SACD / DSD – HDMusic.me

Much of Who’s Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There’s no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. Townshend developed an infatuation with synthesizers during the recording of the album, and they’re all over this album, adding texture where needed and amplifying the force, which is already at a fever pitch. Apart from Live at Leeds, the Who have never sounded as LOUD and unhinged as they do here, yet that’s balanced by ballads, both lovely (“The Song Is Over”) and scathing (“Behind Blue Eyes”). That’s the key to Who’s Next — there’s anger and sorrow, humor and regret, passion and tumult, all wrapped up in a blistering package where the rage is as affecting as the heartbreak. This is a retreat from the ’60s, as Townshend declares the “Song Is Over,” scorns the teenage wasteland, and bitterly declares that we “Won’t Get Fooled Again.” For all the sorrow and heartbreak that runs beneath the surface, this is an invigorating record, not just because Keith Moon runs rampant or because Roger Daltrey has never sung better or because John Entwistle spins out manic basslines that are as captivating as his “My Wife” is funny. This is invigorating because it has all of that, plus Townshend laying his soul bare in ways that are funny, painful, and utterly life-affirming. That is what the Who was about, not the rock operas, and that’s why Who’s Next is truer than Tommy or the abandoned Lifehouse. Those were art — this, even with its pretensions, is rock & roll.

Tracklist:
01. Baba O’Riley
02. Bargain
03. Love Ain’t For Keeping
04. My Wife
05. Song Is Over
06. Getting In Tune
07. Going Mobile
08. Behind Blue Eyes
09. Won’t Get Fooled Again

ISO

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FLAC

https://subyshare.com/c2ws7kbzvzf4/TheWh0Wh0sNext1971Japan2010FLAC2488.2.rar.html

This recording, though brand new, has already acquired an almost unprecedented level of historical significance. This was the orchestra that gave the first performance in the besieged city of Leningrad of Shostakovich’s profoundly moving wartime symphony. Now, sixty years later, they return to the work with which they will always be ineradicably associated in a performance of shattering power and cinematic vividness of imagery. Shostakovich’s musical depiction of the horrors and triumphs of the battlefield have never been equaled, and in this spectacular concert recording the sonic splendor of the composer’s inspiration emerges with devastating impact. Equally remarkable is the synergy between Maestro Dmitriev and the orchestra he has headed for almost thirty years, lending this recording a particular poignancy and authenticity.

Tracklist:
01. I. Allegretto
02. II. Moderato(poco allegretto)
03. III. Adagio
04. IV. Allegro non troppo

Produced and Recorded by Alexander Kavichandran
Recorded in September 2003, in the Great Hall of the Saint Petersburg Philharmonia, Russia
Mastering: Dawn Frank and Gus Skinas at Super Audio Center, Boulder, CO, U.S.A.

St. Petersburg Academic Symphony Orchestra, Conducted by Alexander Dmitriev
Vladimir Ovchinnikov – piano

This is a pure DSD recording done with a single pair of microphones arranged in the classic Blumlein configuration. No noise reduction, equalization, compression, or limiting of any sort was used in the making of this recording.

ISO

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FLAC

https://subyshare.com/h45p4w13rp74/St.PetersburgAcademicS0AlexanderDmitrievSh0stak0vich.Sym.7Leningrad2005FLACStere02488.2.part1.rar.html
https://subyshare.com/bxgqcs4locie/St.PetersburgAcademicS0AlexanderDmitrievSh0stak0vich.Sym.7Leningrad2005FLACStere02488.2.part2.rar.html

A virtuoso vehicle in the tradition of Liszt and Rakhmaninov, Svetlanov’s emotionally full-blooded concerto provides the ultimate showcase for internationally renowned pianist Vladimir Ovchinnikov, who has enjoyed a meteoric career since his ground-breaking success in the 1982 Moscow Tchaikovsky Piano Competition. Alternating scintillating showmanship and genuine depth of feeling, this gorgeously seductive work is sure to delight seasoned concertgoers and newcomers alike. The richness and warmth of the Romantic tradition continues in Skryabin’s lush and dramatic Third Symphony, which links the emotionally extrovert world of Tchaikovsky to the renewed sense of spirituality essential to our time. A sonic and musical spectacular in every sense, Maestro Dmitriev and the St Petersburg Symphony wring every last ounce of passion and excitement from these thrilling scores.

Tracklist:
01. Yevgeny Svetlanov Piano Concerto in C minor: I. Andante
02. Yevgeny Svetlanov Piano Concerto in C minor: II. Allegro
03. Yevgeny Svetlanov: A minor Prelude
04. Alexander Skryabin Symphony No. 3: I. Luttes (Struggle). Lento – Allegro
05. Alexander Skryabin Symphony No. 3: II. Voluptés (Delights). Lento
06. Alexander Skryabin Symphony No. 3: III. Jeu divin (Divine Play). Allegro

Saint Petersburg Academic Symphony Orchestra, Conducted by Alexander Dmitriev
Vladimir Ovchinnikov – piano

This is a pure DSD recording done with a single pair of microphones arranged in a parallel figure-eight configuration. No noise reduction, equalization, compression or limiting of any sort was used in the making of this recording.

