Alfie” is always a risk, but her confident vocals and interpretations eradicate any doubt that she is a master. Her production is spare, allowing her to sing with such melancholy it’s almost eerie. Not many performers can relay such harrowing feeling without over-emoting, but Barber makes it seem effortless. Nightclub is an appropriate title; listening to these love songs is like being in a smoky room, courted by a lounge singer. This is a classy, solid effort.

Tracklist:
01 – Bye Bye Blackbird
02 – Invitation
03 – Yesterdays
04 – Just For A Thrill
05 – You Don’t Know Me
06 – Alfie
07 – Autumn Leaves
08 – Summer Samba
09 – All Or Nothing At All
10 – So In Love
11 – A Man & A Woman
12 – I Fall In Love Too Easily
13 – Santa Claus Is Coming To Town

ISO

https://subyshare.com/jlzz7z97bryu/PatriciaBarber2000NightclubSACD2002UDSACD2004.part1.rar.html
https://subyshare.com/m68nqdwjlujc/PatriciaBarber2000NightclubSACD2002UDSACD2004.part2.rar.html
https://subyshare.com/mlfyi8kqugv8/PatriciaBarber2000NightclubSACD2002UDSACD2004.part3.rar.html

FLAC

https://subyshare.com/nlychiaz6al4/PatriciaBarber2000NightclubSACD2002UDSACD2004FLAC2488.2.part1.rar.html
https://subyshare.com/tp8lhqfczuax/PatriciaBarber2000NightclubSACD2002UDSACD2004FLAC2488.2.part2.rar.html

Companion was recorded in a special three-night series of shows in July, 1999 at Chicago’s famed Green Mill jazz club — an unusually short amount of time to produce a live album. To mine as much material as possible from those nights the performances were run more like recording sessions than live shows, with the crowd reverently hushed. Patricia Barber is in her element and the only thing that seems to have suffered for the recording circumstances is the album’s length — at seven songs and 40 minutes, it walks the line between standard EP and full-length size. One surmises that it might have been longer had there been more album-quality material from the performances. Recalling the energy that was present on her critically worshipped Café Blue album, there is an ease and creativity on Companion which makes her fans’ devotion understandable. Barber has been criticized for being a jazz singer in the loosest sense — her style borrows heavily from R&B and she often covers pop songs (Sonny Bono’s “The Beat Goes On” is a sheer stylish delight), and her song “If This Isn’t Jazz” answers that criticism with a thumb to the nose. What many critics fail to notice, however, is the strength of her musicianship. Sexism within the industry keeps many from seeing female jazz performers playing roles other than those of vocalists — Barber’s warm, breathy voice and creative phrasing are wonderful, for sure, but what really shines are her arrangements. With a talented band behind her, on Companion Barber has made magic with her compositions, her piano playing, and yes, her voice. Intended to be a companion to Modern Cool, this album of mostly previously unrecorded material serves as an excellent introduction to all of her work.

Tracklist:
01 – The Beat Goes On
02 – Use Me
03 – Like JT
04 – Let It Rain
05 – Touch of Trash
06 – If This Isn`t Jazz
07 – Black Magic Woman
08 – You Are My Sunshine

ISO

https://subyshare.com/k8t69brak1xb/PatriciaBarber1999C0mpani0nSACD2003UDSACD2023.part1.rar.html
https://subyshare.com/gw4diie7kp39/PatriciaBarber1999C0mpani0nSACD2003UDSACD2023.part2.rar.html
https://subyshare.com/8a158gjru7xm/PatriciaBarber1999C0mpani0nSACD2003UDSACD2023.part3.rar.html

FLAC

https://subyshare.com/yujrtgmmfnez/PatriciaBarber1999C0mpani0nSACD2003UDSACD2023FLAC2488.2.rar.html

The dark, smoky voice of Patricia Barber is quite haunting. On Modern Cool, she mostly sings downbeat songs at slow tempos. All but three songs are her own originals, and they deal with such subject matter as a “homage to beauty” that seems to connect painting one’s face with prostitution, loneliness, mindless conformity, the “postmodern blues” and other depressing topics. Even her treatments of “You and the Night and the Music” and “Light My Fire” make one think that she is utterly bored with life. Barber, whose piano playing is mostly very much in the background, comes across on this set as a pop/folk singer. Most of the jazz moments are provided by trumpeter Dave Douglas, who is on half of the selections and adds some much-needed excitement; guitarist John McLean, bassist Michael Arnopol, and drummer/percussionist Mark Walker complete the group. This set is definitely for specialized tastes.

Tracklist:
01 – Touch of Trash
02 – Winter
03 – You & The Night & The Music
04 – Constantinople
05 – Light My Fire
06 – Silent Partner
07 – Company
08 – Let It Rain
09 – She’s A Lady
10 – Love, put on your faces
11 – Postmodern Blues
12 – Let It Rain
13 – Out Of This World

ISO

https://subyshare.com/6zw5ml4ldtsw/PatriciaBarber1998M0dernC00lSACD2002UDSACD2003.part1.rar.html
https://subyshare.com/yfevn2hi8six/PatriciaBarber1998M0dernC00lSACD2002UDSACD2003.part2.rar.html
https://subyshare.com/j4zo6v4wax77/PatriciaBarber1998M0dernC00lSACD2002UDSACD2003.part3.rar.html
https://subyshare.com/6aadxmpk3wyn/PatriciaBarber1998M0dernC00lSACD2002UDSACD2003.part4.rar.html

FLAC

https://subyshare.com/7g3p49n75vkq/PatriciaBarber1998M0dernC00lSACD2002UDSACD2003FLAC2488.2.part1.rar.html
https://subyshare.com/hyyhzw97mpg2/PatriciaBarber1998M0dernC00lSACD2002UDSACD2003FLAC2488.2.part2.rar.html

Patricia Barber, who is both a fine keyboardist and an atmospheric singer, contributes roughly half of the material to her Premonition debut. Her dark voice and the generally esoteric program takes awhile to get used to (listeners will have to be patient), but after two or three listens, this thought-provoking and rather moody set becomes more accessible. The music ranges stylewise from sophisticated pop sensitivities to the avant-garde and even touches of minimalism, while not fitting securely into any category. Barber gives a new slant to “The Thrill Is Gone,” “Ode to Billy Joe,” and even “A Taste of Honey,” and her vocals are all quite haunting and contemporary. An added plus to this unusual music is adventurous guitarist John McLean.

Tracklist:
01 – What A Shame
02 – Mourning Grace
03 – The Thrill Is Gone
04 – Romanesque
05 – Yellow Car III
06 – Wood Is A Pleasant Thing To Think About
07 – Inch Worm
08 – Ode To Billy Joe
09 – Too Rich For My Blood
10 – A Taste Of Honey
11 – Nardis
12 – Manha De Carnaval

ISO

https://subyshare.com/gwqa5qrz7008/PatriciaBarber1994CafeBlueSACD2002UDSACD2002.part1.rar.html
https://subyshare.com/3lafl2ku7syd/PatriciaBarber1994CafeBlueSACD2002UDSACD2002.part2.rar.html
https://subyshare.com/fg4fby4l6krq/PatriciaBarber1994CafeBlueSACD2002UDSACD2002.part3.rar.html
https://subyshare.com/y8h8gxs2g25v/PatriciaBarber1994CafeBlueSACD2002UDSACD2002.part4.rar.html

FLAC

https://subyshare.com/0hxjbbymis3v/PatriciaBarber1994CafeBlueSACD2002UDSACD2002FLAC2488.2.part1.rar.html
https://subyshare.com/8n87af2cb4g8/PatriciaBarber1994CafeBlueSACD2002UDSACD2002FLAC2488.2.part2.rar.html

Patricia Barber is a crack jazz pianist, an innovative composer, a singular vocal stylist, and among the most original lyricists/song-poets to come down the pipe in 40 years. Her use of metaphor and metonymy is woven inextricably into her trademark melodies, which create mental and sonic images that evoke insight and emotion. Smash, Barber’s debut for Concord, is comprised of original material performed by an excellent band that includes guitarist John Kregor, bassist Larry Kohut, and drummer Jon Deitemyer. The predominant subject matter of these songs is love’s loss: the frustrated desire, grief, acceptance, longing, and healing its aftermath brings. Barber is as empathic and insightful as a depth psychologist. Her language is rich, precise, and devoid of trite sentimentality. Lyrically, these songs are wound with the elastic imagery of poetry, but their rhyme schemes are taut, given air by the fluidity of her jazz. Opener “Code Cool” is introduced by Deitemyer’s snare and hi-hat in a constant thrum that emulates the pulse of electronic dance music. It’s underscored by a one-note vamp from Kohut. Barber’s piano illustrates with a series of glissando chords as Kregor fills the space expressionistically, highlighting the well of images and urgency in lyrics which reference science, Keats, and medical treatment before concluding she is “…Michaelangelo’s David/Tested and worn…” Barber employs space between sections, stilling the proceeding with a single chord, before that pulse returns to her protagonist’s realization that she needs to fake it until she makes it: “I will live/As if/I were loving.” “The Wind Song” is a brooding, mysterious ballad, whose lyric drama is spacious, highlighted by brushed symbols, acoustic guitar, nearly gossamer pianism, and a physical bassline to bind it to earth. In the title track’s first half, the piano and bass offer the tender illustration of “the sound of a heart breaking…” But at the halfway point, the physical fury of that emotion is laid bare by Kregor’s screaming electric guitar solo, which allows for the held, breathless emotional power in this and all the previous songs, release. The companion piece is “Scream,” where a jazz piano ballad opens into a nearly full-blown rocker. “Redshift” is a crystalline bossa nova; its lyrics unite love’s loss with physics in clever, hip associations punctuated by a syncopated groove. “Bashful” is a swinging post-bop instrumental that features great soloing by everyone. “Missing” is introduced by Kregor’s acoustic and Barber’s sparse piano. It’s a musically metaphorical illustration of the tune’s subject matter: waiting in vain, hoping against hope that the truth of loss isn’t, in fact, true. It’s raw, vulnerable, and fearful. Kregor’s gorgeous solo and Kohut’s economical bassline offer room for Barber’s piano to illuminate the lyric with tenderness. Smash is an extraordinary achievement. Here, jazz is popular music without being anything other than itself. Its depth, creativity, searing poetry, and artisan musicianship make it a peerless accomplishment.

Tracklist:
01. Code Cool
02. The Wind Song
03. Romanesque
04. Smash
05. Redshift
06. Spring Song
07. Devil’s Food
08. Scream
09. The Swim
10. Bashful
11. The Storyteller
12. Missing

Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.

ISO

https://subyshare.com/teorkqwa3amy/PatriciaBarberSmash2013MFSLSACDISO.part1.rar.html
https://subyshare.com/ney0c3kpkimx/PatriciaBarberSmash2013MFSLSACDISO.part2.rar.html
https://subyshare.com/9ijgc5mbbcif/PatriciaBarberSmash2013MFSLSACDISO.part3.rar.html

FLAC

https://subyshare.com/qia3ag66down/PatriciaBarberSmash2013MFSLFLAC2488.2.part1.rar.html
https://subyshare.com/7o9ahbl085vo/PatriciaBarberSmash2013MFSLFLAC2488.2.part2.rar.html

O, Yeah! Ultimate Aerosmith Hits is a greatest hits DCD album by American hard rock band Aerosmith. It includes the band’s biggest hits in chronological order and spans the band’s entire career up to 2002. Also included are two new songs, “Girls Of Summer” and “Lay it Down”.

As the sixth domestic Aerosmith hits collection and the first to feature selections from both their Columbia and Geffen years (not to mention that it’s the second double-disc retrospective released within eight months), O, Yeah! Ultimate Aerosmith Hits should live up to its title — and it does, for the most part. Over the course of two discs and 30 songs, almost all the heavy-hitters are hauled out, from “Mama Kin” to “Jaded”, including both versions of “Walk This Way”. Some of the songs are presented in a remixed form — “Draw the Line”, “Pink”, “Just Push Play” — but all of the new mixes are good, possibly even improvements, and the new song, “Girls of Summer”, is strong (its companion, “Lay It Down”, isn’t as noteworthy). So, all the parts are in place — why doesn’t it feel definitive, then? After all, there are no big songs or hits missing (apart from the cover of “Come Together”, which isn’t much of a loss), just fan favorites and album tracks like “Lord of the Thighs”, “Lick and a Promise”, and “Chip Away the Stone” (and nothing from Done With Mirrors, for that matter). The reason it doesn’t feel definitive is that the classic Columbia recordings are wrapped up by track ten, and then the best of their late-’80s comeback is wrapped up by the end of the first disc, which leaves disc two pretty much devoted to everything from Get a Grip on — an era not widely considered their best, even though it had a number of hits, plus a couple of good songs along the way (“Crying”, “Deuces Are Wild”). So, even though this delivers everything it should and will certainly be the one Aerosmith disc most casual listeners will need, it doesn’t quite capture the essence of the band the way their greatest albums do (whether they’re Rocks or Pump).

Tracklist:
01 – Mama Kin
02 – Dream On
03 – Same Old Song And Dance
04 – Seasons Of Wither
05 – Walk This Way
06 – Big Ten Inch Record
07 – Sweet Emotion
08 – Last Child
09 – Back In The Saddle
10 – Draw The Line
11 – Dude (Looks Like A Lady)
12 – Angel
13 – Rag Doll
14 – Janie’s Got A Gun
15 – Love In An Elevator
16 – What It Takes

01 – The Other Side
02 – Livin’ On The Edge
03 – Cryin’
04 – Amazing
05 – Deuces Are Wild
06 – Crazy
07 – Falling In Love (Is Hard On The Knees)
08 – Pink (The South Beach Mix)
09 – I Don’t Want To Miss A Thing
10 – Jaded
11 – Just Push Play (Radio Remix)
12 – Walk This Way
13 – Girls Of Summer
14 – Lay It Down

ISO

https://subyshare.com/88zxu9m4o4zq/Aer0smith0YeahUltimateAer0smithHits2002SACDIS0.part1.rar.html
https://subyshare.com/5pd0ase1yh65/Aer0smith0YeahUltimateAer0smithHits2002SACDIS0.part2.rar.html
https://subyshare.com/hfrlmz6d412m/Aer0smith0YeahUltimateAer0smithHits2002SACDIS0.part3.rar.html
https://subyshare.com/vda3x73nr6nq/Aer0smith0YeahUltimateAer0smithHits2002SACDIS0.part4.rar.html

FLAC

https://subyshare.com/hx7icefn60vx/Aer0smith0YeahUltimateAer0smithHitsSACD2002FLAC2488.2.part1.rar.html
https://subyshare.com/e5t34fxmgvt6/Aer0smith0YeahUltimateAer0smithHitsSACD2002FLAC2488.2.part2.rar.html
https://subyshare.com/grfo942c7r3y/Aer0smith0YeahUltimateAer0smithHitsSACD2002FLAC2488.2.part3.rar.html
https://subyshare.com/ocd41x90humm/Aer0smith0YeahUltimateAer0smithHitsSACD2002FLAC2488.2.part4.rar.html

Give Aerosmith credit for not only realizing something was wrong after Nine Lives relatively flat-lined, but deciding to do something about it. Ditching the outside producers who initially liberated but eventually straitjacketed them, Steve Tyler and Joe Perry seized control of the boards, working with the assistance of Mark Hudson and Marti Frederiksen. (Forever the Stones fanatics, Tyler and Perry dubbed this crew the Boneyard Boys, just like how Mick-n-Keef are the Glimmer Twins.) So, this isn’t really a full-fledged band affair and Hudson and Frederiksen’s fingerprints are all over the place, but that doesn’t matter since the end result is tighter, savvier, and better than anything since Pump. It’s still far from perfect, however, since it suffers from a surfeit of memorable material, and the group members’ steadfast refusal to act their age results in a couple of embarrassing slips into stodginess (the “f*ckin’ A” chorus on the title track, a song improbably titled “Trip Hoppin’,” or the ludicrous “Avant Garden”). These mean that the record doesn’t come close to matching the twin comebacks of Permanent Vacation and Pump, but it’s a sleek, classicist hard rock record that sounds good — better than Aerosmith has sounded in nearly a decade, as a matter of fact, particularly when the group gets a hook as tuneful as that of “Jaded.” Aerosmith sounds good enough on Just Push Play that it almost makes you forgive the Heavy Metal refugee on the front cover, a sexy robot illustration that looks far more out of date than the music sounds.

Tracklist:
01 – Beyond Beautiful
02 – Just Push Play
03 – Jaded
04 – Fly Away From Here
05 – Trip Hoppin’
06 – Sunshine
07 – Under My Skin
08 – Luv Lies
09 – Outta Your Head
10 – Drop Dead Gorgeous
11 – Light Inside
12 – Avant Garden

ISO

https://subyshare.com/8updr9x45j0c/Aer0smithJustPushPlay2001SACDIS0.part1.rar.html
https://subyshare.com/9q6fm53z07wt/Aer0smithJustPushPlay2001SACDIS0.part2.rar.html
https://subyshare.com/s7wxu4r5v1c0/Aer0smithJustPushPlay2001SACDIS0.part3.rar.html

FLAC

https://subyshare.com/s4uwh690hybj/Aer0smithJustPushPlay2001FLAC2488.2.part1.rar.html
https://subyshare.com/hze9x0c1wr1t/Aer0smithJustPushPlay2001FLAC2488.2.part2.rar.html

Pink Floyd – The Dark Side Of The Moon (1973) [Reissue 2003] {2.0 & 5.1}
PS3 Rip | ISO | SACD DSD64 2.0 & DST64 5.1 > 1-bit/2.8224 MHz | 43:00 minutes | Scans included | 3,89 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/88,2 kHz | 42:57 minutes | Scans included | 828 MB
30th anniversary edition | Features 2.0 Stereo and 5.1 multichannel surround.

By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren’t that impressive by themselves, but when given the sonic backdrop of Floyd’s slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It’s dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon, but no other record defines them quite as well as this one.

Tracklist:
01. Speak To Me
02. Breathe
03. On The Run
04. Time
05. The Great Gig In The Sky
06. Money
07. Us And Them
08. Any Colour You Like
09. Brain Damage
10. Eclipse

5.1 surround mix by James Guthrie. Assistant engineer: Joel Plante.
5.1 and stereo mastering by Doug Sax and James Guthrie. Assisted by Joel Plante and Gus Skinas.
Mixed and mastered at das boot recording. DSD authoring for SACD by Gus Skinas.

ISO

https://subyshare.com/7fgxpytq073r/PinkFl0ydTheDarkSide0fTheM00n1973Reissue2003SACDIS0.part1.rar.html
https://subyshare.com/b6ddrtymnwxa/PinkFl0ydTheDarkSide0fTheM00n1973Reissue2003SACDIS0.part2.rar.html
https://subyshare.com/ah2thhj4nm0c/PinkFl0ydTheDarkSide0fTheM00n1973Reissue2003SACDIS0.part3.rar.html
https://subyshare.com/zza9eh9w1wyo/PinkFl0ydTheDarkSide0fTheM00n1973Reissue2003SACDIS0.part4.rar.html
https://subyshare.com/ucal3084rpqx/PinkFl0ydTheDarkSide0fTheM00n1973Reissue2003SACDIS0.part5.rar.html

FLAC

https://subyshare.com/ro09y7d2zn0a/PinkFl0ydTheDarkSide0fTheM00n1973Reissue2003FLAC2488.2.rar.html

Pink Floyd – Wish You Were Here (1975) [Reissue 2011] {2.0 & 5.1}
PS3 Rip | ISO | SACD DSD64 2.0 & DST64 5.1 > 1-bit/2.8224 MHz | 44:19 minutes | Scans included | 3,57 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/88,2 kHz | 44:13 minutes | Scans included | 966 MB
Special Limited SACD Edition | Features 2.0 Stereo and 5.1 multichannel surround.

Pink Floyd followed the commercial breakthrough of Dark Side of the Moon with Wish You Were Here, a loose concept album about and dedicated to their founding member Syd Barrett. The record unfolds gradually, as the jazzy textures of “Shine on You Crazy Diamond” reveal its melodic motif, and in its leisurely pace, the album shows itself to be a warmer record than its predecessor. Musically, it’s arguably even more impressive, showcasing the group’s interplay and David Gilmour’s solos in particular. And while it’s short on actual songs, the long, winding soundscapes are constantly enthralling.

Tracklist:
01. Shine On You Crazy Diamond (Parts I – V)
02. Welcome To The Machine
03. Have A Cigar
04. Wish You Were Here
05. Shine On You Crazy Diamond (Parts VI – IX)

5.1 Surround Mix by JAMES GUTHRIE. Assistant Engineer: JOEL PLANTE
5.1 and Stereo Mastering by JAMES GUTHRIE and JOEL PLANTE.
Mixed and Mastered at das boot recording. DSD Authoring for SACD by GUS SKINAS.

ISO

https://subyshare.com/c3p8cbpcnob7/PinkFl0ydWishY0uWereHere1975Reissue2011SACDIS0.part1.rar.html
https://subyshare.com/2qxbrfg4k8f5/PinkFl0ydWishY0uWereHere1975Reissue2011SACDIS0.part2.rar.html
https://subyshare.com/jjn9xy8ijw5f/PinkFl0ydWishY0uWereHere1975Reissue2011SACDIS0.part3.rar.html
https://subyshare.com/9q75xackm3v9/PinkFl0ydWishY0uWereHere1975Reissue2011SACDIS0.part4.rar.html

FLAC

http://subyshare.com/0ken9c114abd/PinkFl0ydWishY0uWereHere1975Reissue2011FLAC2488.2.rar.html

This collection, remastered for SACD, covers the Zombies’ short and tasteful career, spanning their 1964-1967 years for Decca Records, and their single album, the classic Odessey & Oracle, for Epic Records in 1968. Two versions of “She’s Not There” are included here, one the so-called “stereo underdub” version that lacks the snappy drum overdub that gives the superior single version its crisp, edgy feel. There are also two mixes of “Time of the Season,” the familiar version and an alternate mix that features a little more organ in the verse sections.

Tracklist:
01. She’s Not There
02. I Can’t Make Up My Mind
03. Tell Her No
04. You Make Me Feel Good
05. Kind Of Girl
06. Leave Me Be
07. Sometimes
08. Don’t Cry For Me
09. It’s Alright With Me
10. I Don’t Want To Know
11. I Love You
12. Nothing’s Changed
13. I Remember When I Loved Her
14. Indication
15. Just Out Of Reach
16. What More Can I Do
17. She Does Everything For Me
18. Time Of The Season
19. She’s Not There (“Hit Single” version)
20. Time Of The Season (Alternate mono mix)

Compiled & Remastered for SACD by Steve Hoffman.

ISO

https://subyshare.com/zl4tbqo8fn3y/TheZ0mbiesGreatestHits2002Audi0FidelitySACDIS0.part1.rar.html
https://subyshare.com/t3gbq07db157/TheZ0mbiesGreatestHits2002Audi0FidelitySACDIS0.part2.rar.html
https://subyshare.com/mprmlcltz59g/TheZ0mbiesGreatestHits2002Audi0FidelitySACDIS0.part3.rar.html

FLAC

https://subyshare.com/7z7g114nuucu/TheZ0mbiesGreatestHits2002Audi0FidelityFLAC2488.2.rar.html

The second volume of Queen’s Greatest Hits appeared a decade after the first; a decade after the group started its slow shift from international superstars toward ruling the world that existed outside of the United States. Apart from “Under Pressure” and “Radio Ga Ga,” all of the 17 singles here did not crack the American Top 40, but they’re well-known throughout the world, particularly the operatic anthems “A Kind of Magic,” “I Want It All,” “I Want to Break Free,” and “Who Wants to Live Forever.” Generally, the songs here favor melodrama to untrammeled rock & roll, which means while there’s nothing here that hits as hard as “Tie Your Mother Down”; there’s also nothing as light on its feet as “Crazy Little Thing Called Love,” either. This is not necessarily a bad thing: nobody scaled the dramatic heights like Queen, and this captures their pomp & circumstance at its most polished.

Tracklist:
01. A Kind Of Magic
02. Under Pressure
03. Radio Ga Ga
04. I Want It All (Single Version)
05. I Want To Break Free (Single Version)
06. Innuendo
07. It’s A Hard Life
08. Breakthru
09. Who Wants To Live Forever
10. Headlong
11. The Miracle
12. I’m Going Slightly Mad
13. The Invisible Man
14. Hammer To Fall (Single Version)
15. Friends Will Be Friends
16. The Show Must Go On
17. One Vision (Single Version)
18. I Was Born To Love You

This 2011 version has been meticulously re-created using the finest modern analogue and digital technology from the original first-generation master mixes.
All the Digital processing was carried out at PCM 24bit/96kHz and then converted to DSD for SACD.
Mastered by Bob Ludwig, Gateway Mastering Studios, Portland, ME. SA-CD Authoring: Gus Skinas.

ISO

https://subyshare.com/veogsxn0qcmo/QueenGreatestHitsII1991Japan2013SHMSACDISO.part1.rar.html
https://subyshare.com/lki9ow2x9jnh/QueenGreatestHitsII1991Japan2013SHMSACDISO.part2.rar.html
https://subyshare.com/plz1nc1ycmna/QueenGreatestHitsII1991Japan2013SHMSACDISO.part3.rar.html
https://subyshare.com/nuc5zjk1wfif/QueenGreatestHitsII1991Japan2013SHMSACDISO.part4.rar.html

FLAC

https://subyshare.com/yt80zyko7ldv/QueenGreatestHitsII1991Japan2013FLAC2488.2.part1.rar.html
https://subyshare.com/zskdlmq3j31k/QueenGreatestHitsII1991Japan2013FLAC2488.2.part2.rar.html

Embittered by legal disputes with his label and an endless tour to support a debut that was dead in the water, Billy Joel hunkered down in his adopted hometown of Los Angeles, spending six months as a lounge singer at a club. He didn’t abandon his dreams — he continued to write songs, including “Piano Man,” a fictionalized account of his weeks as a lounge singer. Through a combination of touring and constant hustling, he landed a contract with Columbia and recorded his second album in 1973. Clearly inspired by Elton John’s Tumbleweed Connection, not only musically but lyrically, as well as James Taylor, Joel expands the vision and sound of Cold Spring Harbor, abandoning introspective numbers (apart from “You’re My Home,” a love letter to his wife) for character sketches and epics. Even the title track, a breakthrough hit based on his weeks as a saloon singer, focuses on the colorful patrons, not the singer. If his narratives are occasionally awkward or incomplete, he compensates with music that gives the songs a sweeping sense of purpose — they feel complete, thanks to his indelible melodies and savvy stylistic repurposing. He may have borrowed his basic blueprint from Tumbleweed Connection, particularly with its Western imagery and bluesy gospel flourishes, but he makes it his own, largely due to his melodic flair, which is in greater evidence than on Cold Spring Harbor. Piano Man is where he suggests his potential as a musical craftsman. He may have weaknesses as a lyricist — such mishaps as the “instant pleasuredome” line in “You’re My Home” illustrate that he doesn’t have an ear for words — but Piano Man makes it clear that his skills as a melodicist can dazzle.

Tracklist:
01. Travelin’ Prayer
02. Piano Man
03. Ain’t No Crime
04. You’re My Home
05. The Ballad Of Billy The Kid
06. Worse Comes To Worst
07. Stop In Nevada
08. If I Only Had The Words (To Tell You)
09. Somewhere Along The Line
10. Captain Jack

Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.

ISO

https://subyshare.com/cp2ejfezccn8/BillyJ0el1973Pian0ManMFSL2010SACDIS0.part1.rar.html
https://subyshare.com/vqjsizx1rx2s/BillyJ0el1973Pian0ManMFSL2010SACDIS0.part2.rar.html

FLAC

https://subyshare.com/235b313h9rvg/BillyJ0el1973Pian0ManMFSL2010FLAC2488.2.rar.html

Billy Joel – Piano Man (1973/2013) [Official Digital Download 24bit/96kHz]

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics. Where the extended, multi-sectioned songs on the debut sometimes felt like aimless jams, their counterparts on Paranoid have been given focus and direction, lending an epic drama to now-standards like “War Pigs” and “Iron Man” (which sports one of the most immediately identifiable riffs in metal history). The subject matter is unrelentingly, obsessively dark, covering both supernatural/sci-fi horrors and the real-life traumas of death, war, nuclear annihilation, mental illness, drug hallucinations, and narcotic abuse. Yet Sabbath makes it totally convincing, thanks to the crawling, muddled bleakness and bad-trip depression evoked so frighteningly well by their music. Even the qualities that made critics deplore the album (and the group) for years increase the overall effect — the technical simplicity of Ozzy Osbourne’s vocals and Tony Iommi’s lead guitar vocabulary; the spots when the lyrics sink into melodrama or awkwardness; the lack of subtlety and the infrequent dynamic contrast. Everything adds up to more than the sum of its parts, as though the anxieties behind the music simply demanded that the band achieve catharsis by steamrolling everything in its path, including its own limitations. Monolithic and primally powerful, Paranoid defined the sound and style of heavy metal more than any other record in rock history.

Tracklist:
01 – War Pigs
02 – Paranoid
03 – Planet Caravan
04 – Iron Man
05 – Electric Funeral
06 – Hand Of Doom
07 – Rat Salad
08 – Fairies Wear Boots

DSD transferred from Japanese original analogue master tapes by Hitoshi Takiguchi (Universal Mastering Studios).

ISO

https://subyshare.com/f9dwxvf5kc61/BlackSabbath1970Paran0idJapan2010SHMSACDIS0.part1.rar.html
https://subyshare.com/nuc2u98dhg25/BlackSabbath1970Paran0idJapan2010SHMSACDIS0.part2.rar.html

FLAC

https://subyshare.com/tjgsraslp6q3/BlackSabbath1970Paran0idJapan2010FLAC2488.2.rar.html

The shortest album of Black Sabbath’s glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they’d yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener “Sweet Leaf” certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album’s “Fairies Wear Boots.” The album’s other signature song, “Children of the Grave,” is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from “Sweet Leaf,” much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. “Children of the Grave” posits a stark choice between love and nuclear annihilation, while “After Forever” philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty “Lord of This World” is sung from Satan’s point of view, he clearly doesn’t think much of his own followers (and neither, by extension, does the band). It’s all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale “Into the Void,” which shortens the distances between the multiple sections of the band’s previous epics. And there’s the core of the album — all that’s left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of “Solitude,” a mostly textural piece that frames Osbourne’s phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it’s also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart.

Tracklist:
1. Sweet Leaf – 5:04
2. After Forever – 5:26
3. Embryo – 0:28
4. Children Of The Grave – 5:17
5. Orchid – 1:31
6. Lord Of This World – 5:25
7. Solitude – 5:02
8. Into The Void – 6:12

DSD transferred from the original analogue master tapes by Richard Whittaker (FX Mastering, England).

ISO

https://subyshare.com/cgte9ikgq6hi/BlackSabbath1971Master0fRealityJapan2011SHMSACDIS0.part1.rar.html
https://subyshare.com/6ks56re2e695/BlackSabbath1971Master0fRealityJapan2011SHMSACDIS0.part2.rar.html

FLAC

https://subyshare.com/s4p7p9hiczhf/BlackSabbath1971Master0fRealityJapan2011FLAC2488.2.rar.html

Uses the 2012 DSD master based on UK original analog tape. Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD transferred by Jon Astley.

Pete Townshend revisited the rock opera concept with another double-album opus, this time built around the story of a young mod’s struggle to come of age in the mid-’60s. If anything, this was a more ambitious project than Tommy, given added weight by the fact that the Who weren’t devising some fantasy, but were re-examining the roots of their own birth in mod culture. In the end, there may have been too much weight, as Townshend tried to combine the story of a mixed-up mod named Jimmy with the examination of a four-way split personality (hence the title Quadrophenia), in turn meant to reflect the four conflicting personas at work within the Who themselves. The concept might have ultimately been too obscure and confusing for a mass audience. But there’s plenty of great music anyway, especially on “The Real Me,” “The Punk Meets the Godfather,” “I’m One,” “Bell Boy,” and “Love, Reign O’er Me.” Some of Townshend’s most direct, heartfelt writing is contained here, and production-wise it’s a tour de force, with some of the most imaginative use of synthesizers on a rock record. Various members of the band griped endlessly about flaws in the mix, but really these will bug very few listeners, who in general will find this to be one of the Who’s most powerful statements.

Tracklist:
01 – I Am The Sea
02 – The Real Me
03 – Quadrophenia
04 – Cut My Hair
05 – The Punk And The Godfather
06 – I’m One
07 – The Dirty Jobs
08 – Helpless Dancer
09 – Is It In My Head?
10 – I’ve Had Enough
11 – 5:15
12 – Sea And Sand
13 – Drowned
14 – Bell Boy
15 – Doctor Jimmy
16 – The Rock
17 – Love Reign O’er Me

DSD transferred from analogue master tapes by Jon Astley at Close To The Edge Mastering, 2012.

ISO

https://subyshare.com/w8geigenya9i/TheWh0Quadr0phenia1973Japan2012SHMSACDIS0.part1.rar.html
https://subyshare.com/t0xa5cora4px/TheWh0Quadr0phenia1973Japan2012SHMSACDIS0.part2.rar.html
https://subyshare.com/1hpdsy80yyxn/TheWh0Quadr0phenia1973Japan2012SHMSACDIS0.part3.rar.html
https://subyshare.com/wvo3t82fy039/TheWh0Quadr0phenia1973Japan2012SHMSACDIS0.part4.rar.html

FLAC

https://subyshare.com/nh876bm9kplt/TheWh0Quadr0phenia1973Japan2012FLAC2488.2.part1.rar.html
https://subyshare.com/g6txwured6if/TheWh0Quadr0phenia1973Japan2012FLAC2488.2.part2.rar.html

The Who – Quadrophenia (1973) [Super Deluxe ‘2014] [Official Digital Download 24bit/96kHz]

http://hdmusic.pw/the-who-quadrophenia-1973-super-deluxe-2014-official-digital-download-24bit96khz/

Pete Townshend originally planned The Who Sell Out as a concept album of sorts that would simultaneously mock and pay tribute to pirate radio stations, complete with fake jingles and commercials linking the tracks. For reasons that remain somewhat ill defined, the concept wasn’t quite driven to completion, breaking down around the middle of side two (on the original vinyl configuration). Nonetheless, on strictly musical merits, it’s a terrific set of songs that ultimately stands as one of the group’s greatest achievements. “I Can See for Miles” (a Top Ten hit) is the Who at their most thunderous; tinges of psychedelia add a rush to “Armenia City in the Sky” and “Relax”; “I Can’t Reach You” finds Townshend beginning to stretch himself into quasi-spiritual territory; and “Tattoo” and the acoustic “Sunrise” show introspective, vulnerable sides to the singer/songwriter that had previously been hidden. “Rael” was another mini-opera, with musical motifs that reappeared in Tommy. The album is as perfect a balance between melodic mod pop and powerful instrumentation as the Who (or any other group) would achieve; psychedelic pop was never as jubilant, not to say funny (the fake commercials and jingles interspersed between the songs are a hoot). [Subsequent reissues added over half a dozen interesting outtakes from the time of the sessions, as well as unused commercials, the B-side “Someone’s Coming,” and an alternate version of “Mary Anne with the Shaky Hand.”

Tracklist:
01 – Armenia City In The Sky (Mono Version)
02 – Heinz Baked Beans (Mono Version)
03 – Mary Anne With The Shaky Hand (Mono Version)
04 – Odorono (Mono Version)
05 – Tattoo (Mono Version)
06 – Our Love Was (Mono Version)
07 – I Can See For Miles (Mono Version)
08 – I Can’t Reach You (Mono Version)
09 – Medac (Mono Version)
10 – Relax (Mono Version)
11 – Silas Stingy (Mono Version)
12 – Sunrise (Mono Version)
13 – Rael (1 & 2) (Mono Version)
14 – Armenia City In The Sky – Stereo Version
15 – Heinz Baked Beans – Stereo Version
16 – Mary Anne With The Shaky Hand – Stereo Version
17 – Odorono – Stereo Version
18 – Tattoo – Stereo Version
19 – Our Love Was – Stereo Version
20 – I Can See For Miles – Stereo Version
21 – I Can’t Reach You – Stereo Version
22 – Medac – Stereo Version
23 – Relax – Stereo Version
24 – Silas Stingy – Stereo Version
25 – Sunrise – Stereo Version
26 – Rael (1 & 2) – Stereo Version

DSD transferred from analogue master tapes by Jon Astley at Close To The Edge Mastering, 2012.

ISO

https://subyshare.com/5933u7byt4j9/TheWh0TheWh0Sell0ut1967Japan2012SHMSACDIS0.part1.rar.html
https://subyshare.com/90v7cqhs3cyl/TheWh0TheWh0Sell0ut1967Japan2012SHMSACDIS0.part2.rar.html
https://subyshare.com/mp6xdo1so4mr/TheWh0TheWh0Sell0ut1967Japan2012SHMSACDIS0.part3.rar.html
https://subyshare.com/z2zy18oozvp4/TheWh0TheWh0Sell0ut1967Japan2012SHMSACDIS0.part4.rar.html

FLAC

https://subyshare.com/zy5k2tz2pmh8/TheWh0TheWh0Sell0ut1967Japan2012FLAC2488.2.part1.rar.html
https://subyshare.com/y2wz0u9f60vv/TheWh0TheWh0Sell0ut1967Japan2012FLAC2488.2.part2.rar.html

Tommy is the fourth album by English rock band The Who, released by Track Records and Polydor Records in the United Kingdom and Decca Records/MCA in the United States. A double album telling a loose story about a “deaf, dumb and blind boy” who becomes the leader of a messianic movement, Tommy was the first musical work to be billed overtly as a rock opera. Released in 1969, the album was mostly composed by Pete Townshend. In 1998 it was inducted into the Grammy Hall of Fame for “historical, artistic and significant value”. It has sold over 20 million copies worldwide. This edition uses the 2012 DSD master based on UK original analog tape. Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players).

The full-blown rock opera about a deaf, dumb, and blind boy that launched the band to international superstardom, written almost entirely by Townshend. It was hailed as a breakthrough upon its release, but its critical standing has diminished somewhat in the ensuing decades, because of the occasional pretensions of the concept, and the insubstantial nature of some of the songs that functioned as little more than devices to advance the rather sketchy plot. Nonetheless, the double album has many excellent songs, including “I’m Free,” “Pinball Wizard,” “Sensation,” “Christmas,” “We’re Not Gonna Take It,” and the dramatic ten-minute instrumental, “Underture.” Though the album was slightly flawed, Townshend’s ability to construct a lengthy conceptual narrative brought new possibilities to rock music. Despite the complexity of the project, he and the Who never lost sight of solid pop melodies, harmonies, and forceful instrumentation, imbuing the material with a suitably powerful grace.

Tracklist:
01. Overture – 05:20
02. It’s A Boy – 00:39
03. 1921 – 02:49
04. Amazing Journey – 03:24
05. Sparks – 03:45
06. Eyesight To The Blind (The Hawker) – 02:13
07. Christmas – 04:35
08. Cousin Kevin – 04:07
09. The Acid Queen – 03:34
10. Underture – 10:02
11. Do You Think It’s Alright? – 00:25
12. Fiddle About – 01:31
13. Pinball Wizard – 03:01
14. There’s A Doctor – 00:24
15. Go To The Mirror! – 03:48
16. Tommy Can You Hear Me? – 01:35
17. Smash The Mirror – 01:35
18. Sensation – 02:26
19. Miracle Cure – 00:13
20. Sally Simpson – 04:10
21. I’m Free – 02:39
22. Welcome – 04:32
23. Tommy’s Holiday Camp – 00:57
24. We’re Not Gonna Take It – 07:07

DSD transferred from analogue master tapes by John Astley at The Edge Mastering, 2012.

ISO

https://subyshare.com/zxn68xsvktvv/TheWh0T0mmy1969SACD2012SHMSACDIS0.part1.rar.html
https://subyshare.com/h9e32s69vy9r/TheWh0T0mmy1969SACD2012SHMSACDIS0.part2.rar.html
https://subyshare.com/z3sddjnaqvg7/TheWh0T0mmy1969SACD2012SHMSACDIS0.part3.rar.html
https://subyshare.com/7mg90ozs2fo3/TheWh0T0mmy1969SACD2012SHMSACDIS0.part4.rar.html

FLAC

https://subyshare.com/2clti6r0c91p/TheWh0T0mmy1969Japan2012FLAC2488.2.part1.rar.html
https://subyshare.com/kqj29fh1nlfh/TheWh0T0mmy1969Japan2012FLAC2488.2.part2.rar.html

The Who – Tommy (1969) [Super Deluxe ‘2014] [Official Digital Download 24bit/96kHz]

http://hdmusic.pw/the-who-tommy-1969-super-deluxe-2014-official-digital-download-24bit96khz/

Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). Contains UK original mono version, which features the 2005 96kHz/24bit mastering based on UK original master tape, and remix stereo version, which features 2003 DSD mastering based on the US master produced by MCA.

An explosive debut, and the hardest mod pop recorded by anyone. At the time of its release, it also had the most ferociously powerful guitars and drums yet captured on a rock record. Pete Townshend’s exhilarating chord crunches and guitar distortions threaten to leap off the grooves on “My Generation” and “Out in the Street”; Keith Moon attacks the drums with a lightning, ruthless finesse throughout. Some “Maximum R&B” influence lingered in the two James Brown covers, but much of Townshend’s original material fused Beatlesque hooks and power chords with anthemic mod lyrics, with “The Good’s Gone,” “Much Too Much,” “La La La Lies,” and especially “The Kids Are Alright” being highlights. “A Legal Matter” hinted at more ambitious lyrical concerns, and “The Ox” was instrumental mayhem that pushed the envelope of 1965 amplification with its guitar feedback and nonstop crashing drum rolls. While the execution was sometimes crude, and the songwriting not as sophisticated as it would shortly become, the Who never surpassed the pure energy level of this record.

Tracklist:
01 – Out In The Street (Mono)
02 – I Don’t Mind (Mono)
03 – The Good’s Gone (Mono)
04 – La-La-La Lies (Mono)
05 – Much Too Much (Mono)
06 – My Generation (Mono)
07 – The Kids Are Alright (Mono)
08 – Please, Please, Please (Mono)
09 – It’s Not True (Mono)
10 – I’m A Man (Mono)
11 – A Legal Matter (Mono)
12 – The Ox (Mono)
13 – Circles (Mono)
14 – Out In The Street (Stereo)
15 – I Don’t Mind (Stereo)
16 – The Good’s Gone (Stereo)
17 – La-La-La Lies (Stereo)
18 – Much Too Much (Stereo)
19 – My Generation (Stereo)
20 – The Kids Are Alright (Stereo)
21 – Please, Please, Please (Stereo)
22 – It’s Not True (Stereo)
23 – I’m A Man (Stereo)
24 – A Legal Matter (Stereo)
25 – The Ox (Stereo)
26 – Circles (Stereo)

MONO ALBUM >
Track 1-12: DSD transferred from 96kHz/24bit by Jon Astley at Close To The Edge Mastering, 2010
96kHz/24bit transferred from analogue master tapes by Chris Bellman at Bernie Grundman Mastering, 2005
Track 13: DSD transferred from analogue master tapes by Adam Boose at Iron Mountain Digital Studios. 2011
STEREO ALBUM >
Stereo remixes produced by Shel Talmy. Remixed at Cherokee Studios.
Remix engineer: Steve Katz. Digitally remastered by Erick Labson at Universal Mastering Studios, 2003.

ISO

https://subyshare.com/p0izfroe8b4z/TheWh0MyGenerati0n1965Japan2011SHMSACDIS0.part1.rar.html
https://subyshare.com/6q1mqvokddzz/TheWh0MyGenerati0n1965Japan2011SHMSACDIS0.part2.rar.html
https://subyshare.com/ixuzgzjh0n5b/TheWh0MyGenerati0n1965Japan2011SHMSACDIS0.part3.rar.html
https://subyshare.com/gv3euvl3uyqa/TheWh0MyGenerati0n1965Japan2011SHMSACDIS0.part4.rar.html

FLAC

https://subyshare.com/jyr828cb6zf6/TheWh0MyGenerati0n1965Japan2011flac2488.2.part1.rar.html
https://subyshare.com/zyu06xbmfuwg/TheWh0MyGenerati0n1965Japan2011flac2488.2.part2.rar.html

One imagines that this collection was aimed at the total neophyte listener — taken in any other context, this is an odd collection of single sides by one of the premiere singles bands of the 1960s and early ’70s. Does it start at the beginning, with either “I’m the Face” or “I Can’t Explain”? No. Does it encompass many of the freestanding singles issued by this band through 1972? No. Does it even offer any of the less well-known single sides from that period? No — apart from the three-and-a-half-minute single edit of “Won’t Get Fooled Again,” which was hardly a sterling example of the format or the genre. Instead, listeners get all of the most familiar hits, albeit in their original mono mixes where relevant: “Substitute,” “I’m a Boy,” “Pictures of Lily,” “I Can See for Miles,” “Pinball Wizard,” “Squeeze Box,” etc. The best of it overlaps with Meaty Beaty Big and Bouncy, among other collections, so veteran collectors and listeners will find nothing unique here.

Tracklist:
01. I Can’t Explain (Original Mono Version) ***
02. Anyway, Anyhow, Anywhere (Original Mono Version) ****
03. My Generation (Original Mono Version) ***
04. Substitute (Original Mono Version) **
05. I’m A Boy (Original Mono Version) **
06. Happy Jack (Original Mono Version) **
07. Pictures Of Lily (Alternate Mono Version from ‘Direct Hits’) *
08. The Last Time (Original Mono Version) **
09. I Can See For Miles (Original Mono Single Version) **
10. Dogs (Original Mono Version) **
11. Magic Bus (Alternate Mono Version from ‘The Singles – LP’) *
12. Pinball Wizard (Original Version) **
13. The Seeker (Original Version) *
14. Summertime Blues (Original Live Version) *
15. See Me, Feel Me (Edited Single Version of ‘We Are Not Gonna Take It’) **
16. Won’t Get Fooled Again (Edited Single Version) *
17. Let’s See Action (Original Version) *
18. Join Together (Original Version) *
19. Relay (Original Version) *
20. 5:15 (Remixed Version from ‘Quadorophenia’ Soundtrack) **
21. Squeeze Box (Original Version) *
22. Who Are You (Edited Single Version) *
23. Long Live Rock (Alternate Version from ‘The Ultimate Collection’) *
24. You Better You Bet (Original Full-Lenght Version) *
25. Don’t Let Go the Coat (Original Version) *
26. Athena (Original Version) *

* DSD transferred from analogue master tapes by Jon Astley at Close To The Edge Mastering.
** DSD transferred from analogue master tapes by Manabu Matsumura at Universal Mastring Studios, Tokyo.
*** DSD transferred from analogue master tapes at Universal Mastering Studios, Hollywood.
**** DSD transferred from 96kHz/24bit by Jon Astley at Close To The Edge Mastering.
96kHz/24brt transferred from analogue tapes by Chris Bellman at Bernie Grundman Mastering.

ISO

https://subyshare.com/o2w2j1omie08/TheWh0TheSingles1984Japan2011SHMSACDIS0.part1.rar.html
https://subyshare.com/4f23ydpktq23/TheWh0TheSingles1984Japan2011SHMSACDIS0.part2.rar.html
https://subyshare.com/zn30shb6zsxk/TheWh0TheSingles1984Japan2011SHMSACDIS0.part3.rar.html
https://subyshare.com/dfsemi0uv458/TheWh0TheSingles1984Japan2011SHMSACDIS0.part4.rar.html

FLAC

https://subyshare.com/k8y4zbcw488q/TheWh0TheSingles1984Japan2011FLAC2488.2.part1.rar.html
https://subyshare.com/iunm0gbcjkip/TheWh0TheSingles1984Japan2011FLAC2488.2.part2.rar.html

Song Circus – Anatomy Of Sound (2015) [2.0 & 5.0] {PS3 ISO + FLAC}

Patricia Barber – Nightclub (2000) [MFSL 2002 #UDSACD 2004] {PS3 ISO + FLAC}

Patricia Barber – Companion (1999) [MFSL 2003 #UDSACD 2023] {PS3 ISO + FLAC}

Patricia Barber – Modern Cool (1998) [MFSL 2002 #UDSACD 2003] {PS3 ISO + FLAC}

Patricia Barber – Cafe Blue (1994) [MFSL 2002 #UDSACD 2002] {PS3 ISO + FLAC}

Patricia Barber – Smash (2013) [MFSL #UDSACD 2136] {PS3 ISO + FLAC}

Aerosmith – O, Yeah! Ultimate Aerosmith Hits (SACD 2002) {PS3 ISO + FLAC}

Aerosmith – Just Push Play (SACD 2001) {PS3 ISO + FLAC}

Pink Floyd – The Dark Side Of The Moon (1973) [Reissue 2003] {2.0 & 5.1} PS3 ISO + FLAC

Pink Floyd – Wish You Were Here (1975) [Reissue 2011] {2.0 & 5.1} PS3 ISO + FLAC

The Zombies – Greatest Hits (2002) [Audio Fidelity SACD #AFZ-001] {PS3 ISO + FLAC}

Queen – Greatest Hits II (1991) [Japanese Limited SHM-SACD 2013 # UIGY-9533] {PS3 ISO + FLAC}

Billy Joel – Piano Man (1973) [MFSL 2010] {PS3 ISO + FLAC}

Black Sabbath – Paranoid (1970) [Japanese Limited SHM-SACD 2010 # UIGY-9034] {PS3 ISO + FLAC}

Black Sabbath – Master Of Reality (1971) [Japanese Limited SHM-SACD 2011 # UIGY-9503] {PS3 ISO + FLAC}

The Who – Quadrophenia (1973) [Japanese Limited SHM-SACD 2012 # UIGY-9093] {PS3 ISO + FLAC}

The Who – The Who Sell Out (1967) [Japanese Limited SHM-SACD 2012 # UIGY-9092] {PS3 ISO + FLAC}

The Who – Tommy (1969) [Japanese Limited SHM-SACD 2012 # UIGY-9089] {PS3 ISO + FLAC}

The Who – My Generation (1965) [Japanese Limited SHM-SACD 2011 # UIGY-9059] {PS3 ISO + FLAC}

The Who – The Singles (1984) [Japanese Limited SHM-SACD 2011 # UIGY-9067] {PS3 ISO + FLAC}