SACD / DSD – HDMusic.me

Features the 2011 DSD mastering based on the UK master. Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD Transferred by Mick McKenna & Richard Whittaker.

Coasting on the success of Some Girls, the Stones offered more of the same on Emotional Rescue. Comprised of leftovers from the previous album’s sessions and hastily written new numbers, Emotional Rescue may consist mainly of filler, but it’s expertly written and performed filler. the Stones toss off throwaways like the reggae-fueled, mail-order bride anthem “Send It to Me” or rockers like “Summer Romance” and “Where the Boys Go” with an authority that makes the record a guilty pleasure, even if it’s clear that only two songs — the icy but sexy disco-rock of “Emotional Rescue” and the revamped Chuck Berry rocker “She’s So Cold” — come close to being classic Stones.

Tracklist:
01. Dance (pt. 1)
02. Summer Romance
03. Send It To Me
04. Let Me Go
05. Indian Girl
06. Where The Boys Go
07. Down In The Hole
08. Emotional Rescue
09. She’s So Cold
10. All About You

DSD transferred from analogue master tapes by Mick McKenna & Richard Whittaker at the FX Copyroom.

ISO

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While their subsequent chart-topping albums would contain far more ambitious songwriting and musicianship, the Police’s 1978 debut, Outlandos d’Amour (translation: Outlaws of Love) is by far their most direct and straightforward release. Although Sting, Andy Summers, and Stewart Copeland were all superb instrumentalists with jazz backgrounds, it was much easier to get a record contract in late-’70s England if you were a punk/new wave artist, so the band decided to mask their instrumental prowess with a set of strong, adrenaline-charged rock, albeit with a reggae tinge. Some of it may have been simplistic (“Be My Girl-Sally,” “Born in the ’50s”), but Sting was already an ace songwriter, as evidenced by all-time classics like the good-girl-gone-bad tale of “Roxanne,” and a pair of brokenhearted reggae-rock ditties, “Can’t Stand Losing You” and “So Lonely.” But like all other Police albums, the lesser-known album cuts are often highlights themselves — the frenzied rockers “Next to You,” “Peanuts,” and “Truth Hits Everybody,” as well as more exotic fare like the groovy album closer “Masoko Tanga” and the lonesome “Hole in My Life.” Outlandos d’Amour is unquestionably one of the finest debuts to come out of the ’70s punk/new wave movement.

Tracklist:
01. Next To You
02. So Lonely
03. Roxanne
04. Hole In My Life
05. Peanuts
06. Can’t Stand Losing You
07. Truth Hits Everybody
08. Born In The 50’s
09. Be My Girl Sally
10. Masoko Tanga

ISO

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Matthew Carl Lien is a Yukon, Canada based World music singer-songwriter and producer. His primary lyrical and musical focus is on environmental and cultural themes. Preferring his native San Diego to Los Angeles, he discovered Signature Sound recording studios in San Diego, California, which is owned by his friend and musician/producer Luis Arteaga whom he met earlier at Mix Masters, where he recorded most of his albums to date, with the exception of his Hybrid SACD “Arctic Refuge” which was recorded at Bryan Adams’ Warehouse Studio in Vancouver, British Columbia, Canada. He now has a fan base of millions in Taiwan and China, where he is known for his environmental music and his work with aboriginal and traditional cultures.

Tracklist:
01. Among The Rafters Of The Earth
02. Currents
03. Under Mountain and Valley
04. Moon Over Crow Mountain – Intro
05. Moon Over Crow Mountain
06. A Perilous Trek
07. The Journey Home
08. Renewal
09. One River To The Sea
10. Whales
11. Heart Of The Refuge

All music compositions, Lyrics and Arrangements by Matthew Lien.
Produced by Matthew Lien. Recording Engineer (Stereo & 5.1): Michael W. Harris.
Recorded and Mixed in June and July of 2003 at the Warehouse Studio, Vancouver B.C., Canada.
Editing and Authoring by Lon Neumann of the Sony SACD Project, Hollywood, California.
Mastered by Chris Bellman at Bernie Grundman Mastering, Hollywood, California.

Field recordings of the Alaskan and Canadian arctic gathered by Matthew Lien during arctic expeditions from 1994 to 2002.
Additional beluga and narwhal recordings provided by John К. В. Ford of Fisheries and Oceans Canada.

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Classic Yo-Yo is a greatest-hits collection for the famous Yo-Yo Ma, something he’s fully entitled to after two decades of runaway success. It’s “Classic Yo-Yo” in the sense that it presents well-loved and presumably durable selections from a variety of Yo-Yo Ma albums, not because it inclines toward Ma’s straight-ahead classical recordings. In fact the division between classical and crossover pieces on the disc is about 50/50, and they tend to alternate. The transition from Bach to Astor Piazzolla works OK, but that from Appalachian Journey mastermind Edgar Meyer to Brahms might be a bit jarring. A greatest-hits album is a tough item for Ma because his recordings are so different from one another and involve such a variety of other musicians. As Ma himself says in an interview included in the liner material, “Collaboration is the best part of what I do, it’s what I enjoy most about being a musician”.

Here’s the bottom line. Ma is a rare treasure of classical music, perhaps the only musician active today who can connect with a wide public in the way that was second nature to the great instrumentalists of the past. This disc serves as a sampler of his work. If you’re new to Ma, or if you perhaps own one or two of his albums and want to hear what he sounds like playing Bach or country-inspired music or tango or Gershwin or John Williams or Rachmaninov, Classic Yo-Yo is for you. As a way of reliving great moments in Ma’s recording career it is partially successful. It indicates something of the wonderful breadth of his musical interests, but it is less able to show how well he has realized the musical concepts he has undertaken. Still, several previously unreleased tracks will make Classic Yo-Yo attractive for Ma’s confirmed fans. A hauntingly spare duo with bluegrass chanteuse Alison Krauss on the Shaker hymn “Simple Gifts” is an especially nice bonus.

Tracklist:

01. Bach: Prélude from Unaccompanied Cello Suite No. 1 in G Major, BWV 1007 (Excerpt)
Cello – Yo-Yo Ma

02. Piazzolla: Fear Tango
Cello – Yo-Yo Ma
Bandoneon – Nestor Marconi
Bass – Hector Console
Piano – Leonardo Marconi
Producer – Oscar Castro-Neves

03. O’Conner: Butterfly’s Day Out
Cello – Yo-Yo Ma
Bass – Edgar Meyer
Mandolin – Mark O’Connor
Producer – Edgar Meyer, Mark O’Connor

04. Bach: Was Gott tut, das ist wohlgetan, BWV 75
Cello – Yo-Yo Ma
Conductor – Ton Koopman
Orchestra – The Amsterdam Baroque Orchestra
Producer – Tini Mathot

05. Dvorak: Slavonic Dance No. 2 in E minor, Op. 72
Cello – Yo-Yo Ma
Conductor – Seiji Ozawa
Orchestra – Boston Symphony Orchestra
Producer – Thomas Frost
Transcription By – Oskar Morawetz
Violin – Itzhak Perlman

06. Gershwin: Three Preludes: I. Allegro ben ritmato e deciso
Cello – Yo-Yo Ma
Piano – Jeffrey Kahane

07. Williams: American Collection Theme (Extended Version)
Cello – Yo-Yo Ma
Conductor, Producer – John Williams
Orchestra – Recording Arts Orchestra Of Los Angeles

08. Meyer: 1B
Cello – Yo-Yo Ma
Bass – Edgar Meyer
Violin – Mark O’Connor

09. Brahms: IV. Allegro molto from Sonata for Cello and Piano in F Major, Op. 99
Cello – Yo-Yo Ma
Piano – Emanuel Ax

10. Tan Dun: The Eternal Vow (From “Crouching Tiger, Hidden Dragon”)
Cello – Yo-Yo Ma
Domra [Rawap] – Alimjan
Drum [Hand] – David Cossin, Kasim
Orchestra – Shanghai National Orchestra, Shanghai Symphony Orchestra

11. Bach: Matthäus-Passion, BWV 244: Erbarme dich
Cello – Yo-Yo Ma
Conductor – Ton Koopman
Orchestra – Amsterdam Baroque Orchestra
Producer – Tini Mathot

12. Faure: IV. Allegro molto from Quartet for Piano & Strings No. 2 in G minor, Op. 45 (Excerpt)
Cello – Yo-Yo Ma
Piano – Emanuel Ax
Viola – Jaime Laredo
Violin – Isaac Stern

13. Rachmaninoff: Vocalise
Cello – Yo-Yo Ma
Vocals – Bobby McFerrin

14. Piazzolla: Libertango
Cello – Yo-Yo Ma
Bandoneon – Nestor Marconi
Bass – Hector Console
Guitar – Horacio Malvicino
Piano – Leonardo Marconi
Violin – Antonio Agri

15. Traditional: Simple Gifts
Cello – Yo-Yo Ma
Producer – Grace Row
Vocals – Alison Krauss

16. O’Conner: Appalachia Waltz (Solo Cello Version)
Cello – Yo-Yo Ma

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Yo-Yo Ma, one of the best-known classical cellists of the recording era, whose crossover releases have spanned the world, bluegrass, and soundtrack charts. In this context “obrigado” means “thank you” in Portuguese.

As a cultural ambassador to the world, Yo-Yo Ma has immersed himself in the native music of many countries and taken away charming souvenirs of his musical explorations that he shares openly and without affectation. The chief characteristic of Ma’s approach is his showcasing of other talents, with a modesty and generosity on his part that makes these performances all the more appealing. In Obrigado Brazil, Ma shares the spotlight with musicians of the highest caliber, including bossa nova singer Rosa Passos, guitar duo Sergio and Odair Assad, clarinetist Paquito d’Rivera, pianist Kathryn Stott, and percussionist Cyro Baptista, among many other stars. All the performers display deep feeling, energy, and conviviality, no doubt inspired by Ma’s infectious goodwill and openhearted playing. Whether he engages the listener with popular numbers, such as the songs of Antonio Carlos Jobim and Pixinguinha, or with more classically tailored pieces by Heitor Villa-Lobos, Camargo Guarneri, and Egberto Gismonti, Ma offers a broad sampling of Brazil’s diverse musical styles. From sorrowful choros to lively sambas, the spectrum of the country’s music is well represented, and there is something here to please any armchair traveler. Sony’s recording is excellent, with special attention directed to capturing instrumental color.

Tracklist:

01. Cristal (Written by Cesar Camargo Mariano)
02. Chega De Saudade (Written by Antonio Carlos Jobim)
03. A Lenda Do Caboclo (Written by Heitor Villa-Lobos)
04. Doce De Coco (Written by Jaco Do Bandolim)
05. Dansa Brasileira (Written by Camargo Mazart Guarnieri)
06. Apelo (Written by Baden Powell)
07. Dansa Negra (Written by Camargo Mazart Guarnieri)
08. I X O ‘Um A Zero’ (Written by Pixinguinha)
09. Menino (Written by Sergio Assad)
10. Samambaia (Written by Cesar Camargo Mariano)
11. Carinhoso (Written by Pixinguinha)
12. Alma Brasileira (Written by Heitor Villa-Lobos)
13. O Amor Em Paz (Unknown)
14. Bodas De Prata & Quatro Cantos (Written by Egberto Gismonti & G.E. Carneiro)
15. Brasileirinho (Written by Waldir Azevedo)
16. Salador (Written by Egberto Gismonti) [Bonus Track]

Produced by Steven Epstein.

Personnel
Yo-Yo Ma – Cello
Helio Alves – Piano
Odair Assad – Guitar
Sergio Assad – Guitar, Arranger
Cyro Baptista – Percussion
Paulinho Braga – Drums
Jose DaSilva – Percussion
Jose DeFaria – Percussion
Paquito D’Rivera – Clarinet
Egberto Gismonti – Flute, Guitar, Piano, Arranger
Romero Lubambo – Guitar, Cavaquinho
Cesar Camargo Mariano – Piano
Nilson Matta – Bass
Rosa Passos – Guitar, Vocals
Kathryn Stott – Piano

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This disc is sort of Yo-Yo’s virtuoso collection. The album is comprised largely of fairly mindless music, but at least Ma manages to make things interesting. Most of these works are played extremely well – his cello arrangement of the Dvorak-Kriesler “Songs my mother taught me” is stunning, and if the octaves (and a bit of other passagework) in the Paganani 24th caprice are out of tune, that track still serves as a tribute to his incredible technical skill. Still, some of this music (such as “The Swan”) is too overplayed to be truly enjoyable at this point, and now that he has two separate sets of complete Bach Suites released (neither of which I’d recommend), the last thing anyone needs to hear is an early recording of the Bourrees from Suite 3. The highlight is his Haydn D major concerto, which is given a simple treatment here, and it works. So crisp and clean is his playing that little else is required, from him or the orchestra, and the result is an incredibly refined performance.

Tracklist:

01. Camille Saint-Saëns: The Swan from Carnival of the Animals
02. J.S. Bach: Boureé from Suite No. 3 in C Major for Unaccompanied Cello
03. Ludwig Van Beethoven: 7 Variations in E-Flat Major on ‘Bei Männern, welche Liebe fühlen’, WoO 46
04. Sakura, Sakura (Traditional Japanese Melody)
05. Antonín Dvořák (Arranged by Fritz Kreisler for Cello & Piano): Songs My Mother Taught Me from Gypsy Melodie, Op. 55
06. Fritz Kreisler: Schön Rosmarin
07. Fritz Kreisler: Liebesleid
08. Fritz Kreisler: Liebesfreud
09. Fritz Kreisler: Tambourin Chinois
10. Niccolò Paganini: Caprice No. 24
11. Joseph Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2 I. Allegro moderato
12. Joseph Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2 II. Adagio
13. Joseph Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2 III. Allegro

Personnel
Yo-Yo Ma – cello
Philippe Entremont & Gaby Casadesus – piano on “1”
Emanuel Ax – piano on “3”
Patricia Zander – harpsichord on “4”, piano on “5-10”
Pro Musica Nipponia (Michio Mamiya – arranger & conductor) on “4”
English Chamber Orchestra (José Luis Garcia – leader) on “11-13”

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The idea here was to put two masters together–one classical cellist, one improvisational singer/sound-effects performer–and voilà! instant amazing, unique, hip–and, hopefully, hit–record. The intriguing setup was to see what would happen when each led the other through the unfamiliar territory of his own specialty. The success of this recording lies not so much in the music or even in the overall performances, but in the fascinating and fun opportunity to sit in on the musicians’ good-natured, respectful give-and-take, to witness an uncommon form of artistic chemistry that allows each performer to expand his vision and even his technique. On one hand we get Bobby McFerrin’s impressionistic, improvisatory jazz/pop; on the other we enjoy Yo-Yo Ma’s highly refined, formalized musicianship.

A surprisingly good collaboration from two virtuosos of their given instruments. Bobby McFerrin, the master of the voice, and Yo-yo Ma, the master of the cello, combined to perform various pieces, from classical, traditional, and contemporary classical sectors. Some of the McFerrin compositions are quite amazing simply as compositions to begin with, but when the cello and vocal performances are added, they become something even more exciting. More than likely, the main highlight on the album is Rimsky-Korsakov’s “Flight of the Bumblebee,” which is performed on a dual line by both musicians and allows an ample chance to note the amazing virtuosity of McFerrin, once you can distinguish the voice from the cello (yes, they follow the lines that close). For any fan of either musician, it’s a wonderful find of an album.

Tracklist:

01. Grace
02. Andante from Concerto in D Minor for 2 Mandolins
03. Flight of The Bumblebee From The Legend of Tsar Saltan (Excerpt) (P.76)
04. Stars
05. Hush Little Baby
06. Vocalise
07. Musette from the Notebook for Anna Magdalena Bach (Vocal)
08. Coyote
09. Allegro prestissimo from Sonata for Two Cellos
10. Ave Maria
11. Hoedown!
12. Air From Orchestral Suite No. 3
13. Good-bye

Produced by Steven Epstein & Bobby McFerrin. Recording & Mixing Engineer: Chris Tergesen.
Recorded at Dreamland Recording Studios. Woodstock, New York, August 22-25.1991.
For this recording 20-bit technology was used for “high definition sound”.

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This disc introduces Yo-Yo Ma’s latest and most ambitious adventure, the Silk Road Project. It explores the cultures that flourished along the Silk Road, the ancient trade route that for centuries connected Europe and the East. Founded by Ma in 1998, the project aims to create connections, mutual trust, and cultural interchange between people from different parts of the world through their only shared language: music. This recording includes music from Mongolia, China, Persia, Japan, Iran, Azerbaijan, and an improvisation on an Italian Renaissance street song, performed by musicians from all those countries, as well as America, on both Eastern and Western instruments.

Ma, who participates in every piece either as soloist or part of the ensemble, plays cello and a Mongolian “horse-head fiddle.” There is also a Mongolian soprano, who sings a traditional song native to her region. For the uninitiated Western listener, the music requires some getting used to. Much of it is based on rhythmic ostinatos. The melodies use Oriental scales; the intonation is untempered; the music seems all color, texture, and atmosphere, without what might be called themes; and repetition takes the place of development. Contrast is achieved through sudden change, buildup by adding instruments. However, the music is often beautiful, delicate, dreamy, or peaceful; every listener will find his or her own favorite pieces. The playing is splendid, with much inventive improvisation. Inevitably, Ma’s tone and personality stand out, but he never dominates in fact or spirit. The booklet offers essays by Ma and the project’s musicologist, Theodore Levin, photographs of the players, and drawings of the Eastern instruments.

Recorded as part of the ongoing Silk Road Project, Silk Road Journeys brings together composers from the elusive, ancient Silk Road that crosses from China to the Middle East with musicians from both West and East. It’s both ambitious and daring, two qualities that have been trademarks of Yo-Yo Ma’s career. For its modernity and mix of Asian and Western instruments, though, it hews close to tradition (and not merely on Mongolian Traditional Long Song), although the departure into the Italian Renaissance for Chi Passa Per’sta Strada makes for an interesting, more formal and graceful aid in the whole. But the multicultural Silk Road itself makes for a good metaphor for this album, with the sheng, an ancient form of mouth organ, alongside the cello on the traditional Blue Little Flower, for example. While it might seem strange to find Michio Mamiya’s Five Finnish Folksongs here, it makes sense; the Saami people of Finland were nomadic, and traveled as far as the Silk Road. But the instruments, from Wu Man’s pipa to Joel Fan’s piano, work together, whether on traditional or commissioned material, to create something that’s challenging to both listeners and performers and offers a strong impression of the journeys of the past.

Tracklist:

01. Mongolian Traditional Longsong
02. Legend Of Herlen
03. “Blue Little Flower” (Chinese Traditional)
04. “Mido Mountain” (Chinese Traditional)
05. Moon Over Guan Mountain
06. No. 3 Miero Vuotti Uutta Kuuta from Five Finnish Folk Songs
07. No. 5 Joiku from Five Finnish Folk Songs
08. Persian Traditional Avaz-e Dashti
09. Habil-Sayagy (In Habil’s Style)
10. Blue As The Turquoise Night Of Neyshabur
11. Chi Passa Per’sta Strada
12. Desert Capriccio (Music from the film Crouching Tiger, Hidden Dragon)

Produced by Steven Epstein. Engineered by Richard King.
Recorded on August 1-8, 2001 at the Hit Factory 1, NYC.

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This release takes us to the fashionable salons of late 19th-century Paris. Superstar cellist Yo-Yo Ma and pianist Kathryn Stott partner in this album of elegant French chamber music aptly titled “Paris: La Belle Époque”. The recording features a combination of major works and well-known shorter pieces, all transcribed from their original versions for violin. The Faure Violin Sonata #1 and Franck Violin Sonata in A Major both take on a rich, warm character in cello transcription, and Massenet’s ever-popular “Meditation from Thais” and Saint-Saens’ exotic Havanaise work equally well as arranged by Ma. The cello and piano playing are both top-notch in this recording – refined and elegant overall, yet dramatic and exciting when called for (particularly in the Franck). It’s not surprising that Stott and Ma’s previous collaboration, “Soul of the Tango”, won a Grammy.

Tracklist:

01. Massenet: Meditation from Thaïs
02. Fauré: Sonata No. 1 in A Major for Violin and Piano, Op. 13 – Allegro molto
03. Fauré: Sonata No. 1 in A Major for Violin and Piano, Op. 13 – II. Andante
04. Fauré: Sonata No. 1 in A Major for Violin and Piano, Op. 13 – III. Allegro vivo
05. Fauré: Sonata No. 1 in A Major for Violin and Piano, Op. 13 – IV. Allegro quasi presto
06. Saint-Saëns: Havanaise, Op. 83
07. Franck: Sonata in A Major for Violin and Piano – I. Allegretto ben moderato
08. Franck: Sonata in A Major for Violin and Piano – II. Allegro
09. Franck: Sonata in A Major for Violin and Piano – III. Recitativo – Fantasia: Ben moderato
10. Franck: Sonata in A Major for Violin and Piano – IV. Allegretto poco mosso

Personnel
Yo-Yo Ma – cello
Kathryn Stott – piano

Produced by Steven Epstein. DSD Authoring Engineer: Robert Wolff.
Recorded on January 28 – February 1 , 2003 at Mechanic Hall, Worchester, Massachusetts.

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It was only a matter of time before the remarkable Yo-Yo Ma went along with the tide and dipped his talent into the so-called authentic instrument movement. On this recital, abetted by Ton Koopman–one of the most respected names in early-music practice–Ma plays Bach and Boccherini. The Bach are all transcriptions and very fine ones, indeed–the alto aria “Erbarme Dich” from the St. Matthew Passion; the equally famous “Air on a G String” from the Third Orchestral Suite; Jesu, Joy of Man’s Desiring; and six others, most less well-known. These are followed by two fascinating cello concertos by Boccherini, made all the more interesting by Koopman’s cadenzas, which are pretty outrageous. Throughout, Ma’s stunning virtuosity is matched by his taste and musicality. The Amsterdam Baroque Orchestra plays handsomely, and the recorded sound is warm and full. “Authentic” or not, this is mighty fine playing, and wait till you hear those cadenzas.

Tracklist:

01. J.S. Bach: Sei Lob und Preis mit Ehren, BWV 167
02. J.S. Bach: Matthäus-Passion, BWV 244: Erbarme dich
03. J.S. Bach: Herz und Mund und Tat und Leben, BWV 147: 10. Chorale, Jesus bleibet meine Freude
04. J.S. Bach: Ertöt’ uns durch dein’ Güte, BWV 22
05. J.S. Bach: Ich ruf’ zu dir, Herr Jesu Christ, BWV 639
06. J.S. Bach: Kommst du nun, Jesu, vom Himmel herunter, BWV 650
07. J.S. Bach: Laß mein Herz die Münze sein, BWV 163
08. J.S. Bach: Dein Blut, der edle Saft, BWV 136
09. J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
10. Luigi Boccherini: Concerto in G Major for Cello and String Orchestra, G. 480 I. Allegro
11. Luigi Boccherini: Concerto in G Major for Cello and String Orchestra, G. 480 II. Adagio
12. Luigi Boccherini: Concerto in G Major for Cello and String Orchestra, G. 480 III. Allegro
13. Luigi Boccherini: Concerto in D Major for Cello and Orchestra, G. 478 I. Allegro con spirito
14. Luigi Boccherini: Concerto in D Major for Cello and Orchestra, G. 478 II. Larghetto
15. Luigi Boccherini: Concerto in D Major for Cello and Orchestra, G. 478 III. Rondo
16. Luigi Boccherini: Concerto in D Major for Cello and Orchestra, G. 478 IV. Rondo comodo assai

Arranged & Conducted by Ton Koopman.
Recorded on August 16-21, 1998 at Stadsgehoorzaal, Leiden.

Personnel
Yo-Yo Ma – cello
Ton Koopman – harpsichord, organ
+ The Amsterdam Baroque Orchestra

ISO

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FLAC

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Yo-Yo Ma’s multi-faceted career is testament to his continual search for new ways to communicate with audiences, and to his personal desire for artistic growth and renewal. Whether performing new or familiar works from the cello repertoire, coming together with colleagues for chamber music or exploring cultures and musical forms outside the Western classical tradition, Mr. Ma strives to find connections that stimulate the imagination. Very Japanese release. Traditional instruments along with Yo-Yo Ma, lovely to just let play in the background.

Tracklist:

01. Matsushima-Ondo
02. Kojo-No-Tsuki
03. Zui-Zui-Zukkorobashi
04. Defune
05. Nara-Yama
06. Chin-Chin-Chidori
07. Sakura, Sakura
08. Oroku-Musume
09. Chugoku-Chiho-No-Komoriuta
10. Chiran-Bushi

Personnel
Yo-Yo Ma – cello
Patricia Zander – harpsichord
Sumire Yoshiwara – percussion
Hiroaki Naka – bass
Masami Nakagawa – flute
Pro Musica Nipponia – ensemble
Michio Mamiya – arranger & conductor

ISO

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FLAC

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By the time this was released in 2001, John Mayall was more known for the people who played in his seminal British band, the Bluesbreakers rather than his own accomplishments. The success of 1999’s Padlock on the Blues afforded Mayall the opportunity to fulfill his dreams and gather an all-star lineup of blues and rock luminaries. “A World of Hurt” and “That’s Why I Love You So” both typify the good but not great groove that permeates Along for the Ride. Better tracks “Yo Yo Man” and “Early in the Morning” are easygoing blues that feature the great rhythm section of John McVie and Mick Fleetwood. Fellow Fleetwood Mac and Bluesbreaker alum, the reclusive Peter Green plays acoustic slide guitar on “Yo-Yo Man.” “So Many Roads” has Mayall dueting with Otis Rush, and it soon becomes a contest on who sounds more disgruntled. The playful “Testify” features vocals and subtle guitar lines from blues phenom Shannon Curfman. This ends on the strong note. The powerful and wry “She Don’t Play By the Rules” has Mayall with arguably the strongest and most subtle band with Mick Taylor on lead guitar and Andy Fairweather Low on acoustic guitar. Along for the Ride is produced, engineered, and mixed by David Z. Despite the camaraderie, a lot of the hooks here don’t stick, and fans of Mayall and superstar sessions will get the most from this effort.

Tracklist:
01 – A World Of Hurt
02 – Along For The Ride
03 – Put It Right Back
04 – That’s Why I Love You So
05 – Yo Yo Man
06 – If I Don’t Get Home
07 – Testify
08 – Early In The Morning
09 – Something About My Baby
10 – So Many Roads
11 – World War Blues
12 – California
13 – She Don’t Play By The Rules
14 – Bad Dream Catcher

Remastered for SACD by Steve Hoffman at Kevin Grey’s AcousTech, Camarillo, CA.

ISO:

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FLAC

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Pentangle (or The Pentangle) are a British folk-jazz band with an eclectic mix of folk, jazz, blues and folk rock influences. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. Their debut album “The Pentangle” brought together their separate influences of folk, jazz, blues, early music and contemporary songwriting. One of the band’s most commercially successful albums, it reached number 21 in the British charts.

Were Pentangle a folk group, a folk-rock group, or something that resists classification? They could hardly be called a rock & roll act; they didn’t use electric instruments often, and were built around two virtuoso guitarists, Bert Jansch and John Renbourn, who were already well-established on the folk circuit before the group formed. Yet their hunger for eclectic experimentation fit into the milieu of late-’60s progressive rock and psychedelia well, and much of their audience came from the rock and pop worlds, rather than the folk crowd. With Jacqui McShee on vocals and a rhythm section of Danny Thompson (bass) and Terry Cox (drums), the group mastered a breathtaking repertoire that encompassed traditional ballads, blues, jazz, pop, and reworkings of rock oldies, often blending different genres in the same piece. Their prodigious individual talents perhaps ensured a brief lifespan, but at their peak they melded their distinct and immense skills to egg each other on to heights they couldn’t have achieved on their own, in the manner of great rock combos like the Beatles and Buffalo Springfield.

There’s something exciting about the first album of a band that goes on to greatness, and The Pentangle, by the group of the same name, is no different. Here, the listener witnesses the first studio work of a band struggling to get their essence down on vinyl. Of course Bert Jansch and John Renbourn’s reputations as guitarists preceded the band, but the addition of bassist Danny Thompson and drummer Terry Cox gave the band an acoustic rhythm section like no other folk-rock group. Singer Jacqui McShee became the last piece of this intricate English puzzle, delivering high, expressive vocals that contrasted and merged so well with Jansch’s deeper pipes. The group doesn’t hold back on their first outing. On “Hear My Call” McShee offers a dreamy vocal, floating high above the bluesy guitars. The soaring vocal and firmly grounded rhythm highlight one another, creating a carefully layered sound that is present in all of Pentangle’s best music. This dynamic works equally well in “Pentangling,” with McShee and Jansch’s voices combining light and dark shadows to concoct a strangely atmospheric harmony. The rocking and rollicking “Way Behind the Sun” is another standout, and the instrumentals “Bells” and “Waltz” are complex and lively. The album’s spacious arrangements take full advantage of stereo, mixing instruments to different tracks so that the listener, for instance, can always hear Jansch’s guitar on one side and Renbourn’s on the other. This group, it seems, had it all. Equally comfortable with traditional songs, instrumentals, and originals, they made few missteps on their early albums. Like Fairport Convention and the Incredible String Band, Pentangle specialized in updating British Isles’ folk music.

Tracklist:

01. Let No Man Steal Your Thyme
02. Bells
03. Hear My Call
04. Pentangling
05. Mirage
06. Way Behind The Sun
07. Bruton Town
08. Waltz

DSD transferred from analogue master tapes by Manabu Matsumura (Universal Studio Mastering).
Universal Japan # UIGY-9507

ISO

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FLAC

https://subyshare.com/o7y1rc33vc32/sacd.xyz_ThePentangleThePentangle1968Japan2011FLAC2496.rar.html

Linda Rosenthal, Lisa Bergman – The Artistry of Linda Rosenthal (2001)
Classical | SACD ISO: DSD64 2.0 > 1-bit/2.8224 MHz | 00:41:18 | 1.68 GB
Label: First Impression Music – FIMSACD038 | Release Year: 2001

A collection of timeless violin solo favorites, by the most talented student of Jascha Heifetz with dazzling skill, dynamics and colors. You have to listen to believe. A must for demo!

Tracklist:

1. Hora Staccato
2. Csardas
3. Banjo and Fiddle
4. Fiddler on the Roof
5. From the Homeland
6. Elegy and Habanera
7. Perpetuum Mobile
8. Rumanian Fork Dance
9. Beau Soir
10. Oror

Download:

https://subyshare.com/bqfe1qwpm8k3/LindaR0senthalTheArtistry0fLindaR0senthalFIMSACD038SACDIS0.part1.rar.html
https://subyshare.com/ta6xn7ftbjoj/LindaR0senthalTheArtistry0fLindaR0senthalFIMSACD038SACDIS0.part2.rar.html

Released 20 years after death of the virtuoso Japanese guitarist, Yoshio Kimura, “Yoshio Kimura’s Guitar Enka: Showa No Meikyoku masterpiece collection”, is a collection of familiar tunes performed by Yoshio Kinuma and Enka Club. This is the first volume of double set.

没後20年を迎えるギターの名手・木村好夫の名演で聴く、懐かしの昭和演歌のヒット曲集。思わず口ずさんでしまうお馴染みの名曲ばかりを収録。 (C)RS

Tracklist:

01. 兄弟仁義 / Kyoudai Jingi
02. ああ上野駅 / Aa Ueno Eki
03. 男船 / Otoko Sen
04. 女のみち / Onna No Michi
05. 北国の春 / Kitaguni No Haru
06. くちなしの花 / Kuchinashi No Hana
07. 奥飛騨慕情 / Oku Hida Bojou
08. 津軽平野 / Tsugaruheiya
09. なみだ恋 / Namidagoi
10. おやじの海 / Oyaji No Umi
11. 夢追い酒 / Yume Oi Sake
12. 長良川艶歌 / Nagaragawa Tsuya Uta
13. 祝い船 / Iwai Sen
14. 風雪ながれ旅 / Fuusetsu Na Gare Tabi

ISO

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FLAC

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Tracklist:

01. 兄弟船 / Kyoudai Sen
02. みちづれ / Michizure
03. 花街の母 / Hanamachi No Haha
04. なみだの操 / Na Mi Da No Misao
05. ふたり酒 / Futarizake
06. 夫婦舟 / Fuufu Fune
07. 無錫旅情 / Mu Suzu Ryojou
08. そして…めぐり逢い / Soshite…Meguri Eye
09. 浪花戀しぐれ / Naniwa Koi Shigure
10. みだれ髪 / Midaregami
11. 夕焼け雲 / Yuuyake Kumo
12. 釜山港へ帰れ / Busankou E Kaere
13. 夫婦坂 / Fuufu Zaka
14. 夢芝居 / Yume Shibai

ISO

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FLAC

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The virtuoso Japanese guitarist, Yoshio Kimura has the skilled performance techniques but never show off it on purpose, manifesting the charm of one generation master. The sound of guitar is profound, giving you a sense of dreamlike and wonderful listening feelings, which can be regarded as an example recording for other guitar performances. This album (with Japanese titles, means “Seaside Sketch”) features New Age/Easy Listening instrumental music.

Tracklist:

01. 谁もいない海
02. さくら贝の歌
03. 砂山(山田耕筰)
04. 波浮の港
05. 城ヶ岛の雨
06. 知床旅情
07. 浜千鸟
08. 砂山 (中山晋平)
09. 浜辺の歌
10. 出船

ATTENTION – Original disc did not contains any tags (Track 01,02,03,etc).

ISO

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FLAC

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The virtuoso Japanese guitarist, Yoshio Kimura has the skilled performance techniques but never show off it on purpose, manifesting the charm of one generation master. The sound of guitar is profound, giving you a sense of dreamlike and wonderful listening feelings, which can be regarded as an example recording for other guitar performances. This album (with Japanese titles, means “Highland sketch”) features New Age/Easy Listening instrumental music.

Tracklist:

01. 远くへ行きたい
02. ふるさと
03. この道
04. 叱られて
05. 七つの子
06. 赤とんぼ
07. 希望
08. おぼろ月夜
09. 旅愁
10. 雨降りお月さん
11. ちいさい秋みつけた
12. 夕やけ小やけ

ATTENTION – Original disc did not contains any tags (Track 01,02,03,etc).

ISO

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FLAC

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Guitarist Yoshio Kimura was the pride of Japanese music circles, for his consummate performance techniques, unique arrangement skill and giving the audiences extraordinary sense of hearing, and known as the Japanese guitar Emperor’s virtuoso. He applied the crafted skills to turn traditional pieces into unique style and exciting songs, created a wonderful guitar world with his hands and wisdom.

Yoshio Kimura liked music when he was a little child, and the beautiful music is his lifetime pursuit. In his early musical career, Kimura just played jazz. Because jazz is full of passion, dynamic and personality; Besides, the unique rhythm of jazz and close to the life improvisation is also popular with people, specially favored by active young people. But this kind of music is over passion and exposed personality, which is not in accord with the features of Japanese contained, introverted temperament. So later Kimura chose to play folk songs which were more suitable for the Japanese national character, and won the whole of Japan, Southeast Asia and even the people of the world’s favorite. Some people says: Kimura’s performances have become a common memory of the times. Yoshio Kimura is an outstanding performance artist, his works not only exist in the twentieth century Asian music, also will be like our country masterpiece “lofty mountains and flowing water”, as works of the European classical music Beethoven, Schubert, Tchaikovsky and other musicians, always exist in the eternal love of thousands of households.

Tracklist:

01. Romance D’Amour / 禁じられた游び
02. Bridge Over Troubled Water / 明日に架ける桥
03. Ebb Tide / 引き潮
04. Sinno’ Me Moro / 死ぬほど爱して
05. Two Guitars / 二つのギター
06. Gelsomina / ジェ儿ソミーナ
07. Stern Von Afrika / アフリカの星のボレロ
08. La Ragazza Di Bube / ブーベの恋人
09. Tombe La Neige / 雪が降る
10. La Playa / 夜雾のしのび逢い
11. Un Anno D’Amore / 别离
12. Che Vuole Questa Musica Stasera / ガラスの部屋
13. L’Eau Vive / 河は呼んでる
14. Marcelino Pan Y Vino / 污れなき恶戯
15. Haunted Guitar / 魅せられしギター
16. Il Ferroviere / 铁道员
17. La Reine De Saba / シバの女王
18. Plein Soleil / 太阳がいっぱい

ISO

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FLAC

https://subyshare.com/844qef1hs2j4/sacd.xyz_Y0shi0KimuraR0manceDAm0ur1978Reissue2016FLAC2444.rar.html

The virtuoso Japanese guitarist, Yoshio Kimura has the skilled performance techniques but never show off it on purpose, manifesting the charm of one generation master. The sound of guitar is profound, giving you a sense of dreamlike and wonderful listening feelings, which can be regarded as an example recording for other guitar performances. As title says, this album features the music from the movies performed in an juicy instrumental arrangements.

Tracklist:

01. A Time For Us
02. The Sound Of Silence
03. Speak Softly Love
04. Johnny Guitar
05. Loss Of Love
06. The Way We Were
07. Gone With The Wind
08. Love Story
09. I Will Wait For You
10. Free As The Wind
11. 13 Jours En France
12. Love Is A Many – Splendored Thing
13. Manha De Carnaval
14. A Summer Place
15. The Third Man
16. East Of Eden
17. Live For Life
18. A Man And A Woman

ISO

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DSD64

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FLAC

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The Rolling Stones – Emotional Rescue (1980) [Japanese Limited SHM-SACD 2011 # UIGY-9077] {PS3 ISO + FLAC}

The Police – Outlandos d’Amour (1978) [SACD 2003] {PS3 ISO + FLAC}

Matthew Lien – Arctic Refuge (2004) {PS3 ISO + FLAC}

Yo-Yo Ma – Classic Yo-Yo Ma (2001) [Reissue 2016] {SACD ISO + FLAC}

Yo-Yo Ma – Obrigado Brazil (2003) {SACD ISO + FLAC}

Yo-Yo Ma – Portrait Of Yo-Yo Ma (1989) [Reissue 2016] {SACD ISO + FLAC}

Yo-Yo Ma & Bobby McFerrin – Hush (1992) [Reissue 2015] {SACD ISO + FLAC}

Yo-Yo Ma & The Silk Road Ensemble – Silk Road Journeys: When Strangers Meet (2001) {SACD ISO + FLAC}

Yo-Yo Ma & Kathryn Stott – La Belle Epoque (2003) {SACD ISO + FLAC}

Yo-Yo Ma, Ton Koopman, The ABO – Simply Baroque (1999) [Reissue 2016] {SACD ISO + FLAC}

Yo-Yo Ma – Japanese Melodies (1984) [Reissue 2016] {SACD ISO + FLAC}

John Mayall & Friends – Along For The Ride (2001) (SACD 2003) [Audio Fidelity AFZ-016] {PS3 ISO + FLAC}

The Pentangle – The Pentangle (1968) [Japanese Limited SHM-SACD 2011 # UIGY-9507] {PS3 ISO + FLAC}

Linda Rosenthal, Lisa Bergman – The Artistry of Linda Rosenthal (2001) SACD ISO

Yoshio Kimura & Enkakurabu – Showa No Meikyoku Collection, Vol. 1 (2017) {PS3 ISO + FLAC}

Yoshio Kimura & Enkakurabu – Showa No Meikyoku Collection, Vol. 2 (2017) {PS3 ISO + FLAC}

Yoshio Kimura – Umibe No Sketch (1978) [Reissue 2015] {PS3 ISO + FLAC}

Yoshio Kimura – Takahara No Sketch (1978) [Reissue 2015] {PS3 ISO + FLAC}

Yoshio Kimura – Romance D’Amour (1978) [Reissue 2016] {PS3 ISO + FLAC}

Yoshio Kimura – A Time For Us: Movie Themes (1978) [Reissue 2017] {SACD ISO + DSD64 + FLAC}