ISO

https://subyshare.com/16heam0qgedw/St.PetersburgAcademicS0AlexanderDmitrievSvetlan0vSkryabin2005SACDIS0.part1.rar.html
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FLAC

https://subyshare.com/1q1ar9tbx3tr/St.PetersburgAcademicS0AlexanderDmitrievSvetlan0vSkryabin2005FLAC2488.2.part1.rar.html
https://subyshare.com/cmqqgpk17vk5/St.PetersburgAcademicS0AlexanderDmitrievSvetlan0vSkryabin2005FLAC2488.2.part2.rar.html

The Stockholm Baroque Orchestra is a group of experienced musicians who have a special interest in the music of the Baroque and Classical periods. The orchestra has toured throughout Sweden and performed in England, Germany, Switzerland, Italy, Lebanon, Finland and Norway. This Surround Sound 4.0 SACD features the dance music of well-known composer Johann Sebastian Bach, and contains “Suite No. 2 In B Minor”, “Suite No. 1 in C”, “Sonata In G”, “Invention No. 8 In F” and many others.

Bach could make the most complicated fugue sound like a dance and he also wrote some of the most outstanding dance tunes of the Baroque. Stockholm Baroque Orchestra presents a highly personal interpretation of Bach’s music, evoking the atmosphere of Zimmerman’s coffee house where the composer and his friends would meet for a “jam session”.

Tracklist:
01. Suite No.2 In B Minor BWV 1067: Ouverture
02. Suite No.2 In B Minor BWV 1067: Rondeau
03. Suite No.2 In B Minor BWV 1067: Sarabande
04. Suite No.2 In B Minor BWV 1067: Bourree I & II
05. Suite No.2 In B Minor BWV 1067: Polonaise & Double
06. Suite No.2 In B Minor BWV 1067: Menuet
07. Suite No.2 In B Minor BWV 1067: Badienerie
08. Sonata In G BWV 1021: Adagio
09. Sonata In G BWV 1021: Vivace
10. Sonata In G BWV 1021: Largo
11. Sonata In G BWV 1021: Presto
12. Invention No. 8 In F BWV 779
13. From Suite In G BWV 1007: Sarabanda
14. From Suite In G BWV 1007: Menuet
15. From Sonata No. 3 In C BWV 1005: Allegro Assai
16. From Suite In D Minor BWV 1008: Sarabanda
17. From Partita In D Minor BWV 1004: Allemanda
18. From Partita In D Minor BWV 1004: Corrente
19. From Partita In D Minor BWV 1004: Sarabanda
20. From Partita In D Minor BWV 1004: Giga
21. Suite No. 1 In C BWV 1066: Ouverture
22. Suite No. 1 In C BWV 1066: Courante
23. Suite No. 1 In C BWV 1066: Gavotte I & II
24. Suite No. 1 In C BWV 1066: Forlane
25. Suite No. 1 In C BWV 1066: Menuet I & II
26. Suite No. 1 In C BWV 1066: Bourree I & II
27. Suite No. 1 In C BWV 1066: Passepied I & II
28. Invention No. 13 In A Minor BWV 784

Stockholms Barockorkester
Maria Lindal – violin
Lars Warnstad – violin
Mikael Marin – viola
Magdalena Marding – cello
Jonas Dominique – double bas
Karl Nyhlin- theorbo, baroque guitar
Peter Lonnerberg – harpsichord
Kennet Bohman – oboe
Christopher Colin Nordberg – oboe
Mats Klingfors – bassoon, flute

ISO

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FLAC

https://subyshare.com/l93uhzgknw28/St0ckh0lmBar0que0rchestraDancingBach2006FLACStere02488.2.part1.rar.html
https://subyshare.com/85ywxsdiangc/St0ckh0lmBar0que0rchestraDancingBach2006FLACStere02488.2.part2.rar.html

The debut masterpiece from the kings of Modern Melodic Rock. A top 5 finalist for “Album of the year” at the Indie Music Awards. A dark sonic journey that will leave you in awe. Tune in.. turn on… drop dead.

A poignant, bitter rock and roll journey where the writers confront their deepest emotions in a slow descent over the edge. Fans of Jellyfish, Pink Floyd, The Who etc. will love this disc which features great writing, production, playing, arranging and a diversity which should appeal to many. Drown is a hit song, period.

Tracklist:
01. Miss The World
02. Succubus
03. Drown
04. You Never Know
05. Love Is Grand
06. Worthless Loser
07. Happy Face
08. Halfway To Nowhere
09. Vegas
10. Stuck With You
11. Opportunity Knocks
12. Tweak Street
13. Save Me
14. Goodbye

Produced and recorded by John Billings at FunkyTymz Productions;
“Halfway to Nowhere” recorded and mixed by Michael Wagener at Wireworld Studios;
“Vegas” mixed by Michael Wagener. Mastered by Eric Conn & Don Cobb at Independent Mastering, Nashville, TN.
DSD Engineer Tracy Martinson.

Suitcase Pimps are:
Brad Henderson – guitars and vocals
Peter Martin Lauck – guitar and vocals
John Billings – bass
Michael Radovsky – drums

Additional help from our friends:
Paul Chapman – bass on “Save Me” and “Goodbye”
Aaron Hatmaker – acoustic bass on “Tweak Street”
Harry Sharpe – keys on “Love is Grand”, string arrangements and performances on “Save Me” and “Goodbye”
Jeff Coffin – saxophone on “Love Is Grand”
Strings on “Happy Face” arranged and performed by Gary Tussing and Peter Hyrka
Stacy Gibson- 911 voice on “Save Me”.

ISO

https://subyshare.com/bwl5pcgnx9jo/SuitcasePimpsL0veIsGrand2003SACDIS0.part1.rar.html
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https://subyshare.com/v3e2gc7csfai/SuitcasePimpsL0veIsGrand2003SACDIS0.part3.rar.html

FLAC

https://subyshare.com/0h18na1oqaie/SuitcasePimpsL0veIsGrand2003FLAC2488.2.rar.html

Christoph von Dohnányi is recognized as one of the world’s most distinguished conductors. Von Dohnányi served as sixth music director of the Cleveland Orchestra from 1984 to 2002, having been appointed music director designate in 1982. He conducted the orchestra in subscription concerts, in semi-staged concert version opera performances at Severance Hall, and on domestic and international tours to Asia and Europe. He initiated a project conducting world premieres of composers from the Cleveland area. The renovation and the extension of Severance Hall, the founding of the Cleveland Orchestra Youth Orchestra and Youth Chorus were significant achievements during his era as music director. He recorded numerous works with the Cleveland Orchestra: CD releases by Decca feature wide ranging repertoire with works by Mozart, Mahler, Bruckner, Dvorak, Strauss, Ives, Varese, Bartok, Adams, Ruggles, Webern, Ran, Shostakovich and all Schumann symphonies. A compilation of all Beethoven symphonies was recorded by Telarc, and a collection of all Brahms symphonies by Teldec. Live radio broadcast recordings were released by the Cleveland Orchestra, one set in celebration of the orchestra’s 75th anniversary and one commemorative box upon finishing his tenure in Cleveland representing his 20 years as music director. In 2002, he was named the first music director laureate of the Cleveland Orchestra. Since ending his tenure in Cleveland, von Dohnányi has been a regular guest conductor with the Boston Symphony, New York Philharmonic, Philadelphia Orchestra, Pittsburgh Symphony, Chicago Symphony and Los Angeles Philharmonic, as well as the Cleveland Orchestra.

Tracklist:
01. Antonín Dvořák: Symphonie Nr. 9 E-moll Op. 95 “Aus Der Neuen Welt”: I. Adagio – Allegro molto
02. Antonín Dvořák: Symphonie Nr. 9 E-moll Op. 95 “Aus Der Neuen Welt”: II. Largo
03. Antonín Dvořák: Symphonie Nr. 9 E-moll Op. 95 “Aus Der Neuen Welt”: III. Scherzo. Molto vivace
04. Antonín Dvořák: Symphonie Nr. 9 E-moll Op. 95 “Aus Der Neuen Welt”: IV. Allegro con fuoco
05. Antonín Dvořák: Scherzo capriccioso op.66
06. Bedřich Smetana: “Die Moldau”
07. Bedřich Smetana: “Die Verkaufte Braut”: I. Polka]08. Bedřich Smetana: “Die Verkaufte Braut”: II. Furiant
09. Bedřich Smetana: “Die Verkaufte Braut”: III. Tanz der Komцdianten

Tracks “1-5” Recorded in 1986
Tracks “6-9” Recorded in 1995
Mastered by Götz-Michael Rieth.

Download:

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In 1970, Elektra Records released a Doors hits collection called 13. In 1971, the Doors scored two more hits, “Love Her Madly” and “Riders on the Storm,” and their lead singer, Jim Morrison, died. In 1972, Elektra released a two-LP anthology containing “Love Her Madly” and “Riders on the Storm,” along with a lot of album tracks. But there was no single-LP compilation that contained all the Doors’ hits, from “Light My Fire” to “Riders on the Storm.” This 11-track 1973 album was an attempt to address that problem, and at the time of its release, containing seven of the Doors’ eight Top 40 hits (the exception being “The Unknown Soldier”), it was the best Doors greatest-hits collection on the market.

Tracklist:
01. Who Do You Love
02. Soul Kitchen
03. Hello, I Love You
04. People Are Strange
05. Riders On The Storm
06. Touch Me
07. Love Her Madly
08. Love Me Two Times
09. Take It As It Comes
10. Moonlight Drive
11. Light My Fire

Stereo Recorded & Mixed by Bruce Botnick, 1966-1970.
4.0 Analog to Hi-Def DSD Digital transfer by Gus Skinas at Super Audio Center, Boulder, CO.
Stereo CD & SACD Mastering by Steve Hoffman at Stephen Marsh Mastering.

ISO

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FLAC

https://subyshare.com/0p2cmypc48cp/TheD00rsTheBest0fTheD00rs1973Audi0Fidelity2015FLACStere02488.2.rar.html

While nothing soared as high as “Everybody Plays a Fool” from the Bitter Sweet LP, Euphrates River is tighter and has more zap than the previous year’s beautiful but hitless Afrodisiac. They nailed Seals & Croft’s “Summer Breeze” — the New Yorkers almost surpassed the Isley Brothers’ soulful version. Cuba Gooding sings the upbeat and funky “California My Way” from the heart (the soul singer moved his family to L.A. — the only Main Ingredient to do so). The trio gives Stevie Wonder’s “Don’t You Worry About a Thing” all they can muster; this is an excellent rendition that should have done better on the charts. Their version of “Just Don’t Want to Be Lonely” helped sell this LP; it was previously done by Blue Magic and Ronnie Dyson, but the Main Ingredient’s version reigns supreme. Rolling, midtempo beaters make up the bulk of the tunes with “Euphrates” and “Happiness Is Just Around the Bend” as prime examples.

Tracklist:
01. Euphrates
02. Have You Ever Tried It
03. Summer Breeze
04. California My Way
05. Happiness is Just around the Bend
06. Looks Like Rain
07. Dont You Worry bout a Thing
08. Just Dont Want to Be Lonely

Remastered from original analog tapes by Michael J. Dutton.

ISO

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FLAC

https://subyshare.com/6iys5m4t2yc9/TheMainIngredientEuphratesRiver1974Reissue2016FLACStere02488.2.rar.html

Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-’60s would get requested (such as “People,” “The Girl from Ipanema,” and “The Days of Wine and Roses”), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with “People”) and adds a few songs (such as his own “Goodbye, J.D.” and John Lewis’ “D & E”). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.

Tracklist:
01. Quiet Nights of Quiet Stars (Corcovado)
02. The Days of Wine and Roses
03. My One and Only Love
04. People
05. Have You Met Miss Jones?
06. You Look Good To Me
07. The Girl From Ipanema
08. D. & E.
09. Time and Again
10. Goodbye J.D.

Recorded on October 19 & November 20, 1964
DSD Remastering Engineer: Atsuo Fujita
Released in Japan on SHM-SACD # UCGU-9011

Personnel
Oscar Peterson – piano
Ray Brown – double bass
Ed Thigpen – drums

ISO

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FLAC

https://subyshare.com/41esjtv2pfxb/The0scarPeters0nTri0WeGetRequests1965Japan2010FLAC2488.2.rar.html

AcousticSounds DSF DSD64/2.82MHz

http://hdmusic.pw/oscar-peterson-trio-we-get-requests-19642011-official-digital-download-dsf-stereo-dsd642-82mhz/

Analogue Productions 2011 SACD

http://hdmusic.pw/oscar-peterson-trio-we-get-requests-1964-analogue-productions-2011-2-0-3-0-ps3-iso-flac/

The Ventures are an American instrumental rock band formed in 1958 in Tacoma, Washington. Founded by Don Wilson and Bob Bogle, the group in its various incarnations has had an enduring impact on the development of music worldwide. With over 100 million records sold, the group is the best-selling instrumental band of all time. In 2008, the Ventures were inducted into the Rock and Roll Hall of Fame. Their instrumental virtuosity, experimentation with guitar effects, and unique sound laid the groundwork for innumerable groups, earning them the moniker “The Band that Launched a Thousand Bands”. While their popularity in the United States waned in the 1970s, the group remains revered in Japan, where they tour regularly to this day.

Tracklist:
01. Walk Don’t Run
02. The Cruel Sea
03. Telstar
04. Black Sand Beach
05. Apache
06. Out Of Limits
07. Let’s Go 02:18
08. Stranger In Midosuji
09. Reflections In A Palace Lake
10. Ginza Lights
11. Kyoto Doll
12. Paint It Black!
13. Walk Don’t Run ’64
14. House Of The Rising Sun
15. Slaughter On 10th Avenue
16. Hawaii Five-O
17. Wipe Out
18. Diamond Head
19. Pipeline
20. Caravan

DSD Mastering Engineer: Toshiya Horiuchi at Sony Music Studios, Tokyo.

ISO

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https://subyshare.com/vt7etu1csovd/TheVenturesGreatestG0ld2002JapaneseReleaseSACDIS0.part3.rar.html

FLAC

https://subyshare.com/e0rubm9k9x7v/TheVenturesGreatestG0ld2002JapaneseReleaseFLAC2488.2.part1.rar.html
https://subyshare.com/pbd6o45k9tuy/TheVenturesGreatestG0ld2002JapaneseReleaseFLAC2488.2.part2.rar.html

The Weavers celebrated their 15th anniversary by performing two concerts – May 2 and 3, 1963 – at Carnegie Hall, the site of their historic 1955 comeback concert, and invited back former members Pete Seeger and Erik Darling, as well as introducing new member Bernie Krause. The shows served to reaffirm the status of a group that had fostered the folk boom of the late ’50s and early ’60s, yet had been bypassed by it as others scored with their songs, notably Peter, Paul and Mary, who had taken the early Weavers song “If I Had a Hammer” into the Top Ten. The group reclaimed that song and others, such as “Wimoweh” (pilfered by the Tokens as “The Lion Sleeps Tonight”); performed their own old hits, such as “Goodnight, Irene,” and covered such new material as Tom Paxton’s “Ramblin’ Boy” (actually a solo performance by Seeger). On record, the numerous lead singers make the show sound more like a folk festival than a performance by one group, but this remains a spirited effort very much in tune with the first Carnegie Hall show.

Tracklist:
01. When The Saints Go Marching In
02. Banks of Marble
03. Woke Up This Morning
04. Ramblin’ Boy
05. Poor Liza
06. Train Time
07. Wimoweh
08. San Francisco Bay Blues
09. Guantanamera
10. If I Had A Hammer
11. Come Away Melinda
12. Study War No More
13. Goodnight, Irene
14. ‘Round The World

Mastered by Kevin Gray from the original 3-track tape.
FLAC convertion – on +5 dB louder.

ISO

https://subyshare.com/ahsiiyc5iepp/TheWeaversReuni0natCarnegieHall1963AP0Remaster2013SACDIS0.part1.rar.html
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FLAC

https://subyshare.com/7ikjo3nb0r51/TheWeaversReuni0natCarnegieHall1963AP0Remaster2013FLACStere02488.2.rar.html

One of the most popular recording artists of the 1970s, country-folk singer/songwriter John Denver’s gentle, environmentally conscious music established him among the most beloved entertainers of his era; wholesome and clean-cut, his appeal extended to fans of all ages and backgrounds, and led to parallel careers as both an actor and a humanitarian. He was one of the biggest superstars of the ’70s.

Tracklist:
01. Take Me Home, Country Roads
02. Rocky Mountain High
03. Higher Ground
04. Ponies
05. Sunshine On My Shoulders
06. Annie’s Song
07. Windsong
08. Two Different Directions
09. Whispering Jesse
10. To The Wild Country
11. I Watch You Sleeping
12. The Gift You Are
13. Children Of The Universe
14. Rocky Mountain Suite
15. Eagles & Horses
16. Calypso

ISO

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FLAC

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https://subyshare.com/36yzwzexa04p/J0hnDenverTheJ0hnDenverC0llecti0n2003FLACStere02488.2.part2.rar.html

The Best of John Denver Live captures the singer at his charity Wildlife Concert in 1995. Denver runs through many of his best-known songs (“Take Me Home, Country Roads,” “Rocky Mountain High,” “Sunshine on My Shoulders,” “Annie’s Song”) as well as two songs (“I’m Sorry,” “I Think I’d Rather Be a Cowboy”) that he previously had not recorded…

Tracklist:
01. Rocky Mountain High
02. Country Roads
03. Back Home Again
04. I Guess He’d Rather Be In Colorado
05. Matthew
06. Sunshine On My Shoulders
07. Darcy Farrow
08. Wild Montana Skies
09. Leaving On A Jet Plane/Goodbye Again
10. Bet On The Blues
11. I’d Rather Be A Cowboy (Lady’s Chains)
12. Fly Away
13. I’m Sorry
14. Annie’s Song
15. Poems, Prayers & Promises
16. Calypso

ISO

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FLAC

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https://subyshare.com/8tbw80ybk9mu/J0hnDenverTheBest0fJ0hnDenverLive1997Reissue2000FLAC2488.2.part2.rar.html

Roy Orbison – Black And White Night (1989) [2004 Remaster] {2.0 & 5.1}
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 65:14 minutes | Scans included | 3,91 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,41 GB

Black & White Night, the live album, was compiled and released posthumously from the television special. The album was released in February 1989 and included the songs “Blue Bayou” and “Claudette” that were cut from the original broadcast for time. However it did not include the song “Blue Angel” which was cut from the original broadcast for the same reason.

The best-recorded Roy Orbison live disc ever issued, taken from the soundtrack of the HBO concert from the 1980s with VIP guests like Bruce Springsteen and Elvis Costello. This was a sort of magical video, and the performances are splendid, along with the good feelings involved. On the other hand, the performances are extremely reverential to the established studio versions of the songs (all of the hits are here), and intended to mimic them, so this isn’t quite the same as a live album as it would have been done back when. The pity is that neither Monument nor MGM ever taped any complete concerts by Orbison from the 1960s, and all that remains are TV appearances from Europe.

Tracklist:
01. Only The Lonely
02. Dream Baby (How Long Must I Dream)
03. Blue Bayou
04. The Comedians
05. Ooby Dooby
06. Leah
07. Running Scared
08. Uptown
09. In Dreams
10. Crying
11. Candy Man
12. Go, Go, Go (Down The Line)
13. Mean Woman Blues
14. Dream You
15. Claudette
16. It’s Over
17. Oh, Pretty Woman
18. Blue Angel

ISO

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https://subyshare.com/tqhz2v8q0j53/RoyOrbison-BlackAndWhiteNight19892004RemasterSACD-ISO.part2.rar.html
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FLAC

https://subyshare.com/t22dl690zwj1/RoyOrbison-BlackAndWhiteNight19892004RemasterFLAC24-88.2.part1.rar.html
https://subyshare.com/x2cq1t9nz7yz/RoyOrbison-BlackAndWhiteNight19892004RemasterFLAC24-88.2.part2.rar.html

Allan Holdsworth is an English guitarist and composer. He has released twelve studio albums as a solo artist and played a variety of musical styles spanning a period of more than four decades, but is best known for his work in jazz fusion. All Night Wrong is Allan Holdsworth’s first official live album, released in 2002 through Sony Music Entertainment Japan.

Tracklist:
01. Lanyard Loop
02. The Things You See
03. Alphrazallan
04. Funnels
05. Zone
06. Water on the Brain, Pt. 2
07. Above & Below
08. Gas Lamp Blues

Direct DSD 2ch & 5ch Recording.
Recorded at Roppongi Pit Inn, May 5th, 2002.

ISO

https://subyshare.com/bq3ejh090vqv/AllanH0ldsw0rthAllNightWr0ng2002SACDIS0.part1.rar.html
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FLAC

https://subyshare.com/4birbo4dvscl/AllanH0ldsw0rthAllNightWr0ng2002FLACStere02488.2.part1.rar.html
https://subyshare.com/qvmwzfn621ys/AllanH0ldsw0rthAllNightWr0ng2002FLACStere02488.2.part2.rar.html

Ain’t Nothin’ Stoppin’ Us Now is an album by American R&B band Tower of Power released in 1976, their first record on Columbia Records. Ron Beck takes up the drummers spot after David Garibaldi exited for a second time. This also would be the last album to feature bassist Francis “Rocco” Prestia as he would go on an extended hiatus from the band until his return in 1986. It is also the only album to feature vocalist Edward McGee.

Edward McGee turned in mostly above-average performances on their first post-Lenny Williams release, but it was the beginning of the end for the group. With funk losing its foothold among R&B audiences, they couldn’t keep it together. Hearing this on compact disc (and it’s not one of Columbia’s better mastering jobs) reveals that McGee was an energetic, exuberant vocalist who held his own on uptempo tunes like “You Ought To Be Havin’ Fun” and the title song, but lacked Williams’ range or tonal quality on ballads. The group always had a weakness for ponderous message cuts, and “Can’t Stand To See The Slaughter” and “While We Went To The Moon” were well-intentioned but clumsy tracks. This was almost The Tower of Power’s swan song.

Tracklist:
01. Ain’t Nothin’ Stoppin Us Now
02. By Your Side
03. Make Someone Happy
04. Doin Alright
05. Because I Think the World of You
06. You Ought to Be Havin Fun
07. Cant Stand to See the Slaughter
08. Its So Nice
09. Deal With It
10. While We Went to the Moon

Remastered from original analog tapes by Michael J. Dutton.

ISO

https://subyshare.com/xmma4qp6nmfn/T0wer0fP0werAintN0thingSt0pping1976Reissue2016SACDIS0.part1.rar.html
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FLAC

https://subyshare.com/hvhmiyee4ljj/T0wer0fP0werAintN0thingSt0pping1976Reissue2016FLAC2488.2.rar.html

From January to December 1974, pianist Tsuyoshi Yamamoto and his trio performed daily in a jazz club called Misty that had a full-size New York Steinway concert grand. Producer of Three Blind Mice Takeshi Fujii heard him there, fell in love, and made his hugely successful debut album Midnight Sugar in the spring of the same year. Yamamoto had already recorded his second album Misty, and his year at Misty was winding down. For the third album to be recorded in a year, Fujii decided to capture the trio live in their “everyday setting.”

On Christmas day, 1974, the trio with guest conga player brought the house down with uplifting numbers and soulful ballads. Engineer Yoshihiko Kannari used just six microphones for all instruments, and three for capturing the sounds of the audience. The result is a remarkable, groovy live recording with a strong “you are there” feeling.

Tracklist:
01. Sweet Georgia Brown
02. The Loving Touch
03. Dark Eyes
04. Moanin’

Recorded on December 25, 1974 at the Club Misty, Tokyo.

Personnel
Tsuyoshi Yamamoto – piano
Akira Daiyoshi – bass
Toshio Osumi – drums
Koji Moriyama – congas

ISO

https://subyshare.com/dsd3nh91392b/Tsuy0shiYamam0t0Tri0LiveAtTheMisty1974Reissue2006SACDIS0.part1.rar.html
https://subyshare.com/ti2d0ytgjnd9/Tsuy0shiYamam0t0Tri0LiveAtTheMisty1974Reissue2006SACDIS0.part2.rar.html

FLAC

https://subyshare.com/947ybyntxpbk/Tsuy0shiYamam0t0Tri0LiveAtTheMisty1974Reissue2006FLAC2488.2.rar.html

Imagine yourself listening to a piano trio, alone in the middle of the night as you sip your favorite drink – Tsuyoshi Yamamoto Trio offers just such a mood. Yamamoto is highly musical and his expressions natural, neither overly technical nor overly serious, and his performance is relaxed and melodious. This album, now on SACD, is his second, after the debut of “Midnight Sugar”, and it won the ‘Best Engineering Award’ from the Jazz Disk Awards in 1974 when it was originally released on TBM Records, one of Japan’s oldest and most prestigious jazz labels.

Tracklist:
01. Misty
02. Blues
03. Yesterdays
04. Honey Suckle Rose
05. Smoke Gets in Your Eyes
06. I Didn’t Know What Time It Was
07. Angel Eyes

Recorded on August 7, 1974 at AOI Studio, Tokyo.

Personnel
Tsuyoshi Yamamoto – piano
Isoo Fukui – bass
Tetsujiro Obara – drums

ISO

https://subyshare.com/xy885u1kmz4l/Tsuy0shiYamam0t0Tri0Misty1974Reissue2004SACDIS0.part1.rar.html
https://subyshare.com/ixbmwoageg1z/Tsuy0shiYamam0t0Tri0Misty1974Reissue2004SACDIS0.part2.rar.html

FLAC

https://subyshare.com/29mer4hhv0d7/Tsuy0shiYamam0t0Tri0Misty1974Reissue2004FLAC2488.2.rar.html

Autumn In Seattle is a world class smooth jazz album from peerless Japanese jazz pianist Tsuyoshi Yamamoto. Along with bassist Ken Kaneko and drummer Toshio Osumi, he has transformed this program of famous film themes into captivatingly beautiful jazz pieces.

Pianist Tsuyoshi Yamamoto has been a jazz artist for decades, and in ‘01 Winston persuaded him to do new renditions of some of his most-popular material for the album Autumn in Seattle. His accompanists are Ken Kaneko on bass and Toshio Osumi on drums. Winston describes the title tune as “warm, peaceful, even romantic,” and that pretty much sums all the music on the disc.

The first item is Marvin Hamlisch’s “The Way We Were” from the 1973 movie of the same name. The manner in which Yamamoto plays it, it sounds as laid back and friendly as most of us remember it from the film. Even more easygoing is Burt Bacharach’s “Raindrops Keep Fallin’ on My Head” from Butch Cassidy and the Sundance Kid, which takes flight from the outset under Yamamoto and never lets go.

Then we come to the title tune itself, “Autumn in Seattle,” which Yamamoto wrote specifically for the album. It’s sweetly atmospheric, and like the other numbers, it is all Yamamoto and his piano, which is lightly resonant and expressively lyrical. He follows “Autumn” with “Misty,” a perennial favorite, only this time he takes it at a “more energetic,” upbeat tempo than he says he usually does. His seeming improvisations breathe new life into an old warhorse, and he allows his sidemen to introduce the piece. Although it won’t be to everyone’s liking because the cherished melody is often hardly discernible, it does take on a pleasant verve of its own.

And so it goes through another half dozen tunes, mostly music from motion pictures: “Love Is a Many Splendored Thing,” the theme from Spartacus, a medley from The Sound of Music, “A Time for Us” from Romeo and Juliet, and one of own preferences, “As Time Goes By,” featured in Casablanca. Dooley Wilson, who couldn’t play the piano, would have been proud.

Probably the best, and best-sounding, track in the album, though, is “No Problem,” which Yamamoto says inspired him in high school to become a jazz pianist after hearing a version by Art Blakey. The tune allows Yamamoto to demonstrate a wide flexibility of tone and color and provides opportunity for his accompanists to shine as well.

FIM made the recording in 2001 in Onkio Haus, Tokyo, Japan, and audio engineer Michael Bishop remastered it in 2011 via FIM’s UltraHD 32-bit processing system. The original analog recording, done on a Studer A829, is extremely plush and very dynamic, with good air, ambience, and transparency. The piano sounds especially lifelike in its transient response, and the music exhibits taut bass and extended highs.

Tracklist:
01. The Way We Were
02. Raindrops Keep Falling On My Head
03. Autumn In Seattle
04. Misty
05. Love Is A Many Splendored Thing
06. Theme From Spartacus
07. No Problem
08. As Time Goes By
09. Sound Of Music Medley
10. A Time For Us

ISO

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FLAC

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https://subyshare.com/98443co6h6oe/Tsuy0shiYamam0t0KenKanek0T0shi00sumiAutumnInSeattle2001Reissue2011FLAC2488.2.part2.rar.html

Massenet’s Don Quichotte has never quite established itself in the repertoire, not because of any deficit in the music, but because it’s not immediately evident exactly what it is dramatically; is it a comedy or tragedy or some more subtle blend of the two? The last option seems to reflect the usual approach to it, which makes it a hard sell for audiences. Valery Gergiev clearly envisions it a comedy, though one with a poignant ending, and the certainty of his vision make this an exceptionally compelling and coherent presentation of the opera. His position is supported by the program notes, which point out the extent to which Massenet filled the score with tongue-in-cheek parodies of operatic conventions, such as his send-up of Gounod’s pieties in the Don’s fervent entreaty to the Chief of the Bandits. Gergiev’s reading is energetically paced, and the vivacious playing and singing of the Mariinsky Orchestra and the Soloists’ Ensemble of the Mariinsky Academy of Young Singers convey boisterous vitality. This is one version of the opera that avoids the mawkish sentimentality to which most performances fall prey. Mezzo-soprano Anna Kiknadze is a youthful, warmly seductive, and high-spirited Dulcinée; her portrayal suggests what Carmen might have been like had she had a more bourgeois upbringing and better impulse control. Her full, colorful voice and lively acting makes it easy to imagine her as a vivid Carmen. Ferruccio Furlanetto has established himself as master of tragic Verdi roles like King Philip in Don Carlos and Silva in Ernani. He may not have the vocal gravitas of singers like Chaliapin and Christoff in the role, but he has plenty of power and he’s a terrific actor. He excels in comedy and convincingly establishes the tricky balance between the Don’s frail dignity and absurdity, and he makes him a character who’s not only sympathetic but believable. As Sancho, Andrei Serov, sings robustly and is an effective foil to Furlanetto. The smaller roles are consistently well taken. Although there are no French performers involved in the opera, Gergiev draws out performances that are idiomatically Gallic. The sound of Mariinsky’s SACD is well balanced, very clean, and clearly detailed. Overall, this exemplary performance makes the most compelling recorded case for Don Quichotte as an opera that deserves a place in the more standard repertoire.

Tracklist:

DISC I
01. Act I: i. Alza!
02. Act I: ii. Quand la femme a vingt ans
03. Act I: iii. Dulcinйe est certes jolie
04. Act I: iv. Allйgresse!
05. Act I: v. C’est merveille de voir
06. Act I: vi. O Dulcinйe!
07. Act I: vii. Cet homme a fait le voeu
08. Act I: viii. Ah! Ah! C’est vous qui lanciez
09. Act I: ix. Vous etes, monseigneur
10. Act II: i. C’est vers ton amour
11. Act II: ii. Comment peut-on penser du bien
12. Act II: iii. Regarde!

DISC II
01. Premier Interlude
02. Act III: i. C’est ici le chemin
03. Act III: ii. O mes reves divins
04. Act III: iii. Ah! Voir un corps long
05. Act III: iv. Seigneur, recois mon ame
06. Act IV: i. Alors traitresse
07. Act IV: ii. Ah! J’ai en ce moment le desir
08. Act IV: iii. Alza! Ne pensons qu’au plaisir d’aimer
09. Act IV: iv. Annonce le Grand Don Quichotte
10. Act IV: v. On ne s’explique
11. Act IV: vi. Marchez dans mon chemin
12. Act IV: vii. Me marier, moi!
13. Act IV: viii. Enfin, te revoila!
14. Act IV: ix. Riez, allez!
15. Deuxieme Interlude
16. Act V: i. O mon maitre!
17. Act V: ii. Oui! Je fus le chef
18. Act V: iii. L’Etoile!

Libretto by Henri Cain, based on Don Quixote by Jacques Le Lorrain

Produced by James Mallinson. Engineered by Vladimir Ryabenko
Recorded May 27-29, 2011 in the Concert Hall of the Mariinsky Theatre, St Petersburg, Russia

Performers
Don Quichotte – Ferruccio FURLANETTO
Dulcinea – Anna KIKNADZE
Sancho Panca – Andrei SEROV
Pedro – Eleonora VINDAU
Garcias – Julia MATOCHKINA
Rodriguez – Carlos D’ONOFRIO
Juan – Dmitry KOLEUSHKO
Tenebrun, Chief of the Bandits – Didier JOUANNY
Premier bandit – Sergei ZAMAREV
Two servants – Denis FEDORENKO & Andrei BONDARENKO

Soloists’ Ensemble of the Mariinsky Academy of Young Singers,
Mariinsky Orchestra – Musical Director and Conductor: Valery GERGIEV.

ISO

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FLAC 24-96

http://hdmusic.pw/mariinsky-orchestra-valery-gergiev-massenet-don-quichotte-2012-official-digital-download-24bit96khz/

The Who – Who’s Next (1971) [Japanese Limited SHM-SACD 2010 # UIGY-9020] {PS3 ISO + FLAC}

St. Petersburg Academic Symphony Orchestra, Alexander Dmitriev – Shostakovich: Symphony 7 ‘Leningrad’ (2005) {PS3 ISO + FLAC}

St. Petersburg Academic Symphony Orchestra, Alexander Dmitriev – Svetlanov & Skryabin (2005) {PS3 ISO + FLAC}

Stockholm Baroque Orchestra – Dancing Bach (2006) [2.0 & 4.0] {PS3 ISO + FLAC}

Suitcase Pimps – Love Is Grand (2003) {PS3 ISO + FLAC}

The Cleveland Orchestra, Christoph von Dohnanyi – Dvorak/ Smetana (1986/1995) [Reissue 2005] SACD ISO

The Doors – The Best Of The Doors (1973) [Audio Fidelity 2015] {PS3 ISO + FLAC}

The Main Ingredient – Euphrates River (1974) [Reissue 2016] {PS3 ISO + FLAC}

Oscar Peterson Trio – We Get Requests (1965) [Japanese Limited SHM-SACD 2010] {PS3 ISO + FLAC}

The Ventures – Greatest Gold (2002) [Japanese Release] {SACD ISO + FLAC}

The Weavers – Reunion at Carnegie Hall (1963) [APO Remaster 2013] {PS3 ISO + FLAC}

John Denver – The John Denver Collection (2003) [2.0 & 5.1] {PS3 ISO + FLAC}

John Denver – The Best Of John Denver: Live (1997) [Reissue 2000] {PS3 ISO + FLAC}

Roy Orbison – Black And White Night (1989) [2004 Remaster] {2.0 & 5.1} {PS3 ISO + FLAC}

Allan Holdsworth – All Night Wrong (2002) [2.0 & 5.0] {PS3 ISO + FLAC}

Tower Of Power – Ain’t Nothing Stopping (1976) [Reissue 2016] {PS3 ISO + FLAC}

Tsuyoshi Yamamoto Trio – Live At The Misty (1974) [Reissue 2006] {PS3 ISO + FLAC}

Tsuyoshi Yamamoto Trio – Misty (1974) [Reissue 2004] {PS3 ISO + FLAC}

Tsuyoshi Yamamoto, Ken Kaneko, Toshio Osumi – Autumn In Seattle (2001) [Reissue 2011] {PS3 ISO + FLAC}

Mariinsky Orchestra, Valery Gergiev – Massenet: Don Quichotte (2012) [2.0 & 5.0] {PS3 ISO + FLAC